In the second installment of "New Year's Robin-lutions," we're jumping forward just eight years, to 2018's ROBIN HOOD. If Ridley Scott and Russell Crowe couldn't deliver a successful franchise based on the legend back in 2010, would an emerging star and a director known mostly for TV fare much better? Well, I think we all know the answer to that. But does upping the action and utilizing time-tested tropes from a multitude of other films and TV shows at least make this one a more entertaining endeavor?

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Happy New Year! We're kicking off 2022 by sharing with you our "New Year's Robin-lutions," looking at two of Hollywood's many attempts to adapt the classic legend of Robin Hood. First up, the 2010 film, which - despite one of the most baffling pre-production journeys in film history - still seem poised for big things, as the reunion of Gladiator director and star Ridley Scott and Russell Crowe in a similar big-budget historical action drama. So, uh...what the heck happened?? 

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When is a Harley Quinn movie NOT a Harley Quinn movie?? When it's the 1995 cult favorite, TANK GIRL! Directed by Rachel Talalay, and starring Lori Petty, Naomi Watts, Ice-T, and Malcolm McDowell, this comic book adaptation introduced the moviegoing public to the titular character, an icon of both indie-comics AND the "Riot Grrl" movement of the 90s. But could a mainstream studio version possibly stay true to the anarchic, anti-authority attitude of the original comic? Find out here, in the second installment of "Failure to Franchise with Trev & Chris-tmas."

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In the first installment of "Failure to Franchise with Trev and Chris-tmas," we're ringing in the holidays by "gifting" each other a single movie from our long list of potential topic films. First up, with 2013's Hansel & Gretel: Witch Hunters, Chris attempts to give Trev what was meant as a harmless little fairy tale/action mash-up, in order to pay tribute to the man of the hour himself, Jeremy "Hawkeye" Renner. However, an unforeseen dark element of the film's director's cut is waiting around the corner to potentially destroy our festive spirits. And here we thought it would be all that witch's candy making us sick to our stomachs...

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In part two of our special month dedicated to the Wachowski's, in preparation for THE MATRIX RESURRECTIONS, we're looking at their last theatrical feature as a filmmaking duo (at least for now) - 2015's ambitious space opera, JUPITER ASCENDING. Is Mila Kunis a worthy replacement for Natalie Portman? Is Channing Tatum best utilized as a half man, half dog super soldier? And just what the hell is Eddie Redmayne trying to do here?? All these questions and more are pondered, as we scrub some toilets and then go on a wild intergalactic adventure. 

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With the eagerly anticipated MATRIX RESURRECTIONS on the horizon, we're spending November looking at two of the Wachowski's failed attempts at post-MATRIX franchises. First up, their colorful, hyperactive, and heartfelt adaptation of the classic 60s anime series, SPEED RACER. Is it a misguided mess, or an ahead of its time masterpiece? We certainly have our very strong opinion on it.

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Which is ultimately more dangerous - a mummy's curse, or the ego-driven demands of a movie star? Well, one of the two is at least partly responsible for the sinking of not just this episode's movie, but arguably the entire cinematic universe it was meant to kick off. That's right, our two-month "Curse of the Dark Universe" event concludes with the movie that inspired it all - Universal's recent attempt to launch a brand new series of connected franchises starring the classic Universal Monsters. And the film they chose to kick-start it all (after the failure of DRACULA UNTOLD, that is) was the Tom Cruise-starring reboot of THE MUMMY. Cursed, or just misguided? We certainly have our thoughts.

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Given the immense popularity of the Dracula character over the 100+ years since Bram Stoker's original novel, it's not surprising that many fans and writers alike would be keen to explore the origin of the villainous vampire. But how does one go about crafting an "official," audience-pleasing backstory for a character who has enjoyed so many different interpretations throughout the decades? What version of the character do you want to build to? And should the formula you aim to emulate be taken from the popular superhero movies that currently dominate the box-office, instead of the horror genre more commonly associated with the character? An inability to effectively grapple with these questions might play a key role in the downfall of 2014's DRACULA UNTOLD, as our two-month "Curse of the Dark Universe" event continues.

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Undeterred by the failure of 2004's VAN HELSING, Universal Pictures were still eager to resurrect their famous Universal Monsters film properties. In 2006, they signed Benicio Del Toro, a superfan of 1941's THE WOLF MAN, to both produce and star in a remake of the Lon Chaney Jr classic. Four years later, following a tumultuous production period consisting of a last-minute director change, costly reshoots, a strange controversy regarding the score, and multiple release date delays, the new WOLFMAN finally hit theaters...and quickly became one of the costliest bombs in Hollywood history. So what went wrong? Was the film just truly as cursed as its titular protagonist?

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Failure to Franchise's two-month "Curse of the Dark Universe" event kicks off, with a look at this much maligned Monster mash from the early 2000s. In the wake of director Stephen Sommers' wildly successful THE MUMMY and THE MUMMY RETURNS, Universal was eager to have him potentially relaunch the entire classic Universal Monsters line. His solution for this was to dive right into a crossover-type film featuring several of the monsters, but not focusing on ANY of them. Instead, Sommer's title character would be a drastic reinvention of Dracula's most famous enemy, now played by one of the biggest up-and-coming movies stars of the era. A hot director. A hot leading man. And a movie full of time-tested iconic horror characters. What could could possibly go wrong with 2004's VAN HELSING?

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