Atmosfekto (атмосферное Электро) Mix @ Saturn Rings Live Stream 28.03.20

Saturn Rings Stream 16 may 2020

DJ Sasha is back again with a new program "Out of Time"!

Big issue, I must say, very big ...

But do you understand that everything is not so simple?

What has happened to electronic music over the past 40 years?

What is Descartes' square?

What is the difference between the female approach to writing breakbeat music from the usual male one?

So, DJ Sasha, Fieldfunk Records and the Silver Rain radio station (Stavropol) 92.6FM wanted XXIII part "Out of Time".

#djSashaFieldfunk #FieldfunkRecords #OutOfTimeRadioshow #Fieldfunkcrew

OUT OF TIME23

Relax edition

Dima K - Live House Mix@Chop-Chop 20/02/21 by Fieldfunkrecords

Dima K - Love Energy Mix (live@Saturn Rings party 06/03/21) by Fieldfunkrecords

FF Records welcomes all those who are not indifferent to the Stavropol electronic music scene! And, of course, everyone who loves and enjoys electronic music in general! This time we want to introduce you to the work of a person who (let's not be afraid of this word) lives and breathes music, creativity.. In the past, a DJ on the Cherkessk radio station, the owner of a huge collection of CDs and now an honored worker (again, we will not be afraid of this word, and this is the word you need to be afraid of) Stavropol electronic underground scene.. FelixProd has an unrealistic amount of recorded content behind his back, whether it's DJ sessions in KOMU KAKOE DELO or jam sessions in the framework of his Trip Dub Collective project together with Andrey Akimov. Just listen to his mix and feel the taste of the 90s or early 00s.. Enjoy.. 🎧

The album Fieldfunk - ” The Journey " continues a series of ambient releases on the label Fieldfunk Records. This album was recorded almost entirely on the plug-in emulator of the legendary analog synthesizer Yamaha CS-80, which was produced in 1976-1980. Its incredible sound was ahead of its time. On CS-80 wrote music Vangelis (OST "Blade Runner"), it was used by ambient musicians of the early 80's. Some sounds can be heard from "Underworld "and the legendary" The Orb " in the albums of the 90s. We would like "The Journey" to become a real time travel and be perceived as a return to the roots of electronic music

The album Fieldfunk - ” The Journey " continues a series of ambient releases on the label Fieldfunk Records. This album was recorded almost entirely on the plug-in emulator of the legendary analog synthesizer Yamaha CS-80, which was produced in 1976-1980. Its incredible sound was ahead of its time. On CS-80 wrote music Vangelis (OST "Blade Runner"), it was used by ambient musicians of the early 80's. Some sounds can be heard from "Underworld "and the legendary" The Orb " in the albums of the 90s. We would like "The Journey" to become a real time travel and be perceived as a return to the roots of electronic music

The album Fieldfunk - ” The Journey " continues a series of ambient releases on the label Fieldfunk Records. This album was recorded almost entirely on the plug-in emulator of the legendary analog synthesizer Yamaha CS-80, which was produced in 1976-1980. Its incredible sound was ahead of its time. On CS-80 wrote music Vangelis (OST "Blade Runner"), it was used by ambient musicians of the early 80's. Some sounds can be heard from "Underworld "and the legendary" The Orb " in the albums of the 90s. We would like "The Journey" to become a real time travel and be perceived as a return to the roots of electronic music

The album Fieldfunk - ” The Journey " continues a series of ambient releases on the label Fieldfunk Records. This album was recorded almost entirely on the plug-in emulator of the legendary analog synthesizer Yamaha CS-80, which was produced in 1976-1980. Its incredible sound was ahead of its time. On CS-80 wrote music Vangelis (OST "Blade Runner"), it was used by ambient musicians of the early 80's. Some sounds can be heard from "Underworld "and the legendary" The Orb " in the albums of the 90s. We would like "The Journey" to become a real time travel and be perceived as a return to the roots of electronic music