Everything Sounds

Craig and George challenge themselves to make a dark subject lighter. They each tackle a separate story involving “death” and technology. They explore The Museum of Endangered Sounds and an app inspired by a power-deficient toy.

Music:

Norbert Herber “Two,” “One” and “Eight” from I am Ai, We are Ai. Bandai installation

We often hear instruments, but we don’t get to experience their full range of sounds. Craig and George spoke with Alex Inglizian and Lou Mallozzi of the Experimental Sound Studio in Chicago about a unique sound Installation that is a part of their Florasonic series. Find out more about Michael Thieke‘s, “Holzmusick,” and the Experimental Sound Studio in this week’s episode.

Music Featured:

Fumosonic – “After the Gold Rush”

Fumosonic – ”44 Raincoats”

We often hear instruments, but we don’t get to experience their full range of sounds. Craig and George spoke with Alex Inglizian and Lou Mallozzi of the Experimental Sound Studio in Chicago about a unique sound Installation that is a part of their Florasonic series. Find out more about Michael Thieke‘s, “Holzmusick,” and the Experimental Sound Studio in this week’s episode.

Music Featured:

Fumosonic – “After the Gold Rush”

Fumosonic – ”44 Raincoats”

In honor of Thanksgiving, Craig, George, and a number of their guests share why they are thankful for sounds. Enjoy the holidays and join us in reflecting on the sounds in our lives.

Music featured:

Language of Kings – “Deconstructing the Fauna” from Bent

In honor of Thanksgiving, Craig, George, and a number of their guests share why they are thankful for sounds. Enjoy the holidays and join us in reflecting on the sounds in our lives.

Music featured:

Language of Kings – “Deconstructing the Fauna” from Bent

Craig recently visited the Indianapolis Art Center to find out more about the ArtsPark and how their Sensory Path plays with senses and expectations. Patrick Flaherty and Ben Shine from the IAC help illuminate this unique use of sound in the environment.

Music Featured:

Eric Radoux – “Downstairs” from Do I Refuse and “Credit” from Credit

You might not know what foley is, but you know what it sounds like. Craig and George take on an assignment from a former sound designer and foley artist, Scotty Iseri, and give you a glimpse into what it takes to be a foley artist.

Music featured:

Language of Kings – “Uprooting the Flora” from Bent, “Riley Ann Helms” from Heavy Hands and “Cry It Out, Hun” from Heavy Hands.

You might not know what foley is, but you know what it sounds like. Craig and George take on an assignment from a former sound designer and foley artist, Scotty Iseri, and give you a glimpse into what it takes to be a foley artist.

Music featured:

Language of Kings – “Uprooting the Flora” from Bent, “Riley Ann Helms” from Heavy Hands and “Cry It Out, Hun” from Heavy Hands.

Craig recently visited the Indianapolis Art Center to find out more about the ArtsPark and how their Sensory Path plays with senses and expectations. Patrick Flaherty and Ben Shine from the IAC help illuminate this unique use of sound in the environment.

Music Featured:

Eric Radoux – “Downstairs” from Do I Refuse and “Credit” from Credit

Art is often associated with the realm of vision. This week, Everything Sounds explores sound’s role in art with Jesse Seay‘s “Mechanical Tide.”

Music featured: Met City- “Vienna Burns,” “Straight From Arden,” and “Mother Goose” from Stockholm Fancy (Due 2013)