Exiting Through The 2010s

We welcome the wonderful Jonah Koslofsky (The Spool) for his pick in The Master and its elusive nature nine years later. We gave a tribute to the late Phillip Seymour Hoffman, how the oscar failed to celebrate the film and what could just be one of Jack's favorite first time viewing experiences 

Lucy May returns to chat about David Fincher's perfectly crafted thriller and all the right and wrong lessons we look from it after 2014. While also talking about Rosamund Pike's career post her nomination here and writer and novelist Gillian Flynn's rise to popularity in film

Jen Johans (Film Intuition, Watch With Jen) is here as we use James Mangold's globe-trotting thriller as an in to talk the action stars as an endangered brand in the 2010s. With looking at the careers of Cruise and Diaz and movies that are destined to play on FX

The delightful Carrie Courogen (Bright Wall Dark Room) brought Mistress America to us, which leads us to gush about Greta Gerwig even more than we already have before for two hours. As well as the more discussions on New York on film, Baumbach's homage to screwball comedies and how underrated is Lola Kirke

We welcome Brad Avery on to deconstruct the third collaboration between Pete Berg and Mark Wahlberg in the decade and the second in 2016, focusing on the tragedy at the Boston marathon. Taking a look at Wahlberg inserting himself into modern American true stories, how soon is too soon to tell a true story on film Jack and Brad's connection to Boston 

Cassidy Olsen (Little White Lies, Boston Globe) joins us to chat about the provocative world of Harmony Korine in the neon-drenched and Florida set Spring Breakers. Three of us get into Harmony's fascinating appearances on the Late Show with David Letterman in the late 90s, a sly commentary on cultural appropriation seen underneath all the drugs and guns as well as Franco being considered up there one of the decades great supporting performances 

We put our whole chest into Abba tunes with the amazing Emmy Potter (Bright Wall Dark Room) in another sequel from the decade that nobody really asked for. Getting into the deceptive marketing with promising Meryl Streep's return, how the restrained sexiness hurts the movie overall, and what directors do we wanna see make a musical 

Joe Wright's 2010s work is uh, interesting! If you're an apologist of his work like guest Andrew Kendall (Stabroek News) or think he is just another banal, awards season friendly filmmaker, we're starting to talk about his career with his adaptation of Anna Karenina. We'll dissect the career of Kiera Knightly, bringing classic literature to screen and segues into the 2012 oscars and why it was snubbed overall

In our first entry into the world of Kelly Reichardt, its the pacific northwest set acclaimed thriller in Night Moves. Jack, Clay and Saffron Maeve (Little White Lies) touch on the career of Jesse Eisenberg and Clay's own experience living in the Portland he recognizes in the movie