At the time of this recording, it was my birthday, and - in true Hobbit fashion - I'm giving YOU the gift of diving into the vast deserts of Dune with the always insightful Richard Rohlin! In this impromptu episode, we’re unpacking Denis Villeneuve’s Dune films—praising the awe-inspiring visuals, iconic performances, and meticulous attention to detail in part one while grappling with the pacing, missing lore, and religious undertones in part two.

From the pulse-pounding shield fighting to the enigma of spice and its place in Frank Herbert’s epic world-building, we tackle it all. We discuss Paul Atreides' journey, the complexities of messianic archetypes, and whether Dune truly captures Herbert’s layered philosophical and ecological themes—or if Hollywood just can’t do religion justice. Plus, there’s plenty of nerdery, from Warhammer 40K parallels to pondering the real Kwisatz Haderach (hint: Duncan Idaho fans, this one's for you).

📚 Whether you’re a hardcore fan of the Dune books, a movie buff, or just here for the spicy debates, this episode is a mix of thoughtful critique, playful banter, and celebratory vibes. So, grab your stillsuit and some spice coffee, and join us for this cinematic deep dive into Arrakis, its worms, and its warriors.

⏰ Timestamps:

0:00 – Intro & Birthday Announcement 🎉

What if the universe isn’t just vast and indifferent but actively hostile—a cosmic battlefield where silence is survival? Welcome, friends, to an exploration of The Dark Forest, the second volume in Liu Cixin’s masterful Three-Body Problem series. 🌠

In this episode, we journey into a future where humanity faces an alien threat so advanced they can intercept every communication—except our thoughts. Enter the Wallfacers, an elite group tasked with devising strategies in absolute secrecy. Sounds hopeful, right? Well, it’s complicated. 😬

We’ll unravel the chilling “Dark Forest Theory,” which reimagines the cosmos as a predator’s den where every signal is a death sentence, and explore the moral and existential dilemmas of survival in such a world. What happens when trust, love, and community collide with the cold logic of cosmic sociology? And does the series leave room for hope—or is this truly the bleakest vision of a post-human future?

Grab a drink and let’s dive into the dark. ☕️

This is a special repost of one of my Craftsman’s Workshop Patreon streams, where I dive deep into a pivotal question: What makes a story truly life-giving? 🌱 

Join me as I open up about how storytelling keeps us grounded, and share thoughts on what it means to build a meaningful creative life amidst a chaotic world. We cover everything from my evolving Patreon tiers (and why I shifted them) to my journey through Cal Newport’s Slow Productivity and how it’s reshaping my approach to writing, storytelling, and community. 📚✨

In this episode, I also reveal exciting plans for 2025, including the triumphant return of the Fantasy For Our Time podcast, new short stories through mentorship with celebrated author  Kristine Kathryn Rusch, and a revitalized approach to the Patreon community. 

And, of course, a huge thanks to all of you who keep this journey alive. 🙏

Timestamps:

00:00 - Opening Remarks: What Makes a Story Life-Giving?

🔥 Imagine America’s collapse into myth. Today, we’re exploring “Cantos of Arcadia”—my sci-fi project that merges epic story, future-archaeology, and existential dread. This is the story behind the story, the uncharted process of weaving America’s “what if” into a future epic that merges apocalyptic ruin with ancient myth.

Expect discussions on myth, storytelling’s power, and crafting worlds through sound, faith, and speculative history. Whether you’re a sci-fi fan, a storyteller, or just curious, prepare for the resonance between the old and the eerily possible.

⏰ Timestamps:

0:01 – Can a future civilization survive through story? A mythic retelling of a crumbling world 🌍

Join me as I dive into Shards of Honor, the first book in The Vorkosigan Saga by Lois McMaster Bujold! 🚀💫 

From the depths of autocratic heroism to the ideals of speculative fiction, we'll explore it all: grimdark versus high fantasy ⚔️, reflections on repressive political systems 🛡️, and the intrigue of intergalactic escapades 🌌.

 If you’ve ever wondered about the possibility of a speculative fiction canon 📚 (yes, I’m serious), you’re in the right place! Stick around as I delve into characters who battle both societal expectations and personal demons, exploring everything from political dilemmas to daring prison escapes in a sci-fi romance setting. 

 Don’t forget to check out my ongoing journey on The Wood Between Worlds Substack for all things speculative! 🌲✨

https://thewoodbetweentheworlds.substack.com/

Timestamps:

0:00 – 🔥 Intro to The Vorkosigan Saga and a speculative fiction canon

Welcome, fellow book lovers and sci-fi enthusiasts! In this video, I have the absolute pleasure of chatting with none other than Adrian Tchaikovsky—an international sensation and the brilliant mind behind Children of Time. This conversation is a treat as we dive into Adrian’s creative journey, his love for speculative fiction, and, of course, how a weird book about giant space spiders launched his entire career!

