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What do depictions of the devil reveal about modernity, late capitalism and the world at large? In this episode with Birgit Meyer, professor of religious studies at Utrecht University, we talk about the devil in images and imaginaries of evil from religious cultures to the culture of consumption. Meyer is a cultural anthropologist whose scholarly work centres on the forces of darkness in relation to new religious movements, film media, and the senses. Her research encompasses the increasing prominence of global Pentecostalism and the complex relationship between religion and popular culture, heritage, media, and the public sphere. She is widely recognized in anthropology and African Studies for her contributions to understanding Pentecostalism and late capitalism in post-colonial West Africa, with a particular focus on Ghana. Meyer has led numerous collaborative projects and has published edited and co-edited essay collections, including Magic and Modernity Interfaces of Revelation and Concealment (2003), Religion Media and the Public Sphere (2005), and Aesthetic Formations. Media, Religion, and the Senses (2009), Sense and Essence. Heritage and Cultural Production of the Real (2018).
This episode focuses on two monographs: Translating the Devil: Religion and Modernity among the Ewe in Ghana (1999), and Sensational Movies: Video Vision and Christianity in Ghana (2015).
Host: George Paul Meiu, Professor of Anthropology and Chair of the Institute of Social Anthropology at the University of Basel.
Production: Zainabu Jallo (Institute of Social Anthropology) in
collaboration with the New Media Center at the University of Basel
Anima Adjepong, Associate Professor of Women, Gender, and Sexuality Studies at the University of Cincinnati, joins us as a guest in this episode, On Erotics. The discussion begins with the concept of the erotic as a form of sensual and aesthetic relationality that challenges traditional notions of objectivity and rationality.
Adjepong's scholarly work has explored the intersections of erotics with gender, sexuality, race, class, and knowledge production while also addressing themes of belonging, freedom, and the complexities of class, race, and transnationalism in both Ghana and the United States. The dialogue explores how the erotic can provide ways to reimagine our engagement with an understanding of the world.
Adjepong is author of the book Afropolitan Projects: Redefining Blackness, Sexualities, and Culture from Houston to Accra (2021), which presents an ethnographic examination of how Ghanaians living abroad utilize African imaginaries to shape their identities. This work highlights a unique form of cosmopolitanism that intricately weaves racial identities within the broader context of gender, sexuality, and religion. Additional contributions include articles and chapters with titles such as "Invading Ethnography: A Queer of Colour Reflexive Practice"(2019), “Whiteness Engendered Violence on the Rugby Pitch" (2021), and "Women's Football and Gendered Nationalism in Ghana" (2022). This episode emphasizes in particular their 2019 essay, “Erotic Ethnography, Sex Spirituality, and Embodiment in Qualitative Research.”
Host: George Paul Meiu, Professor of Anthropology and Chair of the Institute of Social Anthropology at the University of Basel.
Production: Zainabu Jallo (Institute of Social Anthropology) in collaboration with the New Media Center at the University of Basel.
This episode, “On Humanitarianism”, reviews how the incitement to rescue and save others has become vital to how we are what we are in the contemporary world. It also examines how a particular perspective on humanitarianism may help us better understand the current global order. Our guest is Inderpal Grewal, professor emerita of Women’s, Gender, and Sexuality Studies at Yale University. Grewal is one of the pioneers of the field known today as Transnational Feminist Studies and has conducted extensive research on questions focused on post-colonialism, mobility and modernity, non-governmental organizations and human rights, law and citizenship, among many other subjects.
Some of her notable publications include Home and Harem: Nation, Gender, Empire and the Cultures of Travel (1996), Transnational America: Feminisms, Diasporas, Neoliberalisms (2005), and Saving the Security State: Exceptional Citizens in Twenty-First Century America (2017).
Host: George Paul Meiu, Professor of Anthropology and Chair of the Institute of Social Anthropology at the University of Basel.
Production: Zainabu Jallo (Institute of Social Anthropology) in collaboration with the New Media Center at the University of Basel.
