Episode 31: "First, Be a Musician" a conversation with Dr. J. Peyden Shelton A current resident of the greater Washington D.C. and Baltimore area, Dr. J. Peyden Shelton has gained a rapidly growing reputation as an active clinician and performer throughout the United States and Canada.  Dr. Shelton has served on the faculties at both the University of Rochester and Cornell University as an Instructor of Trumpet.  In these positions he recruited and maintained two studios of both undergraduate and graduate students.  He also served as chamber ensemble coach for numerous student ensembles.  While pursuing his doctorate in Trumpet Performance and Literature at the Eastman School of Music, Peyden served as the head teaching assistant for the Eastman School's trumpet studio under Professors James Thompson and Douglas Prosser.  In March of 2014, Peyden was awarded 1st place in the Graduate Solo Division at the National Trumpet Competition in Harrisburg, Pennsylvania.   Since that time, Peyden has been featured as a soloist with several ensembles throughout the East Coast.   His most recent performances include Alexandra Pakhmutova's Concerto for Trumpet, Duke Ellington's Concerto for Cootie, Bruce Broughton's Excursions for Trumpet and Band, as well as Donald Hunsberger's famous arrangement for Wynton Marsalis of J.B. Arban's Fantasie Brillante.   Peyden has performed as a soloist with a wide variety of ensembles including The Winds of the Blue Ridge, Southwest Virginia's premiere wind band, Cornell University's Symphonic Wind Ensemble, and the Reston Symphony Orchestra.   He has been featured as soloist in chamber music settings including the Eastman School's Tuba Miram, and the Eastman Brass Guild. 

Episode 31: "First, Be a Musician" a conversation with Dr. J. Peyden Shelton

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Episode 52: "Keep the phrase going" - a conversation with Charles Daval Trumpet player Charles Daval has held positions in some of North America’s most prestigious orchestras including the Boston Symphony, the Cincinnati Symphony and the Seattle Symphony. His principal appointments have included the Boston Pops and the Solo Trumpet position of the Montreal Symphony Orchestra. In 1993, Mr. Daval was appointed Professor of Trumpet at the University of Michigan. Mr. Daval moved to Pittsburgh in 1998 to enable his wife to accept the Principal Second Violin position in the Pittsburgh Symphony Orchestra. Since the move he has been appointed Principal Trumpet of the Pittsburgh Opera and Pittsburgh Ballet Theater Orchestras and continues to maintain an active teaching and performing schedule. In the spring of 2008, Mr. Daval fulfilled a lifelong dream when he received the degree of Juris Doctor (Cum Laude) from the Duquesne University Law School, where he enrolled in the fall semester 2004. As a law student, Mr. Daval worked to secure benefits for Veterans and their families through his participation in the Duquesne University Veteran’s Benefits Clinic in 2006-07, and he participated in the Civil Rights Litigation Clinic at Duquesne University’s Center for the Bill of Rights. After passing the bar examination in the summer of 2008, Mr. Daval was admitted by the State Supreme Court to the bar of the Commonwealth of Pennsylvania. In the winter of 2009 he passed bar exams in Colorado and Wyoming, and is admitted to the bars of both states. Highlights from his performing career include appearances on PBS broadcasts of “Evening at Pops” with conductor – composer John Williams and the Boston Pops from 1984 to 1988. In 1986, he was featured on Maryland Public Television’s “Live from Wolftrap” as cornet soloist with Keith Brion’s “New Sousa Band.” Additional appearances as soloist include concerts with the Boston Pops, the Cincinnati Pops, the Toronto Symphony, the Rochester Philharmonic, the Detroit Symphony, the Indianapolis Symphony, the Naples Philharmonic, the Seattle Symphony, and the Carmel Bach Festival. After receiving a Bachelor of Arts degree from San Jose State University, Mr. Daval went on to study with Vincent Cichowicz at Northwestern University where he earned his Masters Degree and was elected to the Pi Kappa Lambda music honor society. While in Chicago, he also performed with the Chicago Civic Orchestra and studied with Principal Trumpet of the Chicago Symphony, Adolph Herseth. The trumpet playing of Charles Daval has been met with much critical acclaim. The San Francisco Chronicle called him “downright sensational”, and the Seattle Post-Intelligencer praised his “musical finesse and technical polish”. His performances on the piccolo trumpet at the Carmel Bach Festival hailed this response from the Monterey Peninsula Herald; “Daval’s sound is all that can be asked of the Baroque trumpeter: He is polished, accurate, and articulate.” And the San Francisco Examiner says; “He made every note a personal treasure.” Email: cdaval@illinois.edu    

