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Julia Coddington is an Australian photographer and artist. She shoots remarkable street photos, leads workshops and is leaning into being a Grandmother. I met her partner Gerry on a photowalk earlier this year and he suggested I look up her work. Look it up I did and a plan to talk we did make. We talk about the way she found photography, her love of travel and the little dogs in their family even get a look in. I think this is the perfect episode for this time of year and I hope you enjoy this episode with Julia.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.
By Iain Farrell5
1111 ratings
Julia Coddington is an Australian photographer and artist. She shoots remarkable street photos, leads workshops and is leaning into being a Grandmother. I met her partner Gerry on a photowalk earlier this year and he suggested I look up her work. Look it up I did and a plan to talk we did make. We talk about the way she found photography, her love of travel and the little dogs in their family even get a look in. I think this is the perfect episode for this time of year and I hope you enjoy this episode with Julia.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

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