Legendary artist and illustrator James McMullan joins the show to celebrate his new book, HELLO WORLD: The Body Speaks in the Drawings of Men (Pointed Lead Press). We talk about James' three-plus decades of posters for Lincoln Center Theater, the importance of the human figure in his art, how drawing with color opened a more expressive channel for him, and why Hello World is his most personal project (even more than his memoir). We get into the intersection of illustration & fine art and whether he resented being overlooked by the museum set, the experience of making more than 90 (!) posters for Lincoln Center Theater over the decades and helping define NYC theater (despite being neither "a New York guy" nor a hardcore theater-goer), how he makes his art in a perpetual state of risk and being willing to let that risk show, the ways his literary reading feeds his art and vice versa, and how he invested $11,000 in a supply of his favorite paper a dozen years ago and how it feels to reach the last of it. Plus, we discuss his High Focus Drawing approach, the gestalt between model and artist, how it felt to be a 'sissy kid' who found power in art, why he shows feet when everyone else is focused on the intimacy of close-up faces, and a lot more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack