Film Music Focus

In the fifteenth episode of Film Music Focus, CineConcerts President/Producer Justin Freer continues his interview with Academy & Golden Globe Award nominated composer, Patrick Doyle. They discuss the challenges of composing for the unabridged film version of HAMLET, how Doyle captured emotional moments in DONNIE BRASCO, and collaborating with director Mike Newell.

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In the fourteenth episode of Film Music Focus, CineConcerts President/Producer Justin Freer concludes his interview with Principal Trumpet for the Hollywood Bowl Orchestra Rob Schaer. Schaer talks about overcoming fear when performing, working on DANCING WITH THE STARS, and his experience recording with legendary film and television composers.

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In the thirteenth episode of Film Music Focus, CineConcerts President/Producer Justin Freer interviews Principal Trumpet for the Hollywood Bowl Orchestra Rob Schaer. Schaer talks about meeting Justin at the Mancini Institute, performing film concerts at the Hollywood Bowl, and what it was like to fill the shoes of some very accomplished trumpet players.

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In the twelfth episode of Film Music Focus, CineConcerts President/Producer Justin Freer interviews composer John Debney. Debney talks about his heroic score for CUTTHROAT ISLAND, collaborating with big personalities when working on a film, and scoring the hilarious antics of Jim Carrey in LIAR LIAR.

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In the eleventh episode of Film Music Focus, CineConcerts President/Producer Justin Freer concludes his interview with composer Bruce Broughton. Broughton talks about composing and conducting his own concert music, his involvement with the University of North Texas School of Music, choosing the best composers for TINY TOON ADVENTURES, and his dark and enduring score to TOMBSTONE.

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Sponsorships: off for this episode

In the tenth episode of Film Music Focus, CineConcerts President/Producer Justin Freer interviews composer Joel McNeely. McNeely talks about meeting Elmer Bernstein as a kid and being inspired by him, his work as an orchestrator, and how working on THE YOUNG INDIANA JONES CHRONICLES inspired him to compose the music for IRON WILL.

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Sponsorships: off for this episode

In the ninth episode of Film Music Focus, CineConcerts President/Producer Justin Freer concludes his interview with Mike Knobloch, President of Global Film Music and Publishing at Universal Pictures. Mike gives a fascinating look into the decisions that go into choosing original songs vs. film music alone. Knobloch also talks about working with Pharrell Williams ("Despicable Me 2"), and other artists for "50 Shades of Grey," in addition to working with James Horner and James Cameron on "Titanic."

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In the eighth episode of Film Music Focus, CineConcerts President/Producer Justin Freer interviews Academy & Golden Globe Award nominated composer, Patrick Doyle. They discuss Doyle's rousing score for "Henry V," and his decades long collaboration with director Kenneth Branagh.

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In the seventh episode of Film Music Focus, CineConcerts President/Producer Justin Freer interviews Emmy Award-winning TV and film composer Bruce Broughton. They discuss Broughton's uplifting score for "The Boy Who Could Fly," and the difference between composing for films and composing for theme park attractions like "Spaceship Earth" at Epcot and "Soarin' Around the World" at Disney's California Adventure.

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In the sixth episode of Film Music Focus, CineConcerts President/Producer Justin Freer interviews Mike Knobloch, President of Global Film Music and Publishing at Universal Pictures. They discuss Knobloch's introduction to the movie business on the set of "Father of the Bride," and attitude it takes to tackle the unique problems of film music.

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