Heads up! There’s no episode next week while I’m away on vacation, but we’ll be back on Friday, May 23 with the penultimate episode of the season, featuring Substack favorite Jennifer Cook of mom friend.

We’ll wrap up Season One on Friday May 30 with the incredible Christine Platt. You might know her from Instagram or one of her many books, The Afrominimalist’s Guide to Living With Less. I can’t wait to share these final episodes with you!

This week’s guest is Calley Dawson, the founder and CEO of circular fashion company, FXRY. We chat about her long tenure in fashion, how her approach to style has changed, and her take on what sustainable fashion even is. Enjoy!

Episode Transcript

This transcript has been edited for clarity.

You're listening to Intuitive Style, where we believe that everyone has style. I'm Maureen Welton. In conversation with fantastic guests, we explore how to tap into our style intuition so that we can dress authentically and live fully. Today's guest is Calley Dawson, creator of the circular fashion startup FXRY. She's a fashion industry veteran who turned her focus to reducing fashion waste by scaling tailoring and mending services. Basically, she's super amazing. Calley, welcome to the show.

Calley: Thanks, Maureen. Thanks for having me. I'm excited to be here.

Maureen: Yeah, it's so nice to get to sit down and talk a little bit more. I know we talked a bit a couple weeks ago, which is always fun. I had a look at your FXRY website and I loved your quote about your experience in the fashion industry and how you realized that was contributing to the landfill—and now you're looking to reverse that. Just to personalize that moment even further, can you share what got you on the path of advocating for circularity?

Calley: Sure. I've worked in the fashion industry for twenty-five years at all kinds of different big brands around the United States. It was really exciting when I was younger. I really enjoyed the fun of fashion, and even when fast fashion started, it was really fun to be a part of it. I don't know if I was young or not aware—whatever it was, I just had no idea that it was so bad for the planet. But it was a really fun space to be in because it was exploding. For you, Maureen, or anyone listening, it's really fun to work at a company and in a space that's doing well. It's not very fun to work somewhere that's not doing so well. It just doesn't feel good.

The longer I went on working at these different companies and as I've gotten older and matured, I started to realize that the values I have for myself in my own personal life—I want them to align with my work. I don't even know if I knew what my values were when I was in my early twenties. When I really started this journey of doing fashion design, over the years I've come to realize that doing good by the planet and, honestly, just doing good is what feels best for me. I want to always be doing what is the better thing of two options. Nothing's perfect—everything we create has its flip side—but I just want to be marching towards what feels good.

So for me, when I left the last company I was at and thought about what I wanted to do next, no company really excited me in fashion and apparel. I really didn’t want to lose the network and everything I had built up in my career. If I had switched into a different category—if I wanted to go do tech—I’d have to learn something fully new. I really wanted to utilize my skill sets and the network I’d built up.

It was just really exciting to realize that I could align my values by doing something that was truly sustainable and not greenwashing. That was the other thing that was really hard to watch. I sat in these design director positions and had to advocate for my company while also helping people more junior on my team understand how this isn’t greenwashing. And in a lot of cases, accepting that that’s what we were doing, because most brands are overproducing—especially the big ones.

Maureen: Yeah, and that’s really interesting what you said about going where feels right because this idea of intuitive style is, of course, about what we wear and choosing clothes that feel good. But there’s also an aspect of paying attention to what feels good in every aspect of our lives. I really appreciate what you're sharing about what felt right for you with your career.

I'd love to hear a little bit more too. I like to make this comparison that intuition isn’t negating experience, nor is it negating expertise. So I'd love to hear a little bit more from your perspective about how your expertise in fashion led you to figuring out what felt right—versus just a gut feeling. You talked about not knowing your values earlier on. How did you develop that sense of your values and what you wanted to do at work?

Calley: To be really honest, I think one of the biggest things for me is I'm sober. I live in a community of sober people where one of our tenets is to just do good and to make amends for bad things we've done in the past, or things that weren’t appropriate. That has really guided my life.

When I was younger and newly sober, I didn’t know how to talk about that. I hid it a little bit. As I’ve gotten older and more comfortable in my own skin, I’m the first person to shout it from the rooftops. This is a part of my life and a big part of who I am. That’s really allowed me to set forth who I am and bring it into my career. I’ll be one of the first people at a company party to tell people I don’t drink. I’m sober. I’m comfortable with that.

