In this episode, Kristy welcomes back Graham from Fabulous Fabulist to discuss the band’s upcoming album, "Null and Noise," out September 12th. The conversation dives into the evolution of the band’s sound, lineup changes, and the creative process behind the new record. Graham shares insights on moving towards a heavier, more experimental direction, the collaborative energy of the current lineup, and the joys and challenges of DIY recording.The episode explores the importance of community in the Nashville DIY scene, the balance between artistic fulfillment and external validation, and the value of making music for its own sake. Kristy and Graham reflect on the roles within bands, the playful competitiveness of local music, and the friendships that form through shared creative experiences.Featured Track: "Don’t Go Hollow" – the second track from "Null and Noise," highlighted as a standout single.Key Topics:-The making of "Null and Noise" and its September 12th release-Band lineup changes and their impact on creativity-The Nashville DIY music community and its collaborative spirit-Recording challenges, gear talk, and the grind of making a record-Letting go of external expectations and focusing on the art-Upcoming album release show at Arcane Workshop on September 20thLinks & Info:Album: "Null and Noise" by Fabulous Fabulist (out September 12th)Album release show: September 20th at Arcane Workshop, NashvilleFeatured song: "Don’t Go Hollow"If you enjoy the episode, share it with a friend or post about the new record on Reddit (especially r/mathrock)! Thanks for listening and supporting Nashville’s vibrant DIY scene.

In this episode, Kristy sits down with Dean from the band Split Jaw for a deep dive into their latest EP, "Truth and Reconciliation." The conversation covers Dean’s unique career in cancer research, the intersection of medical experiences and music, and the origins of the band’s name (with a nod to Halo lore). Dean shares insights into the band’s writing process, the evolution from their first EP to the new release, and how collaboration has shaped their sound.Key Topics:-Dean’s background in healthcare and how it influences his creativity-The story behind the band name "Split Jaw" and its Halo connection-The writing and recording process for "Truth and Reconciliation"-Band dynamics: how members like Scum Drop and Jay joined and contributed-The blend of musical influences: metal, hardcore, and nerd culture-Thematic arcs in the EP, from societal critique to personal reflection-The realities of being a DIY band: balancing day jobs, touring, and ambitions-Building community and connecting with fans through social mediaNotable Quotes:“Riffs are king. Everything starts with riffs, everything ends with riffs.”“We’ll never do anything we don’t want to do. It’s all on our terms.”“Metal can be extremely nerdy. There’s a through line between metal, RPGs, and Warhammer.”Music Featured:"Truth and Reconciliation" by Split Jaw (title track)Listen for:-Stories about band member recruitment and instant chemistry-How medical terminology inspireds band and song names-Reflections on the challenges and rewards of independent music-making

In this episode, Kristy sits down with Alec from Pallet Knife for a deep dive into the band’s creative process, the making of their third LP, and the realities of balancing music with everyday life.

Topics Covered:

• The relief and excitement of finishing a new record, and the pressures of studio deadlines.
• How Pallet Knife’s recording process has evolved across three albums, including the challenges of tracking in different studios and working with producer Jeff Martin.
• The influence of mixer Billy Manino and the “scene DNA” he brings to modern emo records.
• Pallet Knife’s unique sound identity: from “mom jeans core” to a heavier, rawer, and more live feel.
• The decision-making behind lead singles, album sequencing, and the role of interludes and transitions.
• The creative challenges and freedoms of being a three-piece band, and translating complex studio arrangements to the stage.
• Honest talk about the business and emotional realities of being in a band: burnout, parasocial relationships, and keeping music as a passion rather than a job.
• Songwriting insights: using video game metaphors, balancing specificity and poetry in lyrics, and the evolution from quippy early material to more open-ended, interpretive writing.
• The importance of learning, breaking rules, and staying playful in both music and visual art.
• Influences ranging from Japanese math rock and post-rock to emo and pop punk, and how these shape Pallet Knife’s approach to guitar, vocals, and arrangement.
• Reflections on community, show etiquette, and supporting fellow musicians.

Featured Track:
“Prototype” by Pallet Knife

Bonus:
Alec reveals his Overwatch main (Moira!) and talks about the band’s love for video games and anime as creative inspiration.

Listen for:
Candid advice for musicians, stories from the road, and a celebration of the weird, wonderful life of making music with friends.

Follow Pallet Knife and Kristy for more music, art, and behind-the-scenes stories!

