Dan Libenson and Lex Rofeberg open up what might be a strange question -- but we promise it's an interesting one! What happens if we understand Judaism as a medium of art, like paint, such that it can be deployed (painted with) in all sorts of creative ways? How would this differ from an image of Judaism (get it??) where we conceive of it as an already-completed painting, which we wouldn't be able to change, now that it's completed?

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