Federmusik

Federmusik

By FedermusikMusic
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Federmusik episodes

  • Journey to the City of Ash - Main Theme
    2025
    An Andalusian-inspired adventure track used as the main theme to a tabletop roleplaying game, scored for oud, qanun, two sazes, two neys, zurna, chitarrino, Renaissance lute, hurdy-gurdy, percussion, strings, synths, vielle, and bass viola da gamba.
    Vielle, Viola da gamba: David Federman
    Recording Engineer: Simon Miminis
    Artwork: Brian Patterson (https://brianfnpatterson.com)
    2 min
  • We Talk About Film - End Credits
    2024
    The ending credits cue for the podcast series, "We Talk About Film" (prod. Justine McCloskey and Sarah Beaudin). This quirky cue, scored for a veritable pile of mandolins and dulcimers of varying sizes, captures the energy and verve of the podcast hosts.
    2 min
  • The Sweetest Goodbye - End Credits
    2023
    The end credits track from the heartfelt dramatic film, "The Sweetest Goodbye" (dir. Emily Schooley). This wistful cue features a full rendition of the main theme of the film rendered on nylon guitar and synths, and serves as an emotional catharsis to the narrative.
    Composer/Producer: David Federman
    Guitar: Andrés Galindo Arteaga
    Recording Engineer: Monica Botelho
    Recorded at Story Arts Centre, Toronto, Canada
    2 min
  • The Hunt For Don Sancho's Treasure - Main Theme
    2023
    A pirate-themed adventure track used as the main theme to a tabletop roleplaying game, scored for orchestral strings, horns, low brass, percussion, and electric bass, featuring a pirate band of bass viola da gamba, sopranino recorder, chitarrino, dulcimer, and bodhrán.
    Viola da gamba: David Federman
    Recording Engineer: Simon Miminis
    Artwork: APHOTICMOTH (https://aphoticmoth.carrd.co)
    2 min
  • No More Stolen Afternoons - End Credits
    2019
    The end credits track from the neo-noir feature, "No More Stolen Afternoons" (dir. Barry Germansky). This cue features a short statement of the main theme of the film, written in the idiom of an American Songbook-style jazz standard for trumpet, piano, bass, and drums.
    Composer/Producer: David Federman
    Trumpet: Ewan Divitt
    Recording Engineer: Gary Honess
    Recorded at Kühl Muzik, Toronto, Canada
    2 min
  • Double Edged - End Credits
    2019
    The end credits track from the short horror film, "Double Edged" (dir. Cliona Concetta). This cue features two full statements of the main theme of the film, the first of which is presented as a melancholic, haunting lullaby, followed by a rendition in strings (and capped off with a little surprise at the end).
    Conductor: David Federman
    Violin 1: Alex Toškov
    Violin 2: Tanya Charles
    Viola: Veronica Lee
    Cello: Samuel Bisson
    Recording Session Producer: Janal Bechthold
    Recording Engineer: Gary Honess
    Assistant to Composer: Andrés Galindo Arteaga
    Recorded at Kühl Muzik, Toronto, Canada
    2 min
  • Joey Boy - End Credits
    2019
    The end credits track from "Joey Boy" (dir. Mark Matechuk). This upbeat, lighthearted cue, scored for piano, upright bass, and drums, extends the happy ending of the film and sends the audience home with a smile.
    1 min
  • Haru's New Year - Haru and Huran/End Credits (はるとフラン～エンディング)
    2018
    The final cue and end credits from "Haru's New Year" (dir. Alice Shin). This cue is comprised of two statements of the main theme: once embellished (over the final scene of the film), and again more straightforward (over the credits).
    Piano: Mark Andrews
    Composer/Producer: David Federman
    Recording Engineer: Galen Weston
    Mix Engineer: Jim Zolis
    Assistant Engineers: Warren Hutton and Oliver Eksteins
    Assistant to Composer: Andrés Galindo Arteaga
    Recorded and Mixed at Rose Room Recording, Toronto, Canada.
    3 min

About Federmusik

From the publisher's feed

I am a Toronto-born, classically-trained composer specializing in music for the screen. You can hear my work in films like CRUZAR EL UMBRAL (dir. Sergio Hernández Elvira), THE SUITCASE (dir. Philip Leung), HARU'S NEW YEAR (dir. Alice Shin), and Season 5 of CBC's SOMEONE KNOWS SOMETHING podcast (prod. David Ridgen).