Our guest on episode #13, On Trance, is Michaela Schäuble. Her scholarly work explores innovative ways to engage with the experiences of trance through writing, film, and photography. This episode examines the transformative potential of ecstatic experiences of trance, the state of ecstasy and exuberance associated with mediumship. Our discussion centers on trance, forms of possession, and mediumship, which have long fascinated anthropologists and challenged their understanding and representational possibilities.
Michaela Schäuble, a professor of Social Anthropology at the University of Bern in Switzerland, is also an acclaimed documentary filmmaker. She is one of the co-founders and Co-directors of Ethnographic Media Space Bern, a creative collective of anthropologists engaged in audio-visual methods as part of knowledge production. Prior to her current position, she taught at the University of Manchester in England and the Martin Luther University in Halle Wittenberg, Germany. Schäuble's diverse research interests span media and audio-visual anthropology, religion, social memory, gender space, and nationalism, offering rich and engaging perspectives.
She is author of Narrating Victimhood. Gender Religion and the Making of Place in Post-war Croatia (2014). She is also the author of numerous articles and chapters on topics as diverse as Mediterranean anthropology, anthropology of post-socialism, ritual and commemoration, masculinity and placemaking, as well as ethnographic methods beyond the written word. One of her current projects focuses on the phenomenon of tarantism in southern Italy, an ensemble of bodily afflictions and healing practices that involve trance-like experiences.
Host: George Paul Meiu, Professor of Anthropology and Chair of the Institute of Social Anthropology at the University of Basel.
Production: Zainabu Jallo (Institute of Social Anthropology) in collaboration with the New Media Center at the University of Basel.
Our conversation on this episode, On Data, is with Alec Bălăşescu, associate faculty at the Royal Roads University in British Columbia, Canada. Bălăşescu is a social and cultural anthropologist whose research and teaching range from bodily aesthetics, fashion, and politics to human-technology interactions, climate change, and health, Primarily through the prism of machine learning, algorithms and their implications for an ethnographic imagination.
Bălăşescu is the author of Paris Chic, Tehran Thrills: Aesthetic Bodies, Political Subjects (2007), a book that traces the circulations of fashion between France and Iran to reflect on the intersections of consumption, modernity, and religion. His more recent work revolves around human-technology interactions: “Machine Anthropology, Or, Will Robots Talk About Us Behind Our Backs” (2020); and “Augmented Anthropology: Interstitial Anthropology in the Limits of Humanity.” (2024), co-authored with Cristina Luna and published in the Journal of Future Robot Life.
Host:
George Paul Meiu, Professor of Anthropology and Chair of the Institute of Social Anthropology at the University of Basel.
Production:
Zainabu Jallo (Institute of Social Anthropology) in collaboration with the New Media Center at the University of Basel.
In this episode, On Surveillance, our guest is Katherine Verdery, Julien J. Studley Faculty Scholar and Distinguished Professor Emerita at the Department of Anthropology at the City University of New York. Her research has explored a vast set of topics, from property relations in agriculture and the political economy of social inequality and ethnic ties to the socialist and post-socialist politics of culture and regimes of governance, secrecy, and surveillance.
Verdery`s book, My Life as a Spy: Investigations in a Secret Police File (2018), which won the Victor Turner Prize in Ethnographic Writing, explores new ways to think about the relationship between surveillance, governance, and state power today.
Some of Verdery`s other publications include What Was Socialism and What Comes Next? (1996), The Political Lives of Dead Bodies (1999), The Vanishing Hectare: Property and Value in Postsocialist Transylvania (2003) and Secrets and Truths: Ethnography in the Archive of Romania’s Secret Police (2014).
Host:
George Paul Meiu, Professor of Anthropology and Chair of the Institute of Social Anthropology at the University of Basel.
