Trumpet Teacher Talk

Episode 52: "Keep the phrase going" - a conversation with Charles Daval

Trumpet player Charles Daval has held positions in some of North America’s most prestigious orchestras including the Boston Symphony, the Cincinnati Symphony and the Seattle Symphony. His principal appointments have included the Boston Pops and the Solo Trumpet position of the Montreal Symphony Orchestra. In 1993, Mr. Daval was appointed Professor of Trumpet at the University of Michigan. Mr. Daval moved to Pittsburgh in 1998 to enable his wife to accept the Principal Second Violin position in the Pittsburgh Symphony Orchestra. Since the move he has been appointed Principal Trumpet of the Pittsburgh Opera and Pittsburgh Ballet Theater Orchestras and continues to maintain an active teaching and performing schedule. In the spring of 2008, Mr. Daval fulfilled a lifelong dream when he received the degree of Juris Doctor (Cum Laude) from the Duquesne University Law School, where he enrolled in the fall semester 2004. As a law student, Mr. Daval worked to secure benefits for Veterans and their families through his participation in the Duquesne University Veteran’s Benefits Clinic in 2006-07, and he participated in the Civil Rights Litigation Clinic at Duquesne University’s Center for the Bill of Rights. After passing the bar examination in the summer of 2008, Mr. Daval was admitted by the State Supreme Court to the bar of the Commonwealth of Pennsylvania. In the winter of 2009 he passed bar exams in Colorado and Wyoming, and is admitted to the bars of both states.

Highlights from his performing career include appearances on PBS broadcasts of “Evening at Pops” with conductor – composer John Williams and the Boston Pops from 1984 to 1988. In 1986, he was featured on Maryland Public Television’s “Live from Wolftrap” as cornet soloist with Keith Brion’s “New Sousa Band.” Additional appearances as soloist include concerts with the Boston Pops, the Cincinnati Pops, the Toronto Symphony, the Rochester Philharmonic, the Detroit Symphony, the Indianapolis Symphony, the Naples Philharmonic, the Seattle Symphony, and the Carmel Bach Festival. After receiving a Bachelor of Arts degree from San Jose State University, Mr. Daval went on to study with Vincent Cichowicz at Northwestern University where he earned his Masters Degree and was elected to the Pi Kappa Lambda music honor society. While in Chicago, he also performed with the Chicago Civic Orchestra and studied with Principal Trumpet of the Chicago Symphony, Adolph Herseth.

The trumpet playing of Charles Daval has been met with much critical acclaim. The San Francisco Chronicle called him “downright sensational”, and the Seattle Post-Intelligencer praised his “musical finesse and technical polish”. His performances on the piccolo trumpet at the Carmel Bach Festival hailed this response from the Monterey Peninsula Herald; “Daval’s sound is all that can be asked of the Baroque trumpeter: He is polished, accurate, and articulate.” And the San Francisco Examiner says; “He made every note a personal treasure.”

Email: [email protected]

When the student is ready, the Teacher will appear-A conversation with Dr. Keith Winking

Keith Winking is a professor at Texas State University, where he teaches trumpet, directs the Texas State Jazz Orchestra, and is a member of the SouthWest BrassWorks. Dr. Winking received his undergraduate degree in Music Education from Quincy University, his M.M. in Trumpet Performance from Texas State, and his D.M.A. in Trumpet Performance from the University of Texas at Austin. His teachers have included Raymond Crisara, Vince Cichowicz, Leon Rapier and Don "Jake" Jacoby. He has served as a visiting lecturer to scores of universities and conservatories, including the Crane School of Music and the Moscow and St. Petersburg Conservatories.  Dr. Winking has presented solo and ensemble concerts and clinics throughout the United States, Canada, Chile, Sweden, Japan, Switzerland and Russia. He is a freelance trumpet player, performing with many local and national groups, including the Austin Symphony, the Austin Jazz Orchestra, James Brown, the Manhattan Transfer, and the Austin Sinfonietta. He has extensive recording experience and has recorded national jingles for McDonalds and American Express. He has also taped numerous TV shows, including PBS's "Lonesome Pines," TNN's "Texas Connection," PBS's "Austin City Limits" and a taping for the BBC entitled "Rhythms of the World." He has presented papers at the International Trumpet and New York Brass Conferences and also published articles in The International Trumpet Guild Journal and the International Jazz Educators Journal. Dr. Winking is voting member of the National Association of the Recording Arts and Sciences (Grammy's) and a clinician for the Selmer Company.

Episode 50: Creating Aural Images-A Conversation with Kurt Gorman

Kurt Gorman, D.M.A., Professor of Music, joined music faculty at the University of Tennessee at Martin in 2004. He directs the UTM Big Band and Small Jazz Group and teaches applied trumpet. Prior to his appointment, Gorman served as the Principal Trumpet of Orquesta Sinaloa de las Artes, in Culiacan, Mexico.