Episode 52: "Keep the phrase going" - a conversation with Charles Daval

When the student is ready, the Teacher will appear-A conversation with Dr. Keith Winking   Keith Winking is a professor at Texas State University, where he teaches trumpet, directs the Texas State Jazz Orchestra, and is a member of the SouthWest BrassWorks. Dr. Winking received his undergraduate degree in Music Education from Quincy University, his M.M. in Trumpet Performance from Texas State, and his D.M.A. in Trumpet Performance from the University of Texas at Austin. His teachers have included Raymond Crisara, Vince Cichowicz, Leon Rapier and Don "Jake" Jacoby. He has served as a visiting lecturer to scores of universities and conservatories, including the Crane School of Music and the Moscow and St. Petersburg Conservatories.  Dr. Winking has presented solo and ensemble concerts and clinics throughout the United States, Canada, Chile, Sweden, Japan, Switzerland and Russia. He is a freelance trumpet player, performing with many local and national groups, including the Austin Symphony, the Austin Jazz Orchestra, James Brown, the Manhattan Transfer, and the Austin Sinfonietta. He has extensive recording experience and has recorded national jingles for McDonalds and American Express. He has also taped numerous TV shows, including PBS's "Lonesome Pines," TNN's "Texas Connection," PBS's "Austin City Limits" and a taping for the BBC entitled "Rhythms of the World." He has presented papers at the International Trumpet and New York Brass Conferences and also published articles in The International Trumpet Guild Journal and the International Jazz Educators Journal. Dr. Winking is voting member of the National Association of the Recording Arts and Sciences (Grammy's) and a clinician for the Selmer Company.   Email: kw09@txstate.edu   Dr. Winking Studio website

When the student is ready, the Teacher will appear-A conversation with Dr. Keith Winking

Episode 50: Creating Aural Images-A Conversation with Kurt Gorman Kurt Gorman, D.M.A., Professor of Music, joined music faculty at the University of Tennessee at Martin in 2004. He directs the UTM Big Band and Small Jazz Group and teaches applied trumpet. Prior to his appointment, Gorman served as the Principal Trumpet of Orquesta Sinaloa de las Artes, in Culiacan, Mexico. Dr. Gorman holds the position of Principal Trumpet of the Paducah Symphony Orchestra and performs regularly with the UTM Faculty Brass Quintet. He is an active member of the International Trumpet Guild and appeared as a soloist at ITG Conferences in 2009 and 2012. Dr. Gorman commissioned and premiered the Sonata for Trumpet and Piano, Op. 45 by the renowned composer Easley Blackwood, as well as the Sonata for Trumpet by hornist, composer and long-time friend, Wayne Lu. Dr. Gorman’s primary scholarly interest is chamber music. He was awarded a Reagan Leave for spring 2015 to continue research on his doctoral dissertation entitled, “The Trumpet in Mixed Chamber Music of the Twentieth Century.” Dr. Gorman is Vice President and editor of Veritas Musica Publishing.   Dr. Gorman holds a Bachelor of Arts in Music from the University of Chicago and graduate degrees in performance from the University of North Texas and the University of Missouri-Kansas City. He has studied privately with Keith Johnson, Keith Benjamin, Jeff Curnow, John Holt, and Guy Victor Bordo.