Allowing those parts of my personal life to be in my career and to lead with the values I’ve developed from there has been really important to me. I’d say it’s been an amazing experience learning how to manage people at work and realizing how different everyone is. Also realizing that the way things work is by collaboration and coming together. But the only way that you can come together—for example, to do circularity, because you can’t do it by yourself—it requires so many different people.

It made me realize that we’re all so different, and the only way you get full collaboration is by fully understanding each other: why you’re different, how you’re different. So you have to be your authentic self, so that you can show other people who you are. It allows them to show you who they are, and then you can figure out the path forward. In this case, with sustainability and really figuring out how we can solve this massive overproduction problem. I know that’s a lot of things, but—

Maureen: No, that's amazing. I appreciate everything you just shared. As an aside, I stopped drinking habitually, so I just want to connect with you in that way. I wouldn’t call myself sober in that sense, but I have made some very dramatic changes to my relationship with substances in general. It’s a learning process to figure out how to talk about it with people—if at all. Now that I’ve been doing this for a little while longer, I’m like, “Oh, everything about my life is different. I can tell people this because it’s important to who I am.”

So I appreciate you sharing that because I think it’s really helpful for people to hear. Just not being ashamed, no matter how anyone might react. I’d love to talk a little more about FXRY and what you’re trying to do with it. I watched some of your social media videos and one thing that really stood out to me was a video showing a mending experience for a pair of stretchy jeans. That really connected with me as someone who wears stretchy pants.

Stretchy jeans specifically—there are some very loud voices that are anti-stretch denim, and I think that’s totally great. If you’re a person who can wear non-stretch denim, please enjoy that. And for everyone else who does wear them, I just really appreciated seeing that there is a way to mend that kind of denim and keep it in use, rather than just saying, “Oh, we should never buy that kind of thing.” So I’d love to hear a bit more—not necessarily about that specifically—but about the FXRY approach and how that extends the life of clothing, perhaps compared to other circular fashion alternatives.

Calley: Yeah, totally. You bring up a really great point that's talked about often in these circularity circles that I find myself in. There are definitely different camps, and then there are people who sort of reside in both. Some people are really strong that you should buy quality and therefore spend the money to maintain the quality. And some people are like, but I can't afford that. So I'm going to buy the cheaper option.

I've definitely been in some conversations where someone said, we shouldn't fix the Zara stuff. And I’m like, no, we should fix everything—as long as we can fix it. If someone will wear it, we need to fix it. One of the biggest problems with waste is the plastic and the synthetics. Zara and other similar brands are the problem in the landfill. So however we can keep them going longer is important. At the same time, I would encourage people to think more about what they’re purchasing.

From my personal experience, I used to be a crazy Zara shopper. I spent so much money there every month. I'd get this huge haul shipped to my house, go through it, send half of it back, and keep the rest. I’d wear it not for very long, and then I don’t even know what I did with it—probably donated it to Goodwill. Today, I haven’t bought anything from Zara for probably three years. One of my favorite shirts is from Zara, and I will wear that thing until it’s a rag.

We definitely have people who come in or book online to repair fast fashion items, and they end up spending more than they originally paid. That works for them because they love the item. I would really encourage people to buy stuff they absolutely love. Don’t buy something just because it’s the trend of the moment. If you love the way it looks on you and how it makes you feel—which is what your podcast is all about—then it makes sense to buy it.

We were actually contemplating whether to post that stretchy denim [video]. I was hesitant because it’s not this ethos of quality and vintage. But we were all like, we have to repair all clothing—including stretchy denim—so let’s show people that you can repair your stretch denim and keep it if you love it.

Maureen: Yeah, I had that thought—like, I feel represented by this. In some spaces, I feel actively excluded from the conversation because of my preferences. That really connected with me, and I imagine a lot of other people would feel the same way. These are potential customers, which is good for your bottom line, but also when we think about what we’re actually striving to do when we talk about circular fashion, why wouldn’t we want to make the circle bigger, more welcoming, and more accepting? I appreciate that you're going in that direction. That really connected with me.

So anything else about FXRY that you feel excited about? I didn’t give you a chance to say exactly what it is, so I’d love if you could talk a bit more specifically about the service.

Calley: Yes, absolutely. FXRY is clothing alterations and repairs at your fingertips. You book online, and as long as you live in Seattle, White Center, or Bellevue, we come to your house, pick it up, take it to our studio, fix or alter it, and return it within two weeks.