Dr. Gorman holds the position of Principal Trumpet of the Paducah Symphony Orchestra and performs regularly with the UTM Faculty Brass Quintet. He is an active member of the International Trumpet Guild and appeared as a soloist at ITG Conferences in 2009 and 2012. Dr. Gorman commissioned and premiered the Sonata for Trumpet and Piano, Op. 45 by the renowned composer Easley Blackwood, as well as the Sonata for Trumpet by hornist, composer and long-time friend, Wayne Lu. Dr. Gorman’s primary scholarly interest is chamber music. He was awarded a Reagan Leave for spring 2015 to continue research on his doctoral dissertation entitled, “The Trumpet in Mixed Chamber Music of the Twentieth Century.” Dr. Gorman is Vice President and editor of Veritas Musica Publishing. 

 Dr. Gorman holds a Bachelor of Arts in Music from the University of Chicago and graduate degrees in performance from the University of North Texas and the University of Missouri-Kansas City. He has studied privately with Keith Johnson, Keith Benjamin, Jeff Curnow, John Holt, and Guy Victor Bordo.

Episode 46: Letting Go of Expectations - A conversation with Pete Estabrook

Pete Estabrook earned a Bachelor of Music Degree in Professional Music from Berklee College (Boston, MA) in 1987 and Master of Fine Arts Degree in Jazz Studies from California Institute for the Arts (Valencia, CA) in 1991. He is also an AmSat certified Alexander Technique Teacher and completed that training at the Northern California Center for the Alexander Technique (Redwood City, CA) in 2011.

Pete is a student of internationally recognized Yamaha Trumpet Artist and Clinician: Bobby Shew. He has also studied trumpet privately with 25 teachers, including: Mario Guineri, Roy Poper, Jon Lewis, and Steve Braet (who were all students of James Stamp).

Formerly on the Jazz Faculty at Sonoma State University (1999-2011), Pete has been on the at Santa Rosa Junior College Faculty for over 20 years, where he has taught Jazz Courses, Music Fundamentals, and Applied Music (Trumpet). He has also been an Adjunct Faculty Member for Pacific Union College and Napa Valley College. He has been and active Private Trumpet Instructor for 34 years. He has transcribed over 400 Jazz Trumpet Solos as well as numerous Original Jazz Compositions and Arrangements by various Blue Note Artists. Pete's Transcriptions of Miles Davis' Solos were included as bonus material with the 2006 and 2009 re-releases of the 50's Prestige Sessions by the Concord Music Group. Under the guidance of James Newton (Downbeat Poll Winner-Jazz Flute), Pete transcribed and arranged portions of Duke Ellington's "Queen's Suite". This work, previously unreleased, was performed by the Danish National Radio Orchestra in 1991. As a student, Pete had the good fortune to perform with, and arranged for, ensembles featuring such well-known jazz artists as Bobby Shew, Charlie Haden, James Newton, Red Calendar, Bruce Forman, Tom Scott, Carl Fontana, Joe Williams, Albert Heath, Ernie Watts, and Roscoe Mitchell.

In addition to performing regularly in a variety of musical settings which include Orchestral, Theater, Dance, and Brass groups, Pete also plays with his own Jazz Quintet (the Blue Note Collective). He has appeared on several albums by local artists including: Mel Graves' "Ear Shot", Bonnie Brooks' “You are the Song in Me”,and Steve Wolf's “Joy Button”. For the past 31 years, Pete has served as the Racetrack Bugler on the Northern California Fair Circuit, performing each summer for Fairs in Alameda, Humboldt, Sonoma, Solano, and San Joaquin County, as well as the Sacramento State Fair, and in the “off season”, for Cal Expo Harness Racing. Prior to teaching at the College level, Pete worked Holland America, Princess and Carnival Cruise Lines as a featured soloist and lead player.

Episode 45: Finding the Beauty in Your Sound - A conversation with Dr. Christopher Moore

Grammy Award-winner, Professor Christopher Moore has been teaching trumpet at FSU since 2003. Prior to his appointment at FSU, Dr. Moore was Associate Professor of Trumpet at the University of Kansas, where for seven years he directed the trumpet studio, conducted the trumpet ensemble and performed as a member of the Kansas Brass Quintet. Dr. Moore also served as Assistant Professor of Music at Morningside College from 1989 to1993, and from 1994 to 1996 was a full-time member of the Philadelphia professional brass quintet, The Chestnut Brass Company, recording 4 CD’s with that group and winning the Grammy Award in their field in 2000 with Hornsmoke, a CD that featured the brass chamber music of Peter Schickele.

