It’s finally time for Episode 33, and Art of the Score’s analysis of one of the landmark composers of the last decade: Jóhann Jóhannsson. We sit down with special guest, synth (and tape loop) expert Seja Vogel, and Jóhannsson’s soundtrack for Denis Villeneuve’s masterpiece sci fi film, Arrival. Join us for heptapods, looping seals (?), and the only true universal language: film music.

Episode notes:

4:41 – Arrival arrives, and Jóhannsson thrives

12:47 – Around the Clock News

15:43 – Arriving in Montana

21:49 – Seja breaks down the Arrival sound

30:05 – Looping with Seja

34:45 – First Encounter

39:12 – Sapir-Whorf

43:00 – Hazmat

49:42 – Heptapod B

58:56 – Non-Zero-Sum Game

1:02:21 – Deciphering

1:06:26 – One of Twelve

1:12:22 – Rise, and Max Richter’s On The Nature of Daylight

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