In this episode, Kristy sits down with Jamie Shelton, lead singer and primary songwriter of Atlanta-based band Sister Sleep. They discuss the band’s origins, creative process, influences, and the unique blend of horror, fantasy, and punk energy that defines their music.Key Topics:-The story behind Sister Sleep’s formation, including the transition from their previous band, The Keepsake.-The influence of bands like My Chemical Romance, Bring Me The Horizon, The Used, and Hail The Sun on Sister Sleep’s sound.-The meaning and inspiration behind the band’s name, and how occult and horror themes shape their aesthetic.-The collaborative songwriting process, from Dropbox demos to working with producer Aaron Pace.-The challenges and rewards of being a DIY band in today’s music landscape, including touring, social media, and building a dedicated fanbase.-The importance of community and supporting other bands in the scene.Sister Sleep’s vision for the future: writing a full-length album, hopes for label support, and balancing artistic integrity with career ambitions.-Reflections on the changing music industry, the role of social media, and the value of authenticity.Featured Track:"Counter Skeletons" by Sister SleepNotable Quotes:“We wanted to take all of these things—horror, fantasy, punk—and just shake it up to see what comes out.”“It’s about bringing a cohesive vision to life with people you care about.”“I’d rather have a thousand true fans than ten thousand casual listeners.”Connect with Sister Sleep:Listen to their latest single and mini-EPs on Spotify and other streaming platforms.Follow them on social media for updates on new music and upcoming shows.Shoutouts:Maude Stout, Split Jaw, Pulses, Kaist Cowboys, and other bands in the DIY scene.Closing Thoughts:Sister Sleep is carving out a unique space in the alternative music world, blending theatricality, emotional depth, and a strong sense of community. Don’t miss their latest releases and keep an eye out for their upcoming full-length album!

In this episode, Kristy sits down with Addie, a prolific musician involved in several Nashville bands, most notably the project Indifferent. The conversation covers Addie’s musical journey, the evolution of Indifferent, and the realities of life in the DIY music scene.

Key Topics:

• Addie’s involvement in multiple bands (Weak Knees, Officer Down, Boy Clothes, Indifferent, and more)
• The origins of Addie’s musical career, starting with drums at age 10
• The Nashville and Milwaukee DIY music scenes: venues, community, and culture
• The process of joining bands, booking shows, and learning the ropes of DIY touring
• The evolution of Indifferent: from an emo project to a heavier, metalcore-influenced sound
• Songwriting process: music first, then lyrics, and the importance of making lyrics relatable
• The upcoming Indifferent EP, “You Are Not Alone,” and its themes of identity, resilience, and community
• The challenges and benefits of balancing multiple jobs to support a music career
• Touring stories, mental health on the road, and the importance of self-care
• The impact of producers and the “Pure Noise effect” on DIY bands as they grow
• The value of sharing music, “leaking” demos, and building community through social media
• Reflections on favorite bands, the ethics of supporting artists, and the emotional power of music

Featured Song:

• “T.E.R.F.” by Indifferent (featuring Sun Streak) – a single about identity, exclusion, and self-acceptance

Notable Quotes:

• “Indifferent has always been a venting project—a way for me to outlet my emotions.”
• “I want you to know that you are not alone. I may be dealing with something similar or exactly the same as you are, and we’re going to work this out.”
• “The best way I love albums is when I relate to them instantly.”

Shoutouts:

• Nashville DIY community, Nash Grill, Cafe Coco, and various local bands and venues
• Sun Streak (guest feature on the new Indifferent single)

Connect with Addie:

• Check out Indifferent’s new EP “You Are Not Alone” (single “T.E.R.F.” out June 5th)
• Support local artists and the DIY scene!

Exploring the World of DIY Rap with Neo KiioIn this episode, Kristy dives deep into the DIY rap scene with special guest Neo Kiio. They discuss Neo Kiio's journey from DIY emo to rap, the nostalgic inspirations behind his music, and the crossovers between music genres. From Sonic soundtrack debates to the influence of video games and anime, this conversation provides a fascinating insight into the fusion of cultural elements that shape Neo Kiio's sound. Introduction Neo Kiio's Beginnings Evolving Identity and Name Changes Musical Inspirations Anime and Video Game Influences The DIY Music Scene Future Projects and Collaborations Closing Remarks

EPISODE 83 of Five At The Door features an engaging conversation with Tom from Townies, a band that has been making waves in the DIY music scene. Join us as Tom shares the journey of Townies, from their humble beginnings as summer camp counselors to finding their footing in the vibrant LA music community.

In this episode, Tom reflects on the challenges and triumphs the band has faced over the years, including their recent EP release and the exciting opportunities that have come with it. He discusses the importance of community in music, the evolution of their sound, and the inspiration behind their unique blend of genres.

The conversation dives deep into the creative process, as Tom reveals how their songwriting has been influenced by a variety of musical styles and the significance of staying true to their roots while exploring new sounds. Listeners will gain insight into the dynamics of being a three-piece band and the collaborative spirit that drives their music forward.

Don't miss this episode as we explore the rich narrative of Townies, the passion that fuels their artistry, and the bright future ahead.

