Glass House is about waking up at the edge of excess and choosing awareness over escape.

Moving between hazy mornings and night-long momentum, the song balances dance-floor release with quiet self-interrogation. The repetition isn’t about numbness — it’s about grounding, movement, and the decision to stay present before losing yourself completely.

It’s a reminder that survival can be an act of clarity.

Guitars, bass and production support by Ken McIntosh and Kev McIntosh.

Final creative direction and production decisions by Ferric Prophet.

Independent release.

Life in Your Hands is a call for collective responsibility rather than accusation.

Set against an upbeat, driving framework, the song questions authority, inequality, and enforced compliance, while holding onto a simple demand: a life worth living for everyone. Repetition turns the chorus into insistence, not anger — a reminder that change begins with shared decisions rather than control.

This is protest without despair.

Guitars, bass and production support by Ken McIntosh and Kev McIntosh.

Final creative direction and production decisions by Ferric Prophet.

Independent release.

Animal Killer is written from the point of view of the hunted — a voice questioning cruelty that has been normalised and justified.

Repetition and accusation replace metaphor, confronting violence carried out for pleasure, control, or convenience. There is no moral high ground offered here — only a refusal to accept suffering as entertainment or entitlement.

Guitars, bass and production support by Ken McIntosh and Kev McIntosh.

Final creative direction and production decisions by Ferric Prophet.

Independent release.

EdinburghhgrubnidE is a sharp, ironic snapshot of a city turned spectacle — where wealth and suffering exist side by side, and everything is reduced to consumption.

Repeating slogans and call-and-response choruses mirror advertising language, tourism, and distraction, while the verses cut through with blunt observations about inequality, indifference, and systemic failure.

This is not a protest anthem or a solution — it’s a reflection. A loop.

Come and see the lights. Come and spend your money.

Guitars, bass and production support by Ken McIntosh and Kev McIntosh.

Final creative direction and production decisions by Ferric Prophet.

Independent release.

“Mars (No Coming Back)” is a haunting, slow-burn journey through emotional isolation and irreversible choice. With its chilling atmosphere and evocative production — enhanced by AI-driven vocals — Ferric Prophet delivers a cinematic soundscape that feels both otherworldly and deeply personal. This track is ideal for visual storytelling with themes of departure, exile, or finality — from space travel films to psychological dramas. Moody, memorable, and sync-ready, it’s fully cleared and PRS registered.

life for all......someday.