If that doesn’t work for you—if you need a fitting or an in-person experience—we do pop-ups all over Seattle. We partner with Filson, Eileen Fisher, Anthropologie, Jenni Kane, and a lot of local boutiques and vintage spots. I imagine in the next year we’ll cover every single spot in Seattle. We've really been popping up everywhere!

We just moved into our own commercial space, and we’re figuring out how to bring that to life, likely through pop-up events for now. We’re also introducing mail-in and mail-out services in the next few months. Right now, if you want to use our services and live outside the greater Seattle area, you can email us, and we’ll get you access to our booking portal.

We’re just trying to keep clothing in rotation and out of landfills. That’s really our marketing message. We differ from your local dry cleaner or tailor—not that they aren't doing great work—but they’re not creating a platform to advocate for this kind of change.

That’s really important to me and to our business model. Clothing repair is crucial to keeping clothes in use, but so are alterations. If your clothing fits you really well, you're going to love it for longer. I can’t tell you how many jeans I’ve gotten rid of because the waist was too gaping. Now, I just have my team at FXRY nip in the waist, and I have jeans that fit perfectly.

Maureen: That’s incredible. When I got married a couple years ago, I told my friend I bought a cheap jumpsuit for my reception. I thought maybe I should have gotten something nicer, but then I had it altered—and the alterations were expensive. I told my friend maybe I should’ve bought something more expensive. And she said, “Girl, you have a $400 jumpsuit now!” Because that’s how much the alterations cost. It went from just an okay garment to an incredible one, just by having it fitted to me. When I was done wearing it, I took it to Brides for a Cause in Seattle and donated it. The woman there said, “We’re always looking for jumpsuits. I’m so glad you brought this in.” It had a wonderful, beautiful life and now lives on in my photos. So yeah, the power of alterations is very real for me too.

I know you're an entrepreneur and have professional fashion experience, but this podcast is also about personal style. Before we talk about how you decide what to buy and wear, I want to talk a little bit about your eyewear. It seems to be part of your signature style based on the cool glasses you’re wearing now.

Calley: Yeah, it’s definitely a forced part of my style because I don’t have terrible eyesight now, but that hasn’t always been the case. I’m forty-five now, and when I turned forty, my eyesight started to go. I didn’t know this, but my doctor said eyesight decline around forty is especially common in women.

So when my eyesight started to go, I thought, okay, if I have to wear glasses, they’re going to be cool. My first pair was really cool—kind of like this style—but in a plastic mauvey color. I got them from MyTheresa or SSENSE, one of those European designer platforms. They were Isabel Marant glasses. They were non-refundable, and I just hoped the optician could switch out the lenses, and luckily they could. Those were my first glasses, and they were just readers at first.

Now, over the years, I can’t see up close or far away. I was just telling my husband the other night, “What if I’m going blind?” because it’s disappearing from both ends. It’s mostly reading though—I literally can’t see my phone without my glasses.

Over five years, I’ve only had three pairs. The ones I’m wearing now aren’t the best prescription. My best ones are black, and they look amazing but box in my eyesight, which I don’t love. I don’t think contacts would work for me because I have a progressive prescription, and I don’t love the idea of putting something in my eye every day. So I’ve just embraced the glasses.

It’s sweet of you to notice.

Maureen: I think it's fun—like we all have different constraints on what we decide to buy or wear. If you have an opportunity to turn a constraint into something really fun and expressive, that's really nice, and I respect it. So, talking a bit more about your personal style, can you share how you decide what to buy or wear—or what not to?

Calley: My style has certainly changed over the years—not only because of shifting trends, but also because I used to be a fast fashion addict. About five years ago, I started to shift, and then three years ago, I completely cut that off and stopped shopping that way.

It might also be because I’m an entrepreneur now, and money is different when you’re making it for yourself instead of getting a paycheck. Today, I really focus on what I love—what makes me excited. If I see something in a store and I want to wear it out immediately, I know I need it. That doesn’t happen often, and I think it’s because I’ve collected items I truly love.

I have a uniform I wear more than anything: a cropped denim button-down with slightly baggy jeans and some mules. Then I have this incredible vintage army liner jacket with a great story—it’s been upcycled and resold multiple times. I picked it up, and then I had FXRY repair it. It's an amazing piece, and I’m excited to add more clothes with stories like that.

