In this special holiday episode, Nils and Ian sit down with Bob and Oakley—two young superfans who weren’t even born when Pink Floyd’s last tour ended. Together, they unwrap stories of rare recordings, audio engineering wizardry, and the friendships that make the fan community feel like family.

Bob and Oakley dive into their passion for finding rare recordings, chasing down rumours, and earning respect from experienced fans in the broader Pink Floyd community.

Their love for live recordings has led them to develop impressive audio engineering and mastering skills. Bob and Oakley share their experience working on projects like matrix mixes and quadrophonic remasters, where they combine multiple audience recordings—each captured from different spots in a venue. They break down the techniques, challenges, and how these projects often deliver audio quality far beyond expectations.

Our first 2023 episode declared: “Once you’re hooked, there’s no way back.” Bob and Oakley embody this sentiment, proving how Pink Floyd’s music continues to inspire a new generation of researchers, audio specialists, and devoted fans.

From all of us at Fingal’s Cave, merry Christmas and happy holidays!

If you were to make a list of the musicians who made some of the most beloved recordings in rock music, the name Jerry Shirley will come up over and over again. In addition to his role as drummer in Humble Pie, he has worked closely with luminaries like B.B. King, John Entwistle, and of course, Syd Barrett. In this episode, he sits down with Phil Salathé to discuss his long and storied career, and to share stories from his work with Syd in the studio and live. We also investigate a few mysteries in the process, including an enigmatic Syd outtake that's stymied researchers for decades. You won't want to miss it!

Over the course of eight days in January 1972, Pink Floyd began to showcase The Dark Side Of The Moon, their brand-new piece of music, which would ultimately define their legacy.

The band kicked off their tour with concerts in Brighton, Portsmouth, Bournemouth, and Southampton, before heading north to Newcastle and Leeds. 

For live recording collectors, these early dates have long been a source of confusion, with persistent issues regarding accurate dates and uncertainties surrounding the content and quality of the audience recordings.

Consequently, the pivotal January shows are often overshadowed by the February 1972 Rainbow Theatre concerts.

In this episode, Phil Salathé and Ian Priston delve deep into the January shows, offering insightful musical analysis and thorough research to shed light on this pivotal moment in Pink Floyd’s history.

Hello and welcome back!

In this episode we have another exciting guest. While the name of our interviewee may not be familiar to you, his works are for sure.

Alex started creating artwork for various Pink Floyd bootlegs in the late 90's and supported the Harvested label on a few releases.

He then started a YouTube channel and released animated versions of the official Pink Floyd artwork. This later led to a collaboration with Nick Mason's Saucerful of Secrets and eventually a close association with the family of Roger “Syd” Barrett, where Alex is the official animator for all content on the official website.
The conversation was exciting, funny and insightful, but hear for yourself!

Links:
https://www.sydbarrett.com/
https://www.youtube.com/c/artistontheborder
https://www.youtube.com/watch?v=TZq92A0il6Q (Animated Relics Artwork)

On this, our 20th episode, we speak with a person who has chosen to go by the pseudonym of "Mick the Hat", and when you listen you'll certainly understand why. 
One of our favorite things to do on this podcast is to interview people who have knowledge that no one else in the world possesses, and who can shed light on some of the most legendary events in the history of Pink Floyd. Mick the Hat is one of those people. For anyone interested in the saga of Pink Floyd live recordings and vinyl bootlegs, you won't want to miss a minute of Mick the Hat's recollections, as elicited by podcast producer and interviewer Ian Priston. His tales of BPI busts gone wrong, of taping some of the most beloved shows in Pink Floyd history, and of dealing with some of the quirkiest characters out there, are one of a kind revelations that you won't hear anywhere else.

“In the end it's all about Friendship!”

In this episode, we look back on 50 years of an intimate experience with Pink Floyd and its solo members. 

Ron Fleischer may not be known to everyone by name, but all dedicated Pink Floyd fans have at least one of his outputs, released under the name HARVESTED, at home. 

But in this episode we don't want to talk about the HARVESTED label, but rather take you on a journey through almost 50 Pink Floyd related concerts that began in Miami in 1977 and is still ongoing...

Ron tells us about these shows with many exciting anecdotes and above all gives us a story about friendship and passion that connects us Pink Floyd fans.

Ron Fleischer is not only an important part of the Pink Floyd community but has made many things accessible to the fans thanks to his projects, so this episode in which he tells his story, is a very special one for us.

In this episode, we wanted to open up discussion on the solo career of Roger Waters, starting in 1984. Waters’ albums and stage productions depict some of the most interesting, powerful, and sometimes confusing concepts in music. So, to help us out, we invited two Roger Waters enthusiasts to delve deeper into this era of his career. We discuss our thoughts on each of Roger’s solo works from this period, as well as 1983’s The Final Cut. We also give insights into his groundbreaking stage productions from this era, talk about Magic BILLY and Radio KAOS, the reality of finding sound in a sea of faces and dust at The Wall in Berlin 1990, as well as answer the age old question: “What are The Pros and Cons of Hitchhiking?”

In this episode we want to tackle a topic that is often fraud with emotions and talk about the Pink Floyd period after Roger Waters left the band often called “The Later Years”.

To help me out we invited two Pink Floyd specialists to delve deeper into this era. We discuss exciting topics like the pros and cons of the album “A Momentary Lapse of Reason”, the world tour 1987-1989 and why Echoes was only played in the first 12 shows. We talk about the musicians on stage, irritating lyrics and why we think that the 1994 world tour is unfortunately just a boring version of the 1987 tour. Finally, we discuss the remix version of AMLOR and what we like about this release.

Drawing on his exceptional knowledge of both artists, Rob Chapman serves up a palatable Syd Barrett and Nick Drake broth, replete with historical and cultural references.

For followers of the Fingal’s Cave Podcast, Rob is perhaps best known for his two groundbreaking books about Pink Floyd and Syd Barrett, An Irregular Head, published in 2010 and The Lyrics of Syd Barrett, published in 2021.

Rob’s latest novel is Unsung: Unsaid, an exploration of the creativity of Syd Barrett and Nick Drake through the medium of speculative fiction.

Encouraged by hosts Ian Priston and Phil Salathé, Rob explains his inspirations, why he chose to trap Syd and Nick at the same Kensington Market café table, and his approach to characterisation and structure.

Rob reflects on his early memories of Pink Floyd and Syd Barrett in the 1960s and his two solo albums. Guiding us on various tangents, Rob also explains why his love of Pink Floyd extends to 1971 and describes working with David Gilmour.

If you haven’t encountered Spike Hawkins’ Instant Poetry Broth, you will undoubtedly wish to search for details after hearing Rob’s explanation.