Show notes penned by your favorite chronicler of the musical journey at Five At The Door.

(00:00) Tom from Townies interviews Morno about his new EP

(00:45) Townies' second album, Reset, came out last year

(04:58) Townies started at a summer camp when Nolan, Steve and I were kids

(08:40) You play rhythm and lead at the same time on your guitar

(10:11) You guys played a handful of shows in Boston before moving to LA

(15:20) You sit well in a nostalgia, like, kind of writing sense

(15:48) Brock Rock is a spin, uh, doctors, weed rock band

(17:47) When you first started writing music, what were your biggest influences

(20:44) Townies' latest album explores the complicatedness of DIY music

(26:38) Once you learn the theory, there's so much freedom in songwriting

(31:33) Neil: My only desire is to never do a standard four chord

(35:42) How do other people glide along the fretboard on a guitar

(38:09) I find that your stuff is really unique. Is this like a taste thing

(43:08) It's that there's a lot of cool like, uh, is when it comes to sound

(43:49) M. M. is working on the second LP of Faux Pas

(48:10) Making music has been a lifelong dream for you

(49:47) Did Steve move to LA after you then? Did Chris move after you

(51:17) Tell me what it's like playing in la, because I feel like

(56:44) There is something that Nashville doesn't have which is that like there

(59:21) So where do you see townies in five years? Five years seems far away

(01:05:44) Lex: When LP1 came out, no one was ready for it

(01:10:20) Townies went to Tulsa for a short tour last month

(01:14:40) There's just something that you can't describe about that song. You cannot be like, um, again, uh, it is. It's

(01:15:45) Townies have an EP coming out; when are you releasing it

(01:19:31) Townies have a show Saturday in Milwaukee. I'm really excited about it

EPISODE 82 of Five At The Door features an enlightening conversation with Conor Kincade, a multifaceted figure in the DIY music scene. Join us as we take a deep dive into Conor's whirlwind year, from back-to-back tours to the exciting news of impending fatherhood, and his pivotal role in the ever-evolving landscape of independent music.

In this episode, Conor shares his journey through various roles, including being a drummer, booking agent, and now the CEO of Summit Shack, the organization behind the popular Faux[REDACTED] music festival. He reflects on the challenges of navigating the music industry, including a recent cease and desist from AEG that has sparked discussions about the implications of corporate influence on grassroots movements.

The conversation touches on the importance of community in the DIY scene, as Conor discusses how he curates lineups that not only feature established acts but also spotlight emerging talent. He emphasizes the significance of creating spaces for new artists to thrive, while also recognizing the contributions of his dedicated team. Listeners will get a glimpse into the behind-the-scenes dynamics of organizing a festival that has become a rite of passage for many bands.

Don't miss this episode as we explore the rich tapestry of Conor's experiences, the resilience of the DIY community, and the future of Faux[REDACTED] as it evolves into a new chapter.

Show notes penned by your favorite chronicler of the musical journey at Five At The Door.

(00:00) Conor Kincade talks about his crazy year and expecting his first child

(02:53) You work at an employee benefits brokerage for your home job

(03:59) I used to be more of an agent and less, less booking now

(05:25) Matt says he thrives under a bit of pressure at work

(09:58) YouTube reportedly issued a cease and assist against Shaq's YouTube channel

(14:27) Riley: Thank you so much for supporting Shack over the years

(18:22) Snarl: I think the best time would have been right after Coachella

(23:41) Last year alone was like one of the best years of released music

(29:40) There's two schools of thought about releasing singles versus albums

(33:25) Riley says musicians are the most disobedient people in the world

(37:30) I think 777 is the most popular song on the record

(42:26) What are your favorite emo records between 2009 and 2018

(47:04) The booking process for Faux[REDACTED] has changed dramatically in recent years

(49:28) The new owners of Howard's are doing some less than desirable things

(52:43) What is your schedule like, when it comes to planning this festival

(57:49) For Faux 8, I wanted to have Mud Whale back

(01:02:14) M. Crow: I overbooked. It's just a normal way to do it

(01:06:19) Townies is a next year band for sure. They're the only California band to make it

(01:10:20) Free Throw started as a joke and then became a real band

(01:14:43) I accidentally learned how to book DIY tours for my own van

(01:18:18) In between all the online stuff, there's so much happening in real life

(01:20:44) There was a period where people called Faux Clicky

(01:24:59) I love trying to get bands to graduate Faux

(01:29:44) Shack's Coachella sold out in two days this year

(01:32:19) The AG stuff happened and we got the cease and desist

(01:34:15) Matt, Chance and Trey are available for hire as videographers

(01:37:02) All right, well, I. I. Done. Thank you so much for hopping on. Um, congratulations on everything

EPISODE 81 of Five At The Door features an in-depth conversation with Jason from Cult Therapy, a band that dives deep into the complexities of identity, grief, and personal transformation through music. Join us as Jason shares his unique journey from being a design engineer to stepping back into the music scene, revealing how his past experiences shaped the sound and themes of their new album, "Get Sinner."

