Cody and Peter watch the 2008 Australian horror, Lake Mungo. It's a brooding, melancholic ghost story with one good jump scare.

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This week we're looking right at 1973's Don't Look Now. Donald Sutherland and Julie Christie deliver incredible performances and Peter and Cody roast a rando on LB who gave it a bad rating.

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In 28 days, the world will end. Welcome to the Tangent Universe (and Spooky Season!)

We have a good time correcting Cody's initial reading of Donnie Darko.

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Jamie G. joins us to dissect Wes Anderson's The French Dispatch.

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We went with The French Dispatch to round out our Pulp Fiction month because it brings the opposite energy to an anthology film.

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Seth Halley joins to talk about the French New Wave meeting American Crime in Francois Truffaut's Shoot the Piano Player ("Tirez sur le pianiste").

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You can feel the French New Wave's influence on Tarantino, especially in the naturalistic and seemingly banal dialogue that adds texture to the film. I found this piece from Images helpful in framing my thoughts about the relationship between Shoot and Pulp Fiction.

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Special guest, filmmaker and local theater staffer Freddy Ruiz is on to discuss Black Sabbath ("I tre volti della paura").

Watch Freddy's horror short, The Killbilly: https://www.youtube.com/watch?v=8XGQBaeBitE

Black Sabbath inspired the triptych structure of Pulp Fiction. Tarantino is quoted in Far Out magazine saying, "What Mario Bava did with the horror film in Black Sabbath, I was gonna do with the crime film.”

On our next episode, we're watching Shoot the Piano Player ("Tirez sur le pianiste") directed by Francois Truffaut, a French New Wave film in conversation with American crime films and novels.

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Welcome to Film Bros Anonymous. We're Cody Owen and Peter DeNicola, each month we take one classic from the Film Bro canon, discuss it and then suggest 3 films that are related that will give you a deeper dive into the world of cinema.

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