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It’s a 1950 heatwave of rhythm and blues sounds this morning on Deeper Roots. We’ll move away from anything that might be polite or polished and turn our attention to the sweat-soaked, neon-lit world of rhythm and blues, a sound that was the early morning thunder and lightning just ahead of the dawn of rock ‘n roll. We’re focusing on the year 1950 where jump blues started to grow teeth --- where the saxophones were honking, the backbeats hitting harder, and indie labels from Memphis to LA were capturing lightning in a bottle. From the smoky corners of the Delta to the high voltage clubs of the North, we’re digging deep into the crates for the some pounding rhythms from Dave Bartholomew, Julia Lee, Bull Moose Jackson, Jimmy McCracklin as well as Buddy and Ella Johnson…oh, and some Tiny Bradshaw’s Breaking Up The House. As Chuck Berry pointed out: “…it's got a backbeat, you can't lose it, any old time you use it”.
By Deeper Roots5
22 ratings
It’s a 1950 heatwave of rhythm and blues sounds this morning on Deeper Roots. We’ll move away from anything that might be polite or polished and turn our attention to the sweat-soaked, neon-lit world of rhythm and blues, a sound that was the early morning thunder and lightning just ahead of the dawn of rock ‘n roll. We’re focusing on the year 1950 where jump blues started to grow teeth --- where the saxophones were honking, the backbeats hitting harder, and indie labels from Memphis to LA were capturing lightning in a bottle. From the smoky corners of the Delta to the high voltage clubs of the North, we’re digging deep into the crates for the some pounding rhythms from Dave Bartholomew, Julia Lee, Bull Moose Jackson, Jimmy McCracklin as well as Buddy and Ella Johnson…oh, and some Tiny Bradshaw’s Breaking Up The House. As Chuck Berry pointed out: “…it's got a backbeat, you can't lose it, any old time you use it”.