While hardly a counter-cultural figure himself, the late Samuel Francis was
enormously influential in fringe right-wing movements at the turn of the
century, helping to popularize with his writing both an explicitly
racialist view of civilization and a "Gramscian" strategy - after the
theories of Italian Marxist Antonio Gramsci -  of cultural warfare. Without
Francis, the Alt-Right and "white nationalism" as we (unfortunately) know
it today would almost certainly not exist, at least not in the U.S. "Angry
White Male," a vivid and prescient 1996 profile of Francis by D.C.
journalist John Cloud, looks at the internecine battles within conservatism
during the 1990s that led to Francis being fired from The Washington Times.
In this episode, Joe & Josh examine how a dour Southern traditionalist -
whose thought was, at heart, simply a defense of the white supremacist
society in which he was raised - paved the way for sh*tlords, edgelords,
and racist trolls to take the struggle for cultural hegemony online.

“Angry White Male” by John Cloud, The Washington City Paper, 1996
https://www.washingtoncitypaper.com/news/article/13010023/angry-white-male

Optional:
“Why Race Matters,” by Samuel Francis, American Renaissance, 1994
http://www.unz.org/Pub/AmRenaissance-1994sep-0000

“Unpatriotic Conservatives” by David Frum, National Review, 2003
http://www.nationalreview.com/article/391772/unpatriotic-conservatives-david-frum


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In this full-length introduction to Season Two, Joe & Josh explain why they've devoted this next batch of episodes to discussing the Alt-Right, that tangle of ugly political and cultural phenomena that has been explained, attacked, and analyzed to death by all quarters of the media in the past two years. What else is there to say by now? Starting with their reactions to Angela Nagle's widely (and rightly) praised book Kill All Normies, your hosts try to defend their choice of theme and their selection of essays and ask what, if anything, this toxic counter-culture can tell us about American life in the 21st century.

BONUS! Joe & Josh do a newly-recorded season wrap up. We talk about what we did well, what we could have done better, and what's on tap for next season. Thanks for listening!

The normalization of mass shootings is perhaps the most horrifying aspect of modern American life - which is saying something. In this episode, Joe & Josh delve into the minds of of the men and boys who commit such crimes, with the help of Andrew O'Hagan's masterful synthesis of their self-serious, self-pitying manifestos, "Who's the Alpha Male Now, Bitches?" O'Hagan manages an admirable literary analysis of these beta male killers and their violent alpha fantasies without either glamorizing or dehumanizing the miserable bastards. Writing in 2015, O'Hagan refuses to harp on the usual suspects of violent media or American gun culture, seeking instead the common denominators in the killers' inner lives and examining cases outside the U.S. that got less attention in the American press. This episode was recorded well before the tragedies in Las Vegas or Sutherland Springs, but sadly, O'Hagan's essay only seems more spot-on now. Read it here, and also subscribe to the LRB already: https://www.lrb.co.uk/v37/n20/andrew-ohagan/whos-the-alpha-male-now-bitches


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Populist anger. Viral conspiracy theories. "Fake news." Anti-immigrant fear and loathing. Belief that an alien religion threatens to destroy our way of life. To say that "The Paranoid Style in American Politics" by Richard Hofstadter is just as relevant today as when first published in 1964 is a painfully obvious truth. As low-level minions of the Illuminati, sinister Hebrew/Papist conspirators Joe & Josh do what they can to undermine American liberties and the Protestant values that underpin them by convincing you it's all in your head. Sort of. Join them as they walk through Hofstadter's history of a fear-mongering racket that will seemingly never die, discuss how the paranoid style has changed - and remained the same - since the 1960s, and explain why the conspiracy theories THEY believe are the exceptions that are actually true. Get the original essay here, sheeple: https://harpers.org/archive/1964/11/the-paranoid-style-in-american-politics/

