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Jasper Fforde is a writer based in Wales. He writes absurdist fiction which I love, but I only recently discovered after 20 years of reading his books, that he’s also a photographer. Shooting film pretty much exclusively he has a collection of amazing vintage film cameras that rivals any selection I’ve ever come across.
In the episode we talk about Alice Longstaff’s photos and you can find out more about her by listening to a previous episode. I couldn’t find the Red Square photographer unfortunately.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.
By Iain Farrell5
1111 ratings
Jasper Fforde is a writer based in Wales. He writes absurdist fiction which I love, but I only recently discovered after 20 years of reading his books, that he’s also a photographer. Shooting film pretty much exclusively he has a collection of amazing vintage film cameras that rivals any selection I’ve ever come across.
In the episode we talk about Alice Longstaff’s photos and you can find out more about her by listening to a previous episode. I couldn’t find the Red Square photographer unfortunately.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

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