In this episode, Jason opens up about his background, including the challenges of growing up in a religious cult and the impact it had on his creative expression. He reflects on the cathartic process of writing music that addresses his struggles with grief, particularly following the loss of his father, and how this loss influenced the emotional depth of their songs. Listeners will gain insight into how Jason's experiences in both the engineering and music worlds intersect, highlighting the transferable skills that come from managing a DIY band.

The conversation also touches on the importance of community in the music scene, as Jason discusses his involvement with local events like Pug Fest and how he found a supportive network after leaving the church environment. This episode is a powerful testament to the resilience of the human spirit and the healing power of music.

Don't miss this episode as we explore the profound narrative behind Cult Therapy, where personal struggles are transformed into a compelling artistic expression.

Show notes penned by your favorite chronicler of the musical journey at Five At The Door.

(00:00) Jason from Cult says if you are in a band, put it in your resume

(04:35) This is your first go around with this band

(05:18) You started playing guitar when you were 15. So you started doing stuff in your late teens

(08:22) This record is big to me for so many reasons

(12:35) Um, they're. They're two new songs that have come out

(13:27) You write about your religious trauma on your new album

(16:21) Before cold therapy, what were you doing musically before that

(20:19) Religious marketing. Yes. Yes, very much. So the bigger the church got, the more that took over

(22:09) What are the key components of a, ah, praise band pedal board

(26:08) What was it like diving back into music that ended up making you go

(28:46) The song I'm Fine is about losing my dad, first of all

(31:00) Making this record was extremely cathartic, do you think

(34:08) So you started writing songs. When did you decide that I. A. wanted to become a band

(36:41) The music scene in Michigan is pretty awesome right now

(41:21) The songs resonate outside of the church world for people who didn't grow up

(42:59) Jason: What song would you like me to play from this record

EPISODE 80 of Five At The Door features an engaging conversation with T.J. and Steve from Ghost Town Remedy, two Nashville-based musicians who are making waves in their community. Join us as they share their journey, from their roots in folk music to the evolution of their unique sound and the exciting projects on the horizon.

In this episode, T.J. and Steve discuss the challenges and joys of running their DIY festival, Jorts Festival, and the intricate balance of being artists while managing the demands of life and creative endeavors. They dive into the realities of the music industry, including the pressures of promoting their work in a digital age dominated by social media and streaming platforms. Listeners will gain insights into the complexities of booking shows, touring, and the importance of community within the Nashville music scene.

The conversation also touches on their upcoming album, which promises to explore deeper themes and showcase a more dynamic sound, as they prepare to release their new single, "Doom Scroll." This track encapsulates the chaos of modern life and the struggle to stay connected in an overwhelming digital landscape. Get ready for a candid discussion about the highs and lows of being a musician today, and the passion that drives them to keep creating.

Don't miss this episode as we delve into the vibrant world of Ghost Town Remedy, where creativity and community collide to create something truly special.

Show notes penned by your favorite chronicler of the musical journey at Five At The Door.

(00:00) Bird flu is working on a new album and touring this month

(03:40) Doing this on the side is kind of a nightmare

(10:08) Mhm. It's totally worth it. Like that 30 minutes on stage is worth the 12 to 24 hours

(11:33) The band is planning a four-date tour with dad Hats

(13:08) Over Wild started playing music in, what, 2012? Yeah, 2011

(15:49) Why did you want to make the drum jump down to Nashville

(19:03) How did you form Dry Spell? Did you do full band or something

(21:47) This was your first tour and you had no idea what you were doing

(25:34) You have been doing Ghost Town for close to a decade

(28:36) What would you say is Nashville missing the most or that it does wrong

(33:22) Going to the End is always a blast. Like it's really crazy to kind of watch the space

(33:55) There's just so many cool places in Nashville to play. I think Nashville wise, especially, I think touring

(37:44) East side bowl has technically three venues. There is the one by the bar

(39:23) You have a new song called Doom Scroll coming out next week

(43:09) Black: I think that's where brain damage comes from with ad overload

(46:42) Have you guys seen the new season of Black Mirror? No, I haven't

(47:16) Everyone needs to go see this movie, everyone, I highly recommend it

(48:36) Black Mary's new album Itself is expected to come out next spring

(51:51) Are you doing, uh. You're y' all are doing this by yourselves through your own record label

(57:25) You have to wait longer to start releasing your singles because Spotify has rules

(01:02:36) I still love when King Gizzard throws just another record of a year