Episode 50: Creating Aural Images-A Conversation with Kurt Gorman

Episode 49: Teaching to Their Strengths - A conversation with Max Matzen Noted for his sharp and persuasive playing (Jack Bowers, allaboutjazz.com), Max Matzen is steadily emerging as one of America's prominent trumpet artists. He maintains an international performing career as a soloist, and member of a variety of ensembles.  Mr. Matzen has tallied performances on some of the world’s most prestigious stages and festivals. He has performed with the Eastman Wind Ensemble at Carnegie Hall, and has also performed at the famed North Sea, Vienne, and Montreaux jazz festivals. He has performed and assisted in master classes administered at the International Association of Jazz Educators (IAJE) conferences in Toronto, New York City, and New Orleans.  In May of 2011, Matzen completed a solo recital tour in the Osaka and Kyoto areas of Japan. As a member of the Emerald Brass Quintet, he was a featured performer in the premier of Jim Stephenson’s Dodecafecta for brass quintet and wind ensemble, accompanied by the Eastman Wind Ensemble. The Emerald Brass Quintet was also a featured performing ensemble at the Frankenwald Brass Festival in Hof, Germany in July 2009. Notable jazz artists he has performed with include Terence Blanchard, Benny Green, Slide Hampton, Antonio Hart, The Heath Brothers, Conrad Herwig, Pat Martino, Bob Mintzer, James Moody, Eddie Palmieri, Maria Schneider, Ira Sullivan, and the legendary Clark Terry.  In April 2011 Matzen completed the Doctor of Musical Arts at the Eastman School of Music where he studied trumpet with esteemed brass pedagogue James Thompson. He currently holds a Master of Music in trumpet performance and literature from the Eastman School of Music, and a Bachelor of Music in jazz studies from the University of North Florida. From 2010 until 2012 Matzen was the Assistant Professor of trumpet at Texas Tech University. Matzen joined the faculty at Utah State University in fall of 2012.  Max Matzen is a Yamaha Performing Artist.

Episode 49: Teaching to Their Strengths - A conversation with Max Matzen

Episode 46: Letting Go of Expectations - A conversation with Pete Estabrook Pete Estabrook earned a Bachelor of Music Degree in Professional Music from Berklee College (Boston, MA) in 1987 and Master of Fine Arts Degree in Jazz Studies from California Institute for the Arts (Valencia, CA) in 1991. He is also an AmSat certified Alexander Technique Teacher and completed that training at the Northern California Center for the Alexander Technique (Redwood City, CA) in 2011. Pete is a student of internationally recognized Yamaha Trumpet Artist and Clinician: Bobby Shew. He has also studied trumpet privately with 25 teachers, including: Mario Guineri, Roy Poper, Jon Lewis, and Steve Braet (who were all students of James Stamp). Formerly on the Jazz Faculty at Sonoma State University (1999-2011), Pete has been on the at Santa Rosa Junior College Faculty for over 20 years, where he has taught Jazz Courses, Music Fundamentals, and Applied Music (Trumpet). He has also been an Adjunct Faculty Member for Pacific Union College and Napa Valley College. He has been and active Private Trumpet Instructor for 34 years. He has transcribed over 400 Jazz Trumpet Solos as well as numerous Original Jazz Compositions and Arrangements by various Blue Note Artists. Pete's Transcriptions of Miles Davis' Solos were included as bonus material with the 2006 and 2009 re-releases of the 50's Prestige Sessions by the Concord Music Group. Under the guidance of James Newton (Downbeat Poll Winner-Jazz Flute), Pete transcribed and arranged portions of Duke Ellington's "Queen's Suite". This work, previously unreleased, was performed by the Danish National Radio Orchestra in 1991. As a student, Pete had the good fortune to perform with, and arranged for, ensembles featuring such well-known jazz artists as Bobby Shew, Charlie Haden, James Newton, Red Calendar, Bruce Forman, Tom Scott, Carl Fontana, Joe Williams, Albert Heath, Ernie Watts, and Roscoe Mitchell. In addition to performing regularly in a variety of musical settings which include Orchestral, Theater, Dance, and Brass groups, Pete also plays with his own Jazz Quintet (the Blue Note Collective). He has appeared on several albums by local artists including: Mel Graves' "Ear Shot", Bonnie Brooks' “You are the Song in Me”,and Steve Wolf's “Joy Button”. For the past 31 years, Pete has served as the Racetrack Bugler on the Northern California Fair Circuit, performing each summer for Fairs in Alameda, Humboldt, Sonoma, Solano, and San Joaquin County, as well as the Sacramento State Fair, and in the “off season”, for Cal Expo Harness Racing. Prior to teaching at the College level, Pete worked Holland America, Princess and Carnival Cruise Lines as a featured soloist and lead player.

Episode 31: "First, Be a Musician" a conversation with Dr. J. Peyden Shelton

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