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In this sister episode to last week's discussion of "Avant Garde and Kitsch,"  Joe & Josh continue their less-than-plausible attempt to present themselves as highbrow snobs by tackling Dwight MacDonald's "Masscult and Midcult." While the tech-driven atomization of American culture has largely destroyed the homogenous commercial machine MacDonald, writing in 1960, called "mass culture," many of his arguments are still bracing today, especially his condemnation of declining artistic standards in the face of relentless consumerism. But is it possible to have a truly democratic political culture without surrendering art to popular tastes? MacDonald, an idiosyncratic leftist, wanted both, and thought they were not just compatible but complementary. At a time when an army of deprofessionalized, largely unpaid online "critics" treat every half-decent Netflix series like it's goddamn Middlemarch, MacDonald is worth listening to again. Read it here: http://xroads.virginia.edu/~drbr/macdonald.pdf

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What is art? It's a perennial, impossible question, one made even more difficult to answer by the fact that so many people tend to bristle - in America especially - at the idea of making quality distinctions between serious art and mere entertainment in the first place. In this episode, Joe & Josh sorta try to provide a defense of whatever "art" is, with help from Clement Greenberg's seminal essay "Avant-Garde and Kitsch." Join them as they lament the middling taste of their friends and acquaintances, take gratuitous potshots at beloved pop culture franchises, and struggle to describe what makes a work truly original. But it's not just about good aesthetics; as Greenberg argues, kitsch is not just tacky, it's politically toxic. And while it's hard for the future to look much bleaker than it must have in 1939, when Greenberg penned this attack on consumerism's dumbing down of culture, your hosts are... not optimistic. Read the original here: http://www.sharecom.ca/greenberg/kitsch.html

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Most of us remember exactly where we were when President Obama announced that Osama Bin Laden had been killed, bringing an end to the War on Terror and restoring peace to the Middle East. But ever since that fateful night, when all Americans celebrated our unmitigated victory in the most tasteful and least bloodthirsty way possible, some skeptics have questioned the official account. Is it possible that the United States government would lie to its own citizens? The possibility seems unthinkable, but who can you trust? In this episode, Joe & Josh read Seymour M. Hersh's famous - or infamous, depending on your point of view - account of "The Killing of Osama bin Laden." Is Hersh's version of events plausible? Sort of. Does it raise troubling questions about an act of state violence still cloaked in secrecy? Absolutely. Zero Dark Essay or something:

https://www.lrb.co.uk/v37/n10/seymour-m-hersh/the-killing-of-osama-bin-laden

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Dig this and don't goof, hepcats and hepkittens: Joe & Josh are going to school you in cool by reading Norman Mailer's 1957 essay "The White Negro." This seminal examination of the mid-50s zeitgeist - the work that popularized the term "hipster" - is 9,000 words of streamed consciousness that your hosts genuinely struggled to comprehend. In trying to make sense of the whole thing, they discuss the connections between race, American pop culture, bohemian affectations, and the appropriation of countercultures by commercial power. Along the way, they discuss the great 1994 film Quiz Show, why every black teenager in America should probably be rich, how the creators of Superman got f****d over, why so many great comedians are Jewish, and the nature and origin of depression. This is your trip, daddio:  https://www.dissentmagazine.org/online_articles/the-white-negro-fall-1957

As always, let us know what you think: [email protected]

On this episode of the "Old Time Gospel Program," Joe & Josh search the scriptures for answers to the most hotly contested questions of our day. They also have a look at the most famous essay from skeptic, cynic, and so-called "sage of Baltimore" H.L Mencken, "The Hills of Zion." Mencken's report from the Scopes Monkey Trial in Dayton, TN paints a picture of American religion at its most carnivalesque. And while it's a fascinating time capsule of rural, evangelical America just beginning to grapple with scientific modernity, its significance has not only endured but increased in the century since its first publication. This early glimpse of the culture war exposes the country's social and spiritual divide - one that's just as wide today as in 1925. It will be a glorifying hour of witness, sinner friend. But read the essay first: http://bactra.org/Mencken/the-hills-of-zion/

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