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Fincher's breakout film still packs a transgressive wallop after 25 years, and the guys are here to dig into its unique blend of theatrical abstraction and sincere humanity, the interplay of banal and baroque evil, how it incepts you it thinking it is much more gory than it is the Spacey factor, and how completely the best Batman movie was ripping it off.
By Al Schwartz, John Bernhard5
1717 ratings
Send us Fan Mail
Fincher's breakout film still packs a transgressive wallop after 25 years, and the guys are here to dig into its unique blend of theatrical abstraction and sincere humanity, the interplay of banal and baroque evil, how it incepts you it thinking it is much more gory than it is the Spacey factor, and how completely the best Batman movie was ripping it off.

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