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Desperately missing Rome as we miss out on covering the Italian Open for the first time in many years, Enrico Maria Riva joins from on the grounds of the Foro Italico to discuss what it's like being at the most sensory and vibrant tournament that suddenly is all but empty.
Enrico, who works in television graphics, also discusses that side of the tournament, what changes have been made to television production because of coronavirus, and the rise of Italy as a robust and promising contingent in men's tennis.
Thank you again for the incredible support for NCR we've received over the course of the 2020 U.S. Open on the NCR Patreon! If you'd like to join in, check out our five tiers and see which might be right for you! And thank you to the many listeners who have already given their support! (And thank you to G.O.A.T. backers J O'D, Mike, and Charles Cyna!)
As always, thanks for following us on Twitter and subscribing/reviewing on iTunes on iTunes or whatever your podcasting app/platform of choice may be.
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357357 ratings
Desperately missing Rome as we miss out on covering the Italian Open for the first time in many years, Enrico Maria Riva joins from on the grounds of the Foro Italico to discuss what it's like being at the most sensory and vibrant tournament that suddenly is all but empty.
Enrico, who works in television graphics, also discusses that side of the tournament, what changes have been made to television production because of coronavirus, and the rise of Italy as a robust and promising contingent in men's tennis.
Thank you again for the incredible support for NCR we've received over the course of the 2020 U.S. Open on the NCR Patreon! If you'd like to join in, check out our five tiers and see which might be right for you! And thank you to the many listeners who have already given their support! (And thank you to G.O.A.T. backers J O'D, Mike, and Charles Cyna!)
As always, thanks for following us on Twitter and subscribing/reviewing on iTunes on iTunes or whatever your podcasting app/platform of choice may be.
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