EPISODE 74 of Five At The Door features an engaging conversation with Jimmy Montague as we dive into his multifaceted journey in the music world. Based in Greenpoint, Brooklyn, Jimmy shares his experiences as a musician, photographer, and collaborator, revealing the intricate web of projects he's involved in, from his work with Taking Meds to his latest rock endeavor, Pretty Rude.

In this episode, Jimmy discusses his artistic evolution, touching on the influences that shaped his sound, including classic rock elements reminiscent of bands like The Cars and Fountains of Wayne. He reflects on the creative process behind Pretty Rude's new record, highlighting the importance of experimentation and structure in songwriting. Listeners will gain insight into his approach to music, including the balance between spontaneity and meticulous planning, and the joy of collaboration with talented musicians.

The conversation delves into the significance of the studio environment, where Jimmy has honed his skills not only as a musician but also as a documentarian of the creative process. He shares his passion for archival work, emphasizing the value of capturing the behind-the-scenes moments that often go unnoticed in the music industry.

Get ready to hear "The Work," a standout track from Pretty Rude that encapsulates the essence of Jimmy's journey and the themes discussed in this episode. This song reflects his current mindset and the evolution of his artistry.

Whether you're a musician navigating your own path or a fan exploring the depths of creativity, this episode offers a rich tapestry of insights into the life of an artist dedicated to his craft.

Don't miss this episode as we explore the vibrant landscape of music, creativity, and the connections that shape our experiences.

Show notes penned by your favorite chronicler of the musical journey at Five At The Door.

(00:00) Good morning. Welcome to the podcast. Yeah, thanks for having me

(00:26) You've been making rock music for, like, a really long time

(03:46) Pretty Rude is an eclectic record with lots of different musical forms

(09:22) Do you come from like a music theory background? Um, kind of

(15:29) What do you think New York brings into your music as well

(18:24) I work part time at a theater in Manhattan and then I help Billy out at studio

(23:34) Pretty Rude at Two Worlds was recorded at a New Hampshire studio

(27:44) Yalls record Taking Meds made my top 20 of last year

(33:26) You've worked in so many studios over your career

(35:37) The minute this work is done, I lose my mind

(42:48) I'm working on, like, a compiled interview with all of them

(48:55) Wilco: I don't really have a gripe with DV trend

(53:38) If you never toured again, would that be like the thing

(59:00) What song would you like to hear on the new record

(59:46) All right. So do your thing. Um, have a wonderful rest of your day, and we'll talk to you soon(

02:30) The journey through New England and settling in Brooklyn

(10:15) The creative process behind Pretty Rude

(20:45) Influences and inspirations for the new record

(30:00) The importance of structure in songwriting

(40:00) Archival work and its significance in music

(50:30) Balancing spontaneity and planning in the studio

(01:00:00) The impact of live shows and the future of performing

(01:10:30) Closing thoughts and playing "The Work"