I’m really looking for quality items that are durable and sturdy. Recently, I’ve been staying away from synthetic fibers and going more organic and natural. That’s hard with gym wear, which I use a lot, but I’m figuring it out. I’m also staying away from anything poorly made.

Maureen: That’s fair. I heard something earlier that I wanted to come back to—about that moment of knowing you want to wear something out of the store. Can you describe how that feels in your body? What’s that experience like?

Calley: It’s definitely a rush of dopamine, but it feels like more than that. I think I get excited because it’s going to become a part of me—like I’m adding it to my uniform. It’s a full-body excitement, but not in a jolt kind of way. It feels calm, like a sense of belonging. That thing belongs with me.

It's kind of like when I met my husband and knew we needed to be together. I know it sounds ridiculous to compare that to a clothing purchase, but it’s a similar feeling—just a different degree of intensity.

Maureen: I’m hearing a sense of connection—something you relate to and connect with.

Calley: Yes, definitely. Another thing I realized is I used to go overboard. If I liked cropped button-downs, I’d go buy fifty in different styles. I don’t need that. Now I ask myself: would I want to wear this more than what I’m wearing right now? That’s really helpful—especially when I’m already wearing an outfit I love and I’m out shopping. Would I trade it for what I’m looking at?

Maureen: Yes, yes. I just put up a post recently about what our favorite items can tell us about our preferences. When you have those rock star, go-to items, it becomes easier to evaluate future purchases. If it’s not as good as the thing you already love, why add it? You’ll just default to the one you already love.

Of course, different categories are different—a denim jacket isn’t the same as a pair of hiking boots—but I follow the same mentality. I love hearing when others experience that too.

What else about the experience of being in your clothing influences how you dress? We talked about fabric—avoiding synthetics. Is that more about feel or sustainability?

Calley: More about sustainability. Being in this world now, I have so much more access to information and research. People are constantly sharing how harmful synthetics can be—like microplastics that get washed out and then end up on your skin all day.

I saw a TikTok recently that really made me think about what I want against my most exposed organ—my skin. I’d never thought about it before. You can even go deeper with types of dyes, but for now, I’m just starting here. If I go too deep, I get overwhelmed, and then I feel paralyzed. Small steps feel more manageable.

Interestingly, I realized I’m starting to prefer how cotton feels, even if I didn’t consciously connect it before. Today, I was picking out a shirt, and I chose a cotton one instead of a synthetic blend. Maybe it was intuitive.

Maureen: I don’t have an opinion on that one way or another—it’s not for me to say—but I was curious if your decision was more emotional or analytical.

Calley: It’s been very recent—just in the last couple of weeks—that the idea of organic versus synthetic started coming up for me. I hadn’t thought about it before. Now it’s starting to surface.

My husband has also influenced me. He’s always dressed in good quality, well-made things that tend not to be synthetic. He’s been a big influence on me over the last couple of years.

Maureen: Yeah, for sure. And it's interesting, too, because I also haven't thought about the plastics up against my skin—not once. I know about the microplastics in the water, but I never thought about, oh, it's also on my organs. So I'm going to think about that more. But on the other hand, sometimes it's good that these synthetics exist for a wider audience. Specifically, I’m thinking of people who are allergic to wool. There's a specific person I know who was a guest on this podcast—if you're listening, this is for you.

But you know, how are you going to stay warm in the winter if you're allergic to wool? I guess you could wear leather and linen, but cotton is not safe in water. For example, “cotton kills” is something they say on the river if you're a whitewater rafter. It’s just all so complicated. I never know what’s the right or wrong thing, and we all have such different needs.

Calley: Totally. I completely agree with you. And I think the other thing is, when we talk about sustainability—what do we mean? There isn’t really a clear definition for the movement. Plastic is certainly more durable than cotton. It lasts way longer, but that’s also the problem—it lasts too long.

At past companies I worked at, we discussed biodegradable clothing and such. But I’d think, we don’t want it to fall apart either. That was one of the hardest things with recycled or organic clothing when it first became popular—it would fall apart faster. But now there’s more research and new technologies that are improving durability. Still, who knows what the right thing is?

Maureen: I don't mean to put you on the spot, but I’d love to hear more about your approach to sustainability. I haven’t seen convincing evidence that there’s one specific way to be a sustainable or ethical shopper—everything has pros and cons. So, as someone who's been in that space, where do you land?