Dr. Moore holds a Doctor of Musical Arts degree in Performance and Literature from the Eastman School of Music, a Master of Music in Performance from the University of New Mexico, and a Bachelor of Music in Performance from The Florida State University. He has won numerous solo competitions, including top prize at the ITG competition and at state and regional MTNA competitions. Professor Moore has also been a finalist at the Ellsworth Smith International Trumpet Competition as well as the MTNA National Finals.

Dr. Moore has presented clinics at the Midwest Clinic, the NACWPI National Convention, and has performed at the National MENC. He is on the Executive Board of the National Trumpet Competition, is a Selmer Artist, and can be heard on his first solo CD, Trumpeting the Stone, on the Mark Masters label, and most recently recorded the Progressive Etudes by Sigmund Hering for Carl Fischer Publications.

Email: [email protected]

Website: www.fsutrumpetstudio.com

Episode 44: Practicing What You Preach - A conversation with Jim Johnson

Dr. Jim Johnson grew up in the suburbs of Pittsburgh, Pennsylvania. Before joining the faculty at Kansas State University, he earned his D.M. in Trumpet Performance from The Florida State University under the guidance of Dr. Christopher Moore, his M.M. in Trumpet Performance from Kansas State University with Dr. Gary Mortenson and his B.S. in Music Education from the Indiana University of Pennsylvania under Dr. Kevin Eisensmith. As an active performer, Dr. Johnson currently serves as the Principal Trumpet of the Salina Symphony Orchestra in Salina, Kansas and performs with the Kansas State University Faculty Brass Quintet.  He has performed with the Tallahassee Symphony Orchestra (Tallahassee, FL), Albany Symphony Orchestra (Albany, GA), and Sinfonia Gulf Coast Symphony Orchestra (Destin, FL). Dr. Johnson is also an accomplished arranger as well, having his music performed at the National Trumpet Competition, the Kansas Music Educators Association All-State Conference, and at the Haus Marteau Brass Chamber Workshop in Lichtenberg, Germany

Episode 43: Guidebook for the Beginning Trumpeter-A conversation with Dustin Williams

Dustin Williams is the Adjunct Professor of Trumpet at Graceland University and a freelance teacher in the Kansas City area. He has written a new method book for trumpet titled: A Guidebook for the Beginning Trumpeter. Much of the material is based on his experiences and needs in working with many young trumpet students throughout his career.

The book can be purchased at squareup.com/store/wmc.  The wmc stands for Williams Music Company.  

Dustin can be contacted at  [email protected]

Episode 42: Musical Fluency-A conversation with Brian McWhorter

Brian McWhorter is associate professor of music at the University of Oregon. Previously, he held positions at Manhattan School of Music, Louisiana State University, East Carolina University, and Princeton University. He earned the Bachelor of Music degree from the University of Oregon and the Master of Music degree from The Juilliard School.

While living in New York City, McWhorter’s performing career gravitated toward contemporary classical and improvised music. He has worked with many of the United States’ best-known modern music ensembles including Third Angle, Sequitur, Ensemble Sospeso, counter(induction, Ne(x)tworks, Tilt Brass, Elliott Sharp’s Orchestra Carbon, Continuum and Meridian Arts Ensemble. Now, as co-artistic director of Beta Collide, a new music group whose debut album was described as one of the top classical albums of 2010 by the Willamette Week, he is engaged in some of the most diverse projects of his career.

Hailed as a “terrific trumpeter” by The New York Times, McWhorter has been a featured soloist at the Festival of New Trumpet (New York City), Church of Beethoven (Albuquerque), Jornados de Creación Musica (Mexico City), and at Bargemusic (Brooklyn). He worked extensively with brass chamber groups including the Oregon Brass Quintet, Extension Ensemble, Manhattan Brass Quintet and the American Brass Quintet. As a member of the brass and percussion sextet Meridian Arts Ensemble from 2001-2010, McWhorter performed, commissioned and recorded some of the most demanding and progressive music ever written for brass. Meridian’s album Timbrando – a collection of Latin American contemporary works – was recently profiled on NPR’s All Things Considered.

McWhorter was appointed principal trumpet of the Eugene Symphony by Giancarlo Guerrero for the 2008-2009 season. Additionally, he has performed as principal trumpet with the Portland Opera, Oregon Ballet Theatre Orchestra, Quartz Mountain Music Festival Orchestra, American Sinfonietta and Oregon Bach Festival Orchestra. He has also performed with the Metropolitan Opera Orchestra, the New Jersey Symphony Orchestra and many others.

 McWhorter’s discography spans many genres from contemporary chamber to orchestral, improvised music to pop and rock. He has worked with Dave Douglas, John Zorn, John Cale (The Velvet Underground), Natalie Merchant, Anne Heaton, Nini Camps, Hugh Blumenfeld, and The Sharp Things.



