"To shift to a slower gear and tune in to the frequencies of the minor keys." 

– Koyo Kouoh, from her curatorial statement for the 61st Venice Biennale.

In Part 3, we explore the historical and contemporary dimensions of "In Minor Keys". From Giotto's 14th-century Cappella degli Scrovegni to Pierre Huyghe's Liminal at Punta della Dogana, we trace how contemplative, site-specific practice has always demanded slowness. A conversation about finding meaning in Venice's layered past and present.