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Edward Lange was a German artist who started his career on Long Island in the late 19th century. He meticulously captured the landscape and built environment across the island from Flushing to Sag Harbor in water color paintings rich in detail and charm.
Preservation Long Island has just published Promoting Long Island: The Art of Edward Lange, 1870-1889 by chief curator and director of collections Lauren Brincat and former curatorial fellow Peter Fedoryk. The book features over 100 color reproductions of Lange's work along with essays from Brincat, Fedoryk, and contributors Jennifer L. Anderson, Thomas Busciglio-Ritter, and Joshua M. Ruff.
On today's episode, Brincat and Fedoryk discuss their work on the book including the new research that fills in the gaps of Lange's family and education. We also talk about his entrepreneurial drive, his love of photography, and the life of a landscape painter on a Long Island that was rapidly turning from bucolic farmland to a vacation destination.
Further Research
By Chris Kretz4.4
4141 ratings
Edward Lange was a German artist who started his career on Long Island in the late 19th century. He meticulously captured the landscape and built environment across the island from Flushing to Sag Harbor in water color paintings rich in detail and charm.
Preservation Long Island has just published Promoting Long Island: The Art of Edward Lange, 1870-1889 by chief curator and director of collections Lauren Brincat and former curatorial fellow Peter Fedoryk. The book features over 100 color reproductions of Lange's work along with essays from Brincat, Fedoryk, and contributors Jennifer L. Anderson, Thomas Busciglio-Ritter, and Joshua M. Ruff.
On today's episode, Brincat and Fedoryk discuss their work on the book including the new research that fills in the gaps of Lange's family and education. We also talk about his entrepreneurial drive, his love of photography, and the life of a landscape painter on a Long Island that was rapidly turning from bucolic farmland to a vacation destination.
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