Episode 41: Secrets of the Musical Mind with Dr. Richard Cox

Free ebook: https://musicpreneur.leadpages.co/secrets-of-the-musical-mind/

Course: http://musicpreneur.com/secrets-musical-mind/

 Dr. Richard H. Cox holds earned doctorates in medicine, psychology, and theology, as well as having been granted three honorary doctorates, one from the World Health Organization (D.Sc.). He is internationally known for his work with students and professionals in many fields, including music performance, for which many consider him among the few experts in this area. He appears on a regular basis for workshops and clinics at the National Trumpet Competition, International Trumpet Guild, Association of Concert Bands, Interlochen Center for the Arts, and numerous music schools and universities. Dr. Cox is an Artist/Educator for the Conn-Selmer Steinway Corp. 

 He has studied trumpet with such notables as Renold Schilke, Ron Modell, Dennis Edelbrock, Fred Powell, and Frank Kaderabek, Alan Hood, and Bill Adam. He has performed in the cathedrals of UK and Europe, conducted in the Royal Music Hall, Manchester, England. He has also studied, voice, organ, and piano and has performed on the pipe organ for a banquet in the Queen’s Dining Room at Oxford University (UK).

 Dr. Cox is especially known for his work integrating medicine, psychology, and music to help students and professionals with performance challenges. He is the author of three books on music performance.

 Eastman Trumpet Retreat at Keuka

 http://summer.esm.rochester.edu/course/eastman-trumpet-retreat-at-keuka/

Episode 40: The Trumpet Repertoire Project with Dr. J. Peyden Shelton

http://www.peydenshelton.com

http://www.peydenshelton.com/trumpet-repertoire-project.html

A current resident of the greater Washington D.C. and Baltimore area, Dr. J. Peyden Shelton has gained a rapidly growing reputation as an active clinician and performer throughout the United States and Canada.  Dr. Shelton has served on the faculties of both the University of Rochester and Cornell University as an Instructor of Trumpet.  In these positions, he recruited and maintained two studios of both undergraduate and graduate students.  He also served as chamber ensemble coach for numerous student ensembles.  While pursuing his doctorate in Trumpet Performance and Literature at the Eastman School of Music, Peyden served as the head teaching assistant for the Eastman School's trumpet studio under Professors James Thompson and Douglas Prosser. 

Before going to the Eastman School of Music, Peyden attended the University of Miami's Frost School of Music as a Mancini Fellow and teaching assistant for Craig Morris.  While working toward his Masters in Music, Peyden served as the principal classical trumpet for the Henry Mancini Orchestra.  There, Peyden has recorded and played with many musicians including The Beach Boys, Lou Gramm of The Foreigners, and Gloria Gaynor.   Peyden is also featured on Pharrell Williams' track entitled,"I Am Other."   In addition to his performances with the Mancini Orchestra, Peyden also served as a substitute and utility trumpet with the New World Symphony under the guidance of maestros Michael Tilson Thomas and Esa-Pekka Salonen.

In March of 2014, Peyden was awarded 1st place in the Graduate Solo Division at the National Trumpet Competition in Harrisburg, Pennsylvania.   Since that time, Peyden has been featured as a soloist with several ensembles throughout the East Coast.   His most recent performances include Alexandra Pakhmutova's Concerto for Trumpet, Duke Ellington's Concerto for Cootie, Bruce Broughton's Excursions for Trumpet and Band, as well as Donald Hunsberger's famous arrangement for Wynton Marsalis of J.B. Arban's Fantasie Brillante.   Peyden has performed as a soloist with a wide variety of ensembles including The Winds of the Blue Ridge, Southwest Virginia's premiere wind band, Cornell University's Symphonic Wind Ensemble, and the Reston Symphony Orchestra.   He has been featured as soloist in chamber music settings including the Eastman School's Tuba Miram, and the Eastman Brass Guild. 

Along with having an extensive performance background, Peyden holds a Bachelors of the Arts with a focus in Music Education from Virginia Tech in Blacksburg, Virginia.   He has given numerous clinics and masterclass for both secondary school students, as well as numerous collegiate masterclasses throughout the United States.   His clinics focus on strengthening basic fundamentals while finding ways to develop each player's own sound. 

In his current positions with Symphony Number One, The Washington Chamber Orchestra, and principal trumpet of the Hunt Valley Symphony Orchestra, Peyden helps to promote both traditional performance repertoire, as well as new works for solo and chamber ensembles.  He is strongly committed to furthering the growth of his own instrument's repertoire and is currently commissioning works that showcase the trumpet in a solo setting that may function not only as art music, but also serve to provide key pedagogical elements to younger performers.