We Make Books Podcast

Episode 45 - Sounds Difficult Because It Is (Formatting Cover Art)


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Hi everyone, and thank you for tuning in to another episode of the We Make Books Podcast - A podcast about writing, publishing, and everything in between!
We Make Books is hosted by Rekka Jay and Kaelyn Considine; Rekka is a published author and Kaelyn is an editor and together they are going to take you through what goes into getting a book out of your head, on to paper, in to the hands of a publisher, and finally on to book store shelves.
We Make Books is a podcast for writers and publishers, by writers and publishers and we want to hear from our listeners! Hit us up on our social media, linked below, and send us your questions, comments, concerns, and tell us your favorite novel covers!
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Episode 45: Formatting Cover Art for Publication
transcribed by Sara Rose (@saraeleanorrose)
 
[0:00]
R: Welcome back to another episode of We Make Books, a podcast about writing, publishing, and everything in between, and this episode definitely leans more toward the publishing end of things and cement boots and everything. Right down, drowning you in information. 
 
I’m Rekka, I write science fiction and fantasy as R.J. Theodore and Kaelyn’s making a face at me.
 
K: I’m Kaelyn and, uh… My job is to make sure that Rekka maintains her sanity a little bit while trying to explain very, very complicated things here.
 
R: I’m totally sane. The question is, am I making myself understood?
 
K: Yes, this is sort of rounding out our discussions on cover and book art. We’re getting into the technical nitty-gritty of how you now take a lovely picture, that someone has done for you, and actually get it on the cover of a book so that it looks right.
 
R: We are going into the weeds! A wild book-cover template has appeared!
 
[K laughs]
 
R: How do you make it become your friend?
 
K: So Rekka is particularly disposed to talk in great detail about this because Rekka is a designer. This is one of the things that Rekka does. Beyond just knowing how to set up and lay these things out. Rekka knows a lot about color and composition and accounting for how things look on a screen versus how they look in print, and how all of these terrifying details actually work.
 
R: There’s so much information that I wanted to communicate. I hope I do a good job. I hope it’s clear, I hope it’s not overwhelming. I feel like this is important, because there’s a lot of stuff that, just generally, people don’t understand about the process and when they have a cover illustration that they’ve commissioned, the now what? This is the episode for the, “Now what?”
 
K: I think the key takeaway from this cover art and artwork series we’ve been doing, is this is way more complicated than you ever thought it was. I’ll leave it at that. [K laughs]
 
R: Yeah, and I struggle to allow the word complicated. It’s just, it is a specialty.
 
K: Yeah.
 
R: I mean, every step of this process is a specialty. You, the author, are exercising your specialty in writing, and then an editor exercises their specialty in editing, and then a copyeditor does theirs, and then a cover artist creates a cover with their specialty, and then a designer uses their specialty to lay out the book and the cover. And these are all specialized parts of a process that, in the past, have been teams of people. In this day and age, where we expect to be able to self-publish and Do It All Ourselves has become less of a specialty-based thing and more of a I Can Do This Myself, I Am Empowered, therefore I should do this myself. Which, you know, should you? It’s… ehh. Listen to this episode, I dunno, you decide.
 
K: As we say many times here, it’s not easy and there’s a lot more that goes into this than you would think. So, Rekka, takes us through all of that. I think this is a really good resource episode. So take a listen, hope you enjoy, and we’ll see you on the other side of the mus
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