In this webinar you will learn several tips and techniques when using Cinema 4D and Adobe After Effects for your 3D compositing projects. We'll cover solution to problems that may arise when working with complex scenes and how to foresee last minute changes.

Creating great titles can often feel like a struggle, especially if you also have to convey a lot of information in a short period of time. This webinar explores how to speed up this process using 2 great plug-ins, Motype and Nodes, inside Adobe After Effects.

This webinar will be a 'hands on tour' of the new Final Cut Pro X application, covering some of the new features and giving you a complete overview of the new interface.

In this webinar, the presenter will be working on both Final Cut Pro 7 and Final Cut Pro X, switching back and forth between the NLEs, showing you how you can perform similar FCP 7 actions inside of FCP X.

This webinar will demonstrate some advanced techniques to create 3D scenes wholly within After Effects. We will explore how to shape the scene using the new, more realistic, lighting behavior in After Effects CS 5.5.

This webinar will cover everything from the basic effects and plug-ins you use on a regular basis all the way up to the most current available 3rd party plug-ins for FCP X.

This webinar will walk through the stereo conversion process from shot breakdown to the massive labor-intensive job of rotoscoping right through to depth grading and stereo filming. It will be a grand tour of the entire process that will build your vocabulary of stereo terminology and an understanding of stereo post-production workflow.

In this webinar you'll learn all about the new media management tools, from people detection to shot detection to managing events to range-based keywords. We'll also cover smart collections and how to search for all your media, as well as touch upon projects and how to manage your projects for an effective edit session.

You'll learn to set up your Final Cut Pro X interface for efficient color correcting, video filters and effects available to you all without 3rd party tools or plug-ins.

Using the DI workflow with an emphasis on how the presenter created the looks of the film, Take Shelter, with subtle (and sometimes not-so-subtle) color grades.