From his science background to his fascination with spider evolution (yes, really!), Adrian shares how Children of Time almost didn’t see the light of day, but then skyrocketed to success, winning awards and readers' hearts alike. 🕷️ We also explore his thoughts on fantasy vs. sci-fi, why humor makes Grimdark more digestible, and what it’s like writing deeply relatable characters in the most epic of universes.

Whether you’re an arachnophobe or an avid sci-fi reader, this conversation is packed with insights, laughter, and Tchaikovsky’s trademark brilliance. Come along as we talk about writing, world-building, and why you should always root for the spiders. 😉

Timestamps:

0:00 How Giant Spiders Launched Adrian Tchaikovsky’s Career

Hello, fellow wanderers! 🌟 In this video, we’re diving deep into the heart of fantasy and the curious intersection between Grimdark and Tolkien’s mythopoetic storytelling. Yes, you heard that right—me, the self-professed Grimdark skeptic, is about to unpack this genre that I once claimed was something we should avoid (gasp!). But things have changed, and I’m here to explain why.

I recently dipped my toes into The Blade Itself by Joe Abercrombie, a book that was supposed to be drenched in moral grayness, blood, and nihilism, but it surprised me. I found characters I could root for, humor, and even empathy! So, what is Grimdark really? And does it belong in the canon of speculative fiction?

Join me as we explore the nuances of modern fantasy, Tolkien’s lasting influence, and how these stories help us escape—not in the “dull the pain” kind of way, but in a way that strengthens us for the real world. We’ll touch on the works of Abercrombie, Richard Swan, and, of course, Tolkien himself. Expect musings on the nature of escapism, the moral compass of Grimdark, and whether we’re still capable of writing hopeful, heroic fiction today.

Timestamps:

0:00 Let’s Talk About Escapism: Tolkien, Transcendence, and Resilience

Hey dear friends! In this video, Richard and I dive deep into the evolving worlds of science fiction and fantasy. From Tolkien's carefully restrained magic to today's cosmic horror and existential threats, we explore how modern storytellers like Adrian Tchaikovsky are pushing the boundaries of what it means to be human in a vast, often terrifying universe. 🤯

Together, we’ll unpack how the "what if" scenarios of classic speculative fiction are running up against the limits of our current worldview, where space isn’t just empty—it’s often hostile, dark, and filled with lurking horrors straight out of Lovecraft’s nightmares. 🐙 But here’s the thing: amidst all the bleakness, we’re also talking about how these stories can still uncover beauty, hope, and purpose. 

I reflect on how storytelling, whether in epic space operas or grounded fantasy, is about rediscovering meaning beyond the nihilism, and how we might re-envision the cosmos not just as cold space, but as a light-filled place of mythic possibility. If you love world-building, cosmic philosophy, or just geeking out over sci-fi and fantasy, then grab a cup of tea (or something stronger, perhaps . . . ) and join us! ☕️

Timestamps:

0:00 Introduction & Overview

Could this be the Star Wars of our time?! . . . .  no. Definitely not. 

Together, Richard and I discuss the final episode of The Rings of Power and, yet again, it's mostly a ranting session. It seems as though this entire venture has been set up as a cinematic prequel to the Peter Jackson films, and - if that's the case - it's supremely disappointing. 

It's clear that the writers don't trust their audience. Between the wizard dual and the way in which Galadriel has done nothing essential to the plot, there seems to be a sense that, as long as they're writing about something "worthwhile", quality doesn't matter. There also seems to be some attempt to articulate a theological vision, but it's lacking. The pacing is arrhythmic and strange. Seemingly there is some effort to be reminiscent of medieval storytelling, but it falls short. 

Also, what's with all of the sympathy for the devil? This, above everything else, is a departure from Tolkien. This seems to be an issue of art vs propaganda disguised as entertainment. 

Will we watch season 2? We'll see . . . maybe we should just focus on Andor. 

In this episode, dear friend Richard Rohlin and I continue our discussion on  The Rings of Power, picking up with episodes 6 and 7. We try to open up by focusing on the positives, but, as per usual, chaos ensues!

While there does seem to be minimal progress in the maturation of the show and its characters, we still see forced romantic tensions where friendship would do - is this a painful display of our current culture? Yes. 

After a large detour where we blame Peter Jackson for everything, criticize cinematography, and obsess over Christian Bale for some reason, we finally get to the question of why the showrunners are so obsessed with the Orcs? The creators of the show are very keen on giving these characters, evil characters, a culture, and a story covered in optimism while they clearly give characters like the elves a pessimistic treatment, portraying them as the antagonist oppressors. Again, has society inverted so far as to make this a normal means of storytelling? Yes. 

At last, we close with some predictions and hot takes. Please, let us be wrong!