Calley: It was something I used to joke about all the time at the companies I worked at—if we really wanted to be the most sustainable, we’d close. And if you want to get really dark, I’m surprised Black Mirror hasn’t done an episode where humans eliminate themselves to save the planet.

Obviously, that’s extreme and not what we want. So for me, it's about being smaller in our purchasing. Supporting what I believe in—like my business, FXRY—and dedicating myself to repairing and loving what you have. Overconsumption is just out of control.

There is a trend shifting because fashion literally can't get faster or cheaper—it has to change. That’s what fashion does. It evolves. There are ideas like circular clothing—wear it, return it, recycle it—but recycling also comes with carbon emissions. For me, the best path is repair. Keep the item until it truly can’t be worn, then find a way to recycle it.

We have a long way to go. And honestly, our government isn’t helping. If we had laws like Europe does, that would really push brands to be different.

Maureen: I appreciate you saying that. I think when we’re trying to align our values with how we shop, there’s often too much emphasis on the impact of the individual consumer. Ultimately, I’m not responsible for unfettered capitalism.

Boycotting can be meaningful, but as an individual—unless it’s part of a collective movement—it’s limited. I want to see more people petitioning the government for restrictions on how brands operate. That feels more impactful than shaming individuals for shopping or telling people to buy less just for moral reasons.

Instead, I try to focus on the benefits of having fewer things—feeling more aligned with what you own. That sense of connection we were talking about earlier.

Calley: Mm-hmm.

Maureen: It’s about understanding the value of fewer, better things. And how we can connect with what we own, rather than chase the dopamine hit of buying something misaligned with us. I don’t judge it—I’ve done it and will probably do it again. But we build up a tolerance to that when we experience the joy of owning something that really fits who we are.

I appreciate your point that, if the restrictions aren’t there, what incentive does a brand truly have to act better?

Calley: Totally.

Maureen: Anyway, enough about that stuff. We talked a bit about your past fast fashion shopping and how you’ve changed your habits. But are there any other memorable phases or moments that helped you establish the uniform you wear today?

Calley: Not necessarily the uniform itself, but one moment that comes to mind was when I moved from Orange County to Seattle. In Orange County, it was all about the car you drove, the bag you carried—very label-driven, luxury-focused.

When I got to Seattle, that wasn’t the case. But every time I was at PCC [a local organic, community-driven grocery store], trying to figure out the recycling, trash, compost bins—I was overwhelmed. I realized I’d traded my luxury handbag and fancy car for a Ridwell bin and a new kind of virtue signaling. It’s not to say one is better or worse, just different. It was interesting to see how microcultures shape values depending on where you live.

When I moved into my apartment here, I met my now-close friend who was my neighbor. She was also forty, single, had two dogs—we became fast friends, especially during COVID. We did everything together.

At the time, I was still ordering from Zara, getting big boxes, and sneaking past her door with my haul, hoping she wouldn’t see. She’s extremely eco-conscious—washing paper towels, thinking at night about how to do better. I was terrified of her seeing this side of me.

Eventually, it came up. I was so scared she would judge me—but she didn’t. She met me where I was. She shared what she did daily, not in a preachy way, just by example. I started to see how she lived—how she consumed or didn’t consume. That moment really taught me the importance of meeting people where they are.

If you're trying to connect, understand, or persuade, you can't just shout at people on TikTok doing Shein hauls. You have to understand why they do what they do and offer a better path—just one small shift at a time. Then another. That’s how change happens.

Maureen: Thank you. Everything you just said is my North Star. We have to meet people where they are. Be curious. If we truly care about outcomes—if we want to be effective—we must care about the humanness of the people making these choices. Otherwise, we stay on the moral high ground and fail to make an impact. From your friend’s kindness to the changes you’ve made—it’s a perfect example of how to create behavior change. Through kindness, patience, and nonjudgmental guidance. That story will stay with me for a long time.

Calley: Yay.

Maureen: I’m glad you have such a good friend you can connect with—maybe even more so now that you both understand each other’s values.

So, to that end—what’s exciting you in fashion right now, if anything?

Calley: Oh my gosh. I think it's really exciting to watch people doing things in the fashion tech space. I just saw a post by a woman named Mary Corlin Downs. She started a very cool publication—her Instagram is All Things Fashion Tech. She shares a lot about fashion tech and recently posted these beautiful fashion photos of herself—pictures of her shoes, dresses, and outfits.

