First on Film & Entertainment

**Host:** Alex First
**Guest Critics:** Sandy Kaye, Peter Chris, Greg King
**Episode Summary:**
In this gripping episode of First on Film & Entertainment, host Alex First is joined by critics Sandy Kaye, Peter Chris, and Greg King as they dive into two thought-provoking films: *Warfare* and *Drop*. The discussion begins with *Warfare*, a harrowing portrayal of a Navy SEAL mission gone awry in Iraq. The panel praises Alex Garland's direction, highlighting the film's intense realism and emotional depth, which keeps viewers on the edge of their seats. Sandy shares her surprise at how much she enjoyed the film, despite her aversion to war movies, while Greg and Peter offer their insights on its immersive sound design and character development. As the conversation shifts to *Drop*, the critics explore its psychological thriller elements, focusing on a mother's desperate struggle against a mysterious texter threatening her son. With a captivating setting and engaging performances, the film's tension builds throughout, leaving the panel debating its twists and overall impact. Listeners can expect a compelling mix of critiques and engaging dialogue, showcasing the power of storytelling in cinema.
**Highlights:**
- **Warfare:** A visceral depiction of combat that immerses audiences in the realities of war, praised for its authenticity and intense performances.
- **Drop:** A thrilling psychological ride that keeps viewers guessing, with standout performances and a gripping narrative.
- **Cinematic Insights:** The critics discuss the importance of storytelling in film and the impact of real-life events on cinematic narratives.
00:00:00 - Alex Claydon discusses new technology used on World of Claydon programme
00:01:41 - People mistakenly believe that Alex Garland is Australian, Peter says
00:06:07 - The film is about three Navy SEALs in combat in Afghanistan
00:08:19 - I loved this film and I really don't like war movies
00:12:35 - Greg King: This is another example of what I call combat porn
00:14:03 - Peter says he found the film very compelling as a docudrama
00:16:05 - Peter and Sandy give Warfare an 8 out of 10 rating
00:16:57 - Drop is an entertaining psychological thriller and it involves some seriously bad trolling
00:22:02 - Greg Green: The film is a wild, playful nerve wracking thriller
00:26:09 - Have you seen the Pluto movie? Yes, there is a Pluto movie
00:26:57 - Greg says he was impressed by the clever construction of the screenplay
00:28:26 - All right, let's get some scores for this movie which is rated 95 minutes
00:30:33 - Sandy says Funny Games loses something in the German translation
00:32:01 - Can we talk about the Correspondent? Because that's one I did see
00:33:56 - Peter Gresta was arrested by Egyptian authorities in Cairo on 29 December 2013
00:36:28 - Richard Roxburgh stars as journalist Peter Gresta in The Correspondent
00:40:53 - Tank M Correspondent gave the film an eight out of 10
00:43:37 - Peter: I was very impressed by the film. 9 out of 10
00:46:15 - Creed is the fifth collaboration between Ryan Coogler and Michael B Jordan
00:46:46 - Smoke and Stack return to Mississippi in 1932 after seven years away
00:50:01 - Sinners is a horror with a uniquely Southern Gothic lens
00:53:04 - Peter Krause says this is an unusual African American vampire filmJoin the First on Film & Entertainment team for this dynamic episode, and stay tuned for more insightful film reviews and discussions in the weeks to come!
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**Host:** Alex First
**Guest Critics:** Sandy Kaye, Peter Krause
**Episode Summary:**
In this lively episode of First on Film & Entertainment, host Alex First is joined by critics Sandy Kaye and Peter Krause for a spirited conversation leading up to the 97th Academy Awards. With excitement in the air, the trio discusses the nominations and their predictions for the big night. The episode kicks off with a humorous exchange about the Oscars and the quirky happenings surrounding the event, setting the tone for a fun-filled discussion. The critics delve into the standout films nominated for Best Picture, including *Conclave*, *The Brutalist*, and *Emilia Perez*, sharing their insights on storytelling, performance, and cinematic artistry. Alex challenges Sandy and Peter to a trivia quiz about the longest films in Oscar history, leading to surprising revelations and friendly banter. As the conversation unfolds, they explore the significance of inclusivity in this year's nominations and highlight the contributions of Australian talent in various categories. Listeners can expect a blend of insightful critiques, engaging trivia, and a passionate celebration of film as the Oscars approach.
**Highlights:**
- **Oscar Predictions:** A spirited debate on the Best Picture nominees, with *Conclave* and *The Brutalist* emerging as frontrunners.
- **Trivia Fun:** A light-hearted quiz on the longest films in Oscar history, showcasing the hosts' knowledge and camaraderie.
