“One of the best things about country music was that it was adult music,” Erin Enderlin says. “It was real music that dealt with hard issues in life so that people going through those things don’t feel so alone.”  The observation is signature Enderlin: She has a way of turning a song or even just a thought into an outstretched hand to the lonely or ashamed. While she first turned heads as a godsend to those aching for an artist with some golden-era country backbone, she has since emerged as a literary songwriter and superb vocal stylist with a knack for sharply drawn––and often sad––characters. Backsliders, avengers, lovers, and victims––they’re all in her acclaimed albums, such as 2019’s Faulkner County and 2017’s Whiskeytown Crier. Enderlin remains a go-to writer for stars and legends as well. Her catalog includes Alan Jackson’s “Monday Morning Church,” Lee Ann Womack’s “Last Call,” Luke Bryan’s “You Don’t Know Jack,” and a host of other songs for Randy Travis, Joey+Rory, Reba, Terri Clark, Whisperin’ Bill Anderson, and more.