She labeled the images with terms like "secondhand," "altered," "repaired," and "outfit repeating." The photography was couture-level, but it leaned into sustainability in a way that felt elevated. A couple of years ago, people might have been sharing montages of 50 different outfits in a month, but here she is showing repetition—and it’s beautiful.

I love seeing that shift. I don’t love the sheer amount of secondhand clothing that exists from overproduction, but I do love the access to it. There are cool businesses like Benny, which helps you shop secondhand, and Index, which lets you categorize your wardrobe. It’s just so helpful.

I think it’s great we’re moving away from going to the mall and shopping off mannequins. I remember in my twenties, going to Forever 21 and buying full mannequin outfits—one for every week, basically. Now, I think differently. Maybe I have five neckerchiefs I love that are part of my uniform. I cycle through four outfits. That’s what excites me today.

Maureen: That’s beautiful. I’m loving the move toward outfit repeating too. It’s such a relief. The pressure to constantly wear something new can be stressful. If we normalize repeating outfits, we don’t have to mentally calculate whether someone has already seen us in something. Once you get used to it, outfit repeating actually feels great.

I love seeing examples of that. And just to confirm, who was the person you mentioned with the editorial images?

Calley: Mary Corlin Downs. Her Instagram is All Things Fashion Tech.

Maureen: Thank you! I’ll be sure to include it in the show notes.

Our final question is: what advice would you give someone who’s trying to build a wardrobe that feels intuitive and authentic?

Calley: I’ve said this a few times, but it’s worth repeating—focus on clothing that excites you and that you feel a connection to. Don’t buy something just because it’s trendy. If barrel jeans are the trend, and you truly connect with that look, go for it. But don’t do it just because it's the moment.

I also think about adding pieces slowly. I used to buy multiple items at once—big hauls. Now I really limit myself. Maybe one or two items at a time. I focus on how one new piece updates my wardrobe. And I always ask: do I want to wear this more than what I have on right now?

Avoid duplicating the same items. You can build a much more interesting wardrobe without fifty black shirts or button-downs.

Maureen: The idea of only buying one garment at a time and working it in—how does that help you?

Calley: For me, I’m really into dressing in the same tones from head to toe. I’ve been doing that for five or six years. I mostly wear denim or a dusty rose tone. That consistency helps me shop. If I see something loud or outside my palette, I skip it—unless I truly love it and can pair it with something like an all-white outfit.

Bringing home one item at a time lets me see how it fits into my existing wardrobe. I definitely still make mistakes—I’ve bought things I thought I loved and realized later I didn’t. But if I had bought five items at once, it would be harder to notice that disconnect. Limiting it helps me be more intentional and assess each new piece carefully.

Bringing home one item at a time lets me see how it fits into my existing wardrobe. I definitely still make mistakes—I’ve bought things I thought I loved and realized later I didn’t. But if I had bought five items at once, it would be harder to notice that disconnect.

Maureen: That’s such a great example. It’s hard to connect with five things at once, but one? You can really pay attention to how it fits, how it feels. I hadn’t thought of it that way, but I’m going to now. As expected, this was an absolute delight. I appreciate how honest and open you were. It's not always easy to reflect on how we’ve grown, so thank you.

Where can listeners find you?

Calley: You can find FXRY on Instagram at @the.fxry. Our website is thefxry.com. We’re on TikTok and LinkedIn, but not as active. Instagram is where we’re most engaged—we make fun and informative content to show what we do and to spread the word that you can repair stretchy jeans and other things people might not realize are fixable.

We’ve done a lot of children’s items too. It’s really fun to showcase fixing something like a little girl’s favorite pink sweater. Instagram is a great place to get ideas and learn how to take better care of your clothes.

Maureen: Incredible. I’ll link everything in the show notes. Thanks again—this was such a joy.

Calley: Thank you so much, Maureen. It was really enjoyable.

Outro

Thank you to our guest, Calley Dawson, for joining us today.

Intuitive Style is produced, edited and hosted by me, Maureen Welton. Our theme music is by Noir et Blanc Vie.

In case you missed it, Intuitive Style, the podcast, is an offshoot of Intuitive Style, the Substack newsletter. Head on over to Substack, search Intuitive Style, to see the newsletter, which includes thoughtful reflections on what’s happening in the fashion world, guest features, and my encouragement that you can create a wardrobe that fits your life as it is now, no judgement, no rush.

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