In this episode, I jaw about how to hedge against having your emails deleted if you're a copywriter, by combining storytelling and pain or yearning (so to speak).

In this episode, I talk about the two ways (generally) stories are started, and how fiction writers can work it from more angles than copywriters can, and why (my opinion, of course).

In this episode, I talk about the cycle every fiction writer goes through when they submit for publication (non-self publishing). Copywriters and marketers go through the same thing too, but different.

In this episode, I talk a little bit about 4 words given to me by a mentor that guide me, even to this day...but are really more of a state of being of a piece of writing than a direction to take your writing.

In this episode, I chat about my near-disastrous experience creating a backstory for my Dungeons and Dragons character, especially because I didn't consider the implications of certain parts (and I didn't even mention how I failed to manage my cursed weapon--that'd be a good idea for a tie-in sometime later).

In this episode, I'll be chatting about a four-letter word (not THAT kind), and how it can impact you positively in your writing career, once you realize you've been participating in it for a long time now.

In this episode, I talk about an age-old debate between the "artist" side of writing and the "money" side of it...even though we all know bills need to be paid (and sometimes Franks, Georges, and Malcolms too).

In this episode, I talk about how fiction writers and copywriters can (ethically) use a five-letter word to get ahead with their business and personal relationships (although it can take a while, to be sure).

In this episode, I mention the title of an interesting pop song, and a little bit about why it's relevant to character motivation (oops, spilled the beans). Other than talking about motivation itself, of course (of the fiction and prospect variety, with an eye on storytelling).

In this episode, I talk about something that copywriters sometimes skip (in emails especially), but that fiction writers usually don't. There are ways to get away with this, but over time it's just not good for you. You'll have to listen to find out, of course...