Fingal's Cave - A Podcast for all dedicated Pink Floyd Fans

Over the course of eight days in January 1972, Pink Floyd began to showcase The Dark Side Of The Moon, their brand-new piece of music, which would ultimately define their legacy.

The band kicked off their tour with concerts in Brighton, Portsmouth, Bournemouth, and Southampton, before heading north to Newcastle and Leeds. 

For live recording collectors, these early dates have long been a source of confusion, with persistent issues regarding accurate dates and uncertainties surrounding the content and quality of the audience recordings.

Consequently, the pivotal January shows are often overshadowed by the February 1972 Rainbow Theatre concerts.

In this episode, Phil Salathé and Ian Priston delve deep into the January shows, offering insightful musical analysis and thorough research to shed light on this pivotal moment in Pink Floyd’s history.

Hello and welcome back!

In this episode we have another exciting guest. While the name of our interviewee may not be familiar to you, his works are for sure.

Alex started creating artwork for various Pink Floyd bootlegs in the late 90's and supported the Harvested label on a few releases.

He then started a YouTube channel and released animated versions of the official Pink Floyd artwork. This later led to a collaboration with Nick Mason's Saucerful of Secrets and eventually a close association with the family of Roger “Syd” Barrett, where Alex is the official animator for all content on the official website.
The conversation was exciting, funny and insightful, but hear for yourself!

Links:
https://www.sydbarrett.com/
https://www.youtube.com/c/artistontheborder
https://www.youtube.com/watch?v=TZq92A0il6Q (Animated Relics Artwork)

On this, our 20th episode, we speak with a person who has chosen to go by the pseudonym of "Mick the Hat", and when you listen you'll certainly understand why. 
One of our favorite things to do on this podcast is to interview people who have knowledge that no one else in the world possesses, and who can shed light on some of the most legendary events in the history of Pink Floyd. Mick the Hat is one of those people. For anyone interested in the saga of Pink Floyd live recordings and vinyl bootlegs, you won't want to miss a minute of Mick the Hat's recollections, as elicited by podcast producer and interviewer Ian Priston. His tales of BPI busts gone wrong, of taping some of the most beloved shows in Pink Floyd history, and of dealing with some of the quirkiest characters out there, are one of a kind revelations that you won't hear anywhere else.

“In the end it's all about Friendship!”

In this episode, we look back on 50 years of an intimate experience with Pink Floyd and its solo members. 

Ron Fleischer may not be known to everyone by name, but all dedicated Pink Floyd fans have at least one of his outputs, released under the name HARVESTED, at home. 

But in this episode we don't want to talk about the HARVESTED label, but rather take you on a journey through almost 50 Pink Floyd related concerts that began in Miami in 1977 and is still ongoing...

Ron tells us about these shows with many exciting anecdotes and above all gives us a story about friendship and passion that connects us Pink Floyd fans.

Ron Fleischer is not only an important part of the Pink Floyd community but has made many things accessible to the fans thanks to his projects, so this episode in which he tells his story, is a very special one for us.

In this episode, we wanted to open up discussion on the solo career of Roger Waters, starting in 1984. Waters’ albums and stage productions depict some of the most interesting, powerful, and sometimes confusing concepts in music. So, to help us out, we invited two Roger Waters enthusiasts to delve deeper into this era of his career. We discuss our thoughts on each of Roger’s solo works from this period, as well as 1983’s The Final Cut. We also give insights into his groundbreaking stage productions from this era, talk about Magic BILLY and Radio KAOS, the reality of finding sound in a sea of faces and dust at The Wall in Berlin 1990, as well as answer the age old question: “What are The Pros and Cons of Hitchhiking?”

In this episode we want to tackle a topic that is often fraud with emotions and talk about the Pink Floyd period after Roger Waters left the band often called “The Later Years”.

To help me out we invited two Pink Floyd specialists to delve deeper into this era. We discuss exciting topics like the pros and cons of the album “A Momentary Lapse of Reason”, the world tour 1987-1989 and why Echoes was only played in the first 12 shows. We talk about the musicians on stage, irritating lyrics and why we think that the 1994 world tour is unfortunately just a boring version of the 1987 tour. Finally, we discuss the remix version of AMLOR and what we like about this release.

Drawing on his exceptional knowledge of both artists, Rob Chapman serves up a palatable Syd Barrett and Nick Drake broth, replete with historical and cultural references.

For followers of the Fingal’s Cave Podcast, Rob is perhaps best known for his two groundbreaking books about Pink Floyd and Syd Barrett, An Irregular Head, published in 2010 and The Lyrics of Syd Barrett, published in 2021.

Rob’s latest novel is Unsung: Unsaid, an exploration of the creativity of Syd Barrett and Nick Drake through the medium of speculative fiction.

Encouraged by hosts Ian Priston and Phil Salathé, Rob explains his inspirations, why he chose to trap Syd and Nick at the same Kensington Market café table, and his approach to characterisation and structure.

Rob reflects on his early memories of Pink Floyd and Syd Barrett in the 1960s and his two solo albums. Guiding us on various tangents, Rob also explains why his love of Pink Floyd extends to 1971 and describes working with David Gilmour.

If you haven’t encountered Spike Hawkins’ Instant Poetry Broth, you will undoubtedly wish to search for details after hearing Rob’s explanation.

Pink Floyd's 1967 concerts were raw, fast and unpredictable musical experiences. 

Many concert setlists are incomplete or missing. The best-surviving evidence exists in snippets of film, two BBC radio sessions, photographs and three audience recordings captured between September and November 1967.  

In this episode, we reflect on this essential cluster of amateur recordings: who taped them and how, what to listen for, the degree to which they reflect Syd's withdrawal, what's missing and the possibilities for the existing tapes and new discoveries. 

Seek out
• September 10th at Gyllene Cirkeln, Stockholm, Sweden 
• September 13th at Starclub, Copenhagen, Denmark, and
• November 13th at Hippy Happy Fair, De Oude-Ahoy Hallen, Ahoy Heliport, Rotterdam, The Netherlands 

And join us for a Reaction in G.

We start the new year with another wonderful guest, who is a musician, composer and one of the most versatile artists we had on the show so far. He has been a crucial part on every single Roger Waters tour between 2002 and 2016 and if his last name is familiar, that’s because he is also the son of Roger Waters.
We talk enthusiastically about music in general, playing to click tracks, his last shows with Roger Waters at Coachella 2016, his excitement about Chick Corea and his programming work for a Nintendo game. Harry played many show with LES  CLAYPOOL and reveals how much he loves the Album ANIMALS.
We very much respected his wish not to ask him any personal questions about his father so expect a in depth talk about music.