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Esenija Bannan and Charlotte Desaga discuss Selma Selman’s portraits on scrap metal, the value and visibility of labour, Roma history and the works Mercedes Matrix and Dirt 0. The episode follows how materials carry family history and social relations into the gallery without being smoothed into an easy story.
Read the full transcript: https://artunquoted.com/artist/selma-selman/
Kubra Khademi’s project Let us believe in the beginning of the hot season inverts Forugh Farrokhzad’s feminist poem and combines gouache drawings, photo collages, and film. Esenija Bannan and Charlotte Desaga discuss its allegory of US–Afghanistan relations, its collaboration across Paris and New York, and the relationship between biography, context, and artistic form. They also consider Khademi’s 18kg performance and her contribution to WIR at the German Bundestag.
Read the full transcript: https://artunquoted.com/artist/kubra-khademi/
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