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In honor of Holocaust Remembrance Day 2022, Graham and Anya discuss fictional depictions of the Holocaust and their effect on global understanding of its history.
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Color correction is a valuable tool in filmmaking, but has a form of it been weaponized against countries like Mexico and Bangladesh? Probably.
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In 2014, one year after the death of Chris Kyle, Clint Eastwood releases American Sniper to the world. This week, Graham and Anya debate the difference's between the real-life protagonist and the version portrayed by Bradley Cooper, and what it means to watch pro-war cinema.
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This week's episode has a trigger warning for just about everything as we discuss the Disturbing Cinema Iceberg and the films included therein.
View the Iceberg here: https://twitter.com/apoca1ypse_n0w/status/1365468884917190656
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We're back after our bye week, and we're coming out swinging. This week's episode tackles the 2020 film Nomadland and the real-world impact of Amazon's control of cinema.
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We all have that "So bad it's good" film that we love to show our friends. But why do white male directors hold the monopoly on capitalizing off of failure? This week, Anya and Graham search for the space where minority directors are allowed to fail the way these legends of midnight cinema did, and profit from it the same way.
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This week Graham and Anya discuss the merits of the Criterion Collection.
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In a tangent from our previous episode, Graham and Anya discuss the evolution of film as art.
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This week, Graham and Anya discuss the fan-made memorial to Dobby the House Elf on Freshwater West Beach in Wales, and the environmental impact of fan behavior. After years of fans dumping socks and rocks into the area, the local government removed the memorial to combat further erosion of the protected area. We ask: What responsibilities are filmmakers and fans alike held to when it comes to the environment?
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This week, Graham and Anya deep dive into the history of animals in film and question the ethics of our current standards.
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From the publisher's feed