Production:
Zainabu Jallo, Ann Karimi Kern (Institute of Social Anthropology) in collaboration with the New Media Center at the University of Basel
What can be gained from discussing materiality, as opposed to simply talking about objects? This episode, On Materiality, examines what it means to engage with objects, substances, and textures. We contemplate the more profound implications of our relationship with things, how we can think through them, and how this connects to the work of political imagination. Our guest, Carine Ayélé Durand, is Director of Musée d'Ethnographie, Genève. Her curatorial and academic work involves collaborations with indigenous groups in the Arctic, the Brazilian Amazon and Canada to rethink engagements with material culture, visual arts, and museum exhibitions.
Some of Durand’s essays include Artistic Practice and (Museum) Ethnography (2010); Anthropology in a Glass Case: Indigeneity, Collaboration, and Artistic Practice in Museums (2010); Indexing (In)Authenticity: Art and Artefact in Ethnography Museums (2012); and Redefining Curatorship as Skilled Practice (2023).
Host: George Paul Meiu, Professor of Anthropology and Chair of the Institute of Social Anthropology at the University of Basel.
What does it mean to live in a world defined by mobility, a world where the here and now are also so centrally defined multiple elsewheres?
In this episode, On Diaspora, our guest, Ghassan Hage, Distinguished Professor of Anthropology and Social Theory at the University of Melbourne, Australia, engages in a thought-provoking discussion of the concept of diaspora.
Hage brings a wealth of knowledge and expertise to this complex subject. In the recent book, The Diasporic Condition: Ethnographic Explorations of the Lebanese in the World (2021), Hage explores innovative perspectives that challenge conventional notions of living in a lifeworld where the boundaries of location extend beyond mere spatial and temporal distances.
Hage, a fellow of the Australian Academy of the Humanities, has published a vast number collection of works, including White Nation (1998); Against Paranoid Nationalism (2003); After-Politics: Critical Anthropology and the Radical Imagination (2015); and Is Racism an Environmental Threat? (2017).
#diaspora #migration #ethnographicimaginationbasel #anthropology
Host:
George Paul Meiu, Professor of Anthropology and Chair of the Institute of Social Anthropology at the University of Basel.
Production:
Zainabu Jallo, Ann Karimi Kern (Institute of Social Anthropology) in collaboration with the New Media Center at the University of Basel
How do we approach listening, as a mode of perception? How can we be attentive to what others say? Not so much to respond, but in order to understand. In today's episode, On Listening, our guest is Mwenda Ntarangwi, a cultural anthropologist who has taught in the USA, in Kenya and is currently working with the National Defense University in Kenya.
Ntarangwi has explored questions of listening, perception, and its engagement in knowledge production across his work in Kenya and the USA. Some of his publications include Gender Identity and Performance: Understanding of Swahili Cultural Realities Through Songs (2003); East African Hip Hop: Youth Culture and Globalization (2009), Reversed Gaze: An African Ethnography of American Anthropology (2010), and The Street is My Pulpit: Hip Hop and Christianity in Kenya (2016). Our conversation focuses on his article “Listening to Disrupt Ethnographic Representations” (2021), published in HAU: Journal of Ethnographic Theory.
Host: George Paul Meiu is Professor of Anthropology and Chair of the Institute of Social Anthropology at the University of Basel.
#listening #ethnographicimaginationbasel #anthropology #baselsocialanthropology
This episode hosts two guests in a conversation about how dancing encompasses the elements of our changing worlds and allows us to act upon that world.
Hélène Neveu Kringelbach is an Associate Professor of African Anthropology at University College London. Her research has focused on the lives and works of dancers and musicians on migration and effective relationships by national and transnational families in Senegal and France. Kringelbach is author of Dance Circles: Movement Morality and Self-fashioning in Urban Senegal (2013).
Lesley Braun, Associate Researcher at the Institute of Social Anthropology, University of Basel and has worked among women concert dancers in the Democratic Republic of Congo. Braun's research explores dance, gender, transnational mobility in women's sexuality and trade in the Democratic Republic of Congo. She is author of Congo's Dancers: Women and Work in Kinshasa (2023).
Host: George Paul Meiu is Professor of Anthropology and Chair of the Institute of Social Anthropology at the University of Basel.
#dance #senegal #congo #DRC #ethnographicimaginationbasel #anthropology
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