- **Australian Talent:** Acknowledgment of the significant contributions from Australian filmmakers and actors in this year's nominations.
00:00:00 - Sandy Kay and Peter Kraus discuss the Oscars ahead of time
00:02:52 - There are 10 nominations for best picture this year, Sandy. What have been the longest
00:05:34 - Alex asks some trivia questions about the Oscar nominations for best picture
00:08:03 - Three films received 10 or more nominations in this year's Oscars
00:12:20 - Timothee Chalamet is 12th person to portray Oscar nominee
00:13:23 - We haven't talked about Australians. We gotta talk about Australians, don't we
00:15:31 - Porcelain War is nominated for documentary feature Oscar
00:16:53 - Nominations for best picture go to Conclave, Dune Part 2
00:21:11 - Sandy says Conclave will win best film
00:23:29 - So let's go to Best Director. Who do you think will win
00:26:27 - Peter Howell picks his favourites for best actor and best actress
00:30:13 - Sandy: I'm rooting for Demi Moore. I think she did a sensational job
00:32:45 - Peter Sheridan: Excellent film. I think it works extremely well
00:34:13 - Sandy thinks Kieran Culkin will win Best Supporting Actor
00:36:01 - Best Supporting Actress, Monica Barbaro for A Complete Unknown
00:37:26 - Okay, let's go for the next category being Best Original Screenplay
00:40:08 - We haven't seen a lot of the best animated feature films yet
00:41:27 - This is Best International Feature. Of international features. Amelia Perez from France nominated in Spanish
00:42:21 - Dan: I think Seed of the Sacred Fig will win cinematography Oscar
00:46:39 - Peter Howell gives odds for the Oscars in various categories
00:49:18 - Best Actor is short priced favourite for Adrian Brody
00:52:48 - Do you think the host will do a decent job at the Oscars
00:53:20 - Gene Hackman died at 95 from apparent carbon monoxide poisoning
00:55:18 - We got to go. Let's, uh, circle the wagons and see how we did at Oscar ceremonyJoin the First on Film & Entertainment team for this engaging episode, and stay tuned for more film insights and reviews in the weeks to come!
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**Host:** Alex First
**Guest Critics:** Greg King, Sandy K, Peter Krause
**Episode Summary:**
In this captivating episode of First on Film & Entertainment, host Alex First is joined by critics Greg King, Sandy K, and Peter Krause as they delve into the latest cinematic offerings just in time for the Oscar season. The discussion kicks off with *The Last Showgirl*, a gritty portrayal of an ageing Las Vegas showgirl played by Pamela Anderson, who delivers what many are calling the performance of her career. The critics explore the film's emotional depth, character dynamics, and the challenges faced by women in the entertainment industry, with Sandy expressing her surprise at Anderson's compelling portrayal. The conversation then shifts to the darkly comedic short film *The Monkey*, based on a Stephen King short story, where the panel debates its over-the-top gore and humour, with opinions divided on its effectiveness as a horror satire. Finally, the critics share their thoughts on the much-anticipated *Bridget Jones: Mad About the Boy*, with mixed reactions to the film's nostalgic charm and character development. Listeners can expect a lively exchange filled with insightful critiques and engaging commentary on contemporary cinema.
**Highlights:**
- **The Last Showgirl:** A raw and emotional exploration of the struggles faced by ageing performers, with a standout performance from Pamela Anderson that challenges preconceived notions.
- **The Monkey:** A pitch-black comedy that blends horror and humour, leaving critics divided on its excesses and appeal.
- **Bridget Jones: Mad About the Boy:** A nostalgic return to the beloved character, sparking discussions about growth, maturity, and the complexities of single parenthood.
00:00:00 - Around about this time of the year, there are some good movies around
00:01:04 - The Last Showgirl is a gritty piece about an ageing Las Vegas showgirl
00:05:29 - Alex says Pamela Anderson looks fabulous in new film Last Show Girl
00:10:47 - Greg King: I have misgivings about The Last Showgirl
00:16:03 - Showgirl panelists give their scores on last rated M M movie
00:17:46 - The Monkey is a pitch black comedy based on a 1980 Stephen King short story
00:22:43 - Greg: This is one of two gory horror films around town at the moment
00:23:42 - Peter Moore: I was disappointed by this film. I was expecting it to be stronger
00:28:45 - Greg says movies in general depict violence in such a way that it motivates
00:31:31 - There are suggestions now that if somebody sees a violent act they'll film it
00:36:17 - Greg: Based on how good Pamela Anderson looks, I give this movie three stars
00:37:39 - Give me a score for the Monkey. Peter, I'm scared to ask
00:38:35 - Greg Gutfeld was pleasantly surprised by the latest Bridget Jones movie
00:39:45 - Greg Gutfeld: Were you pleasantly surprised or not about Bridget Jones
00:41:39 - Sandy says many common names are made up nowadays
00:44:18 - The film stars Hugh Grant as Bridget Jones
00:45:49 - Peter Howell was pleasantly surprised by the fourth Bridget Jones film
00:48:50 - I felt that the Bridget Jones character was regressive in this film
00:51:53 - Of the four second best movies, where would this one sit
00:52:57 - Peter says he doesn't always promote Nick because he has his own opinions
00:54:31 - James Bond is the UK's biggest film franchise, I have to say
Join the First on Film & Entertainment team for an engaging episode filled with passionate discussions and cinematic insights. Don’t miss out on next week’s exciting film reviews!
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**Host:** Alex First
**Guest Critics:** Greg King, Peter Krause, Sandy Jaqui Hammerton
**Episode Summary:**
In this riveting episode of First on Film & Entertainment, host Alex First reunites with critics Greg King, Peter Krause, Sandy Kay, and Jaqui Hammerton to dissect a range of films, including the controversial *Baby Girl*. The panel dives into Nicole Kidman's daring portrayal in a film that explores themes of power, sexuality, and personal struggle, sparking a heated debate over its explicitness and underlying messages. Sandy praises Kidman's fearless performance, while Jacqui challenges the panel's views on the film's content, leading to a lively discussion about societal perceptions of female sexuality. As the conversation unfolds, the critics also reflect on the psychological thriller *Companion*, which takes unexpected twists and turns, blending romance with horror in a unique narrative about artificial intelligence and human relationships. The group shares their varied opinions on the film's execution and character development, with Jacqui expressing her unexpected enjoyment of the film's chaotic charm. Finally, the episode concludes with a compelling review of *September 5th*, a gripping dramatization of the tragic events at the Munich Olympics, highlighting the ethical dilemmas faced by journalists during a crisis. The critics commend the film's authenticity and emotional weight, agreeing on its potential Oscar nominations. Tune in for an engaging exploration of contemporary cinema, filled with passionate critiques and insightful commentary.
**Highlights:**
- **Baby Girl:** A provocative exploration of female sexuality and power dynamics, featuring a bold performance by Nicole Kidman that ignites debate among the critics.
- **Companion:** A thrilling ride that subverts expectations, blending romance and horror as it delves into the implications of AI in human relationships.
- **September 5th:** A powerful docudrama capturing the tragic events of the Munich Olympics, praised for its authenticity and moral complexity, leaving a lasting impact on viewers.
00:03:17 - How sexually explicit do you think Nicole Kidman's Baby Girl is
00:05:47 - Jackie has the perfect life. She's CEO, her own company going places
00:06:42 - Nicole Kidman plays Romy Mathis in the upcoming film
00:08:09 - Baby Girl is in the same sexually charged milieu as Fatal Attraction
00:10:41 - Sandy says she enjoyed the whole cougar theme in this film
00:12:13 - Jacquie: I would have liked to have known why Romi didn't seek counselling
00:15:14 - Did you think Nicole Kidman was sexy in Rabbit Hole
00:17:33 - Greg, tell me about what the film are, please. Peter: I thought it was a handsome looking production
00:20:11 - Baby Girl explores issues about women's gender identity and their role in life
00:21:36 - Apart from perhaps the ending, Harris Dickinson's character is underdeveloped
00:22:41 - Peter gave Baby Girl a six out of ten. Jackie gave it a seven
00:25:37 - Jair Ma: Companion is a psychological thriller rated 97 minutes
00:26:39 - I remember my first meeting with my wife. It was incredibly memorable
00:26:56 - Ryan Reynolds says he may make a movie about his wife
00:27:48 - My mobile phone is ringing while we're doing live radio
00:28:37 - Sophie Thatcher plays Iris in M. McGrime
00:30:02 - Iris is nervous about saying and doing wrong things around Josh's friends
00:31:05 - Director Drew Hancock has a vivid imagination with this film
00:32:25 - While the dangers of AI and robots taking over are certainly apparent in Companion
00:34:06 - Peter felt Companion sacrificed AI component for revenge crime body count component
00:37:48 - Alex says there should be an award for best scene of the year
00:40:11 - Greg: Yeah, because it reminds him of his wife
00:40:32 - September 5th is the day live sports coverage became live news coverage
00:42:57 - September 5th is an excellent German film about the 1936 Olympics
00:46:50 - Greg says September 5th shows how much technology has changed in 50 years
00:50:23 - My only, um, thing about movie was that it was slightly too technical
00:52:48 - Greg says September 5th had a very claustrophobic feel
00:54:00 - Saini, I'm going to ask you something because today has been really bizarre
00:54:38 - Greg King gives The Grinch a solid 7.5 out of 10
Join the First on Film & Entertainment team for this dynamic episode, and stay tuned for more film insights and reviews in the weeks to come!
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**Host:** Alex First
**Guest Critics:** Jaqui Hammerton, Sandy Greg King Peter Krause
**Episode Summary:**
In this compelling episode of First on Film & Entertainment, host Alex First is joined by critics Jaqui Hammerton, Sandy Greg King and Peter Krause for a vibrant discussion on the cinematic landscape, focusing on the much-anticipated film *The Brutalist*. The critics share their insights on the film's potential to sweep the Oscars, with a lively debate on its merits and the impact of its lengthy runtime of 215 minutes, which includes a unique intermission. The conversation delves into the film's narrative, exploring themes of resilience and the struggles faced by the protagonist, Laszlo Tothe, portrayed by Adrian Brody. The critics highlight the film's exploration of architecture and its raw depiction of elitism and racism, sparking a rich dialogue about the portrayal of historical figures and the emotional weight of their stories. As the episode unfolds, the critics also touch on *A Complete Unknown*, a biopic about Bob Dylan, praising its authenticity and the performances of Timothée Chalamet and Monica Barbaro. The episode wraps up with a discussion on *Maria*, a film depicting the final days of opera legend Maria Callas, which brings forth mixed reviews from the panel regarding its tone and character representation. Listeners can expect a blend of passionate critiques, insightful commentary, and a deep dive into the art of storytelling in film.
**Highlights:**
- **The Brutalist:** A thought-provoking exploration of resilience and artistry, with strong performances and a gripping narrative structure. The critics debate its Oscar potential and the significance of its intermission.
- **A Complete Unknown:** A captivating portrayal of Bob Dylan's early career, featuring outstanding performances and a rich musical backdrop that resonates with both fans and newcomers.
- **Maria:** A controversial depiction of the opera diva's final days, prompting discussions on the film's focus and the portrayal of its titular character.
Join the First on Film & Entertainment team for an engaging episode filled with lively discussions and cinematic insights. Tune in next week for more film reviews and cultural commentary!
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**Host:** Alex First
**Guest Critics:** Peter Krause
**Episode Summary:**
In this engaging episode of First on Film & Entertainment, Alex First is joined by Peter Krause to dissect the latest cinematic offerings, including Boxing Day releases and New Year's Day premieres. Kicking off the conversation is *A Real Pain*, a film directed by Jesse Eisenberg that follows two cousins on a poignant journey to their grandmother's childhood home in Poland. The critics share their contrasting views, with Alex finding the film dull and lacking depth, while Peter appreciates its psychological nuances and character development, particularly praising Kieran Culkin's performance. The discussion then shifts to *All We Imagine is Light*, a heartfelt portrayal of three women in contemporary India, which both critics commend for its feminist perspective and beautiful storytelling. They also dive into the animated adventure *Sonic the Hedgehog 3*, with Alex enjoying its vibrant chaos, while Peter finds it overly silly and lacking substance. The episode wraps up with a look at *Paddington in Peru*, where Alex revels in its charm and creativity, contrasting with Peter's critique of its departure from the beloved franchise's roots. Finally, they explore the atmospheric horror film *Nosferatu*, where Alex expresses disappointment in its convoluted narrative, while Peter offers a more favourable take on its psychological horror elements. With lively debates and diverse film reviews, this episode is a must-listen for film enthusiasts.
**Highlights:**
- **A Real Pain:** A contrasting critique of Jesse Eisenberg's film, exploring themes of family legacy and psychological depth.
- **All We Imagine is Light:** A commendation for its feminist storytelling and rich character development set in contemporary India.
- **Sonic the Hedgehog 3:** A lively discussion on the animated franchise's latest instalment, with differing opinions on its appeal and execution.
- **Paddington in Peru:** A look at the beloved bear's latest adventure, highlighting its charm and the critique of its narrative direction.
- **Nosferatu:** A debate on the effectiveness of this horror film's storytelling and character portrayals. Tune in for a dynamic exploration of film and entertainment, and prepare for more insightful discussions in the coming weeks!
00:00:00 - First on film and entertainment. Also looking ahead to what has just been released on Boxing Day
00:00:41 - A Real Pain opens Jewish International Film Festival and then gets general release
00:01:53 - The film is about cousins making a pilgrimage to their late grandmother's Poland home
00:05:10 - Peter: I really liked the film. I think it's very well-written
00:08:28 - I thought the characters could have been developed further in this film