Dantès finally sees it: the completed manuscript—sixty-eight linen strips densely written in flawless Italian, rolled like sacred scrolls and stitched together from shirts and handkerchiefs. Faria’s masterwork isn’t just theoretical—it’s tactile, legible, and finished. Alongside it, he unveils the pens, penknife, and larger knife he crafted from an iron candlestick.

For Dantès, it’s like touring a museum built inside a miracle.

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