2025

An Andalusian-inspired adventure track used as the main theme to a tabletop roleplaying game, scored for oud, qanun, two sazes, two neys, zurna, chitarrino, Renaissance lute, hurdy-gurdy, percussion, strings, synths, vielle, and bass viola da gamba.

Vielle, Viola da gamba: David Federman

Recording Engineer: Simon Miminis

Artwork: Brian Patterson (https://brianfnpatterson.com)

2024

The ending credits cue for the podcast series, "We Talk About Film" (prod. Justine McCloskey and Sarah Beaudin). This quirky cue, scored for a veritable pile of mandolins and dulcimers of varying sizes, captures the energy and verve of the podcast hosts.

2023

The end credits track from the heartfelt dramatic film, "The Sweetest Goodbye" (dir. Emily Schooley). This wistful cue features a full rendition of the main theme of the film rendered on nylon guitar and synths, and serves as an emotional catharsis to the narrative.

Composer/Producer: David Federman

Guitar: Andrés Galindo Arteaga

Recording Engineer: Monica Botelho

Recorded at Story Arts Centre, Toronto, Canada

2023

A pirate-themed adventure track used as the main theme to a tabletop roleplaying game, scored for orchestral strings, horns, low brass, percussion, and electric bass, featuring a pirate band of bass viola da gamba, sopranino recorder, chitarrino, dulcimer, and bodhrán.

Viola da gamba: David Federman

Recording Engineer: Simon Miminis

Artwork: APHOTICMOTH (https://aphoticmoth.carrd.co)

2019

The end credits track from the neo-noir feature, "No More Stolen Afternoons" (dir. Barry Germansky). This cue features a short statement of the main theme of the film, written in the idiom of an American Songbook-style jazz standard for trumpet, piano, bass, and drums.

Composer/Producer: David Federman

Trumpet: Ewan Divitt

Recording Engineer: Gary Honess

Recorded at Kühl Muzik, Toronto, Canada

2019

The end credits track from the short horror film, "Double Edged" (dir. Cliona Concetta). This cue features two full statements of the main theme of the film, the first of which is presented as a melancholic, haunting lullaby, followed by a rendition in strings (and capped off with a little surprise at the end).

Conductor: David Federman

Violin 1: Alex Toškov

Violin 2: Tanya Charles

Viola: Veronica Lee

Cello: Samuel Bisson

Recording Session Producer: Janal Bechthold

Recording Engineer: Gary Honess

Assistant to Composer: Andrés Galindo Arteaga

Recorded at Kühl Muzik, Toronto, Canada

2019

The end credits track from "Joey Boy" (dir. Mark Matechuk). This upbeat, lighthearted cue, scored for piano, upright bass, and drums, extends the happy ending of the film and sends the audience home with a smile.

2018

The final cue and end credits from "Haru's New Year" (dir. Alice Shin). This cue is comprised of two statements of the main theme: once embellished (over the final scene of the film), and again more straightforward (over the credits).

Piano: Mark Andrews

Composer/Producer: David Federman

Recording Engineer: Galen Weston

Mix Engineer: Jim Zolis

Assistant Engineers: Warren Hutton and Oliver Eksteins

Assistant to Composer: Andrés Galindo Arteaga

Recorded and Mixed at Rose Room Recording, Toronto, Canada.

2017

The main title fanfare from BRAWLSTAR LEGENDS, a 2v2 mobile MOBA developed by Gazia Games.

2017

The first hub/menu track from BRAWLSTAR LEGENDS, a 2v2 mobile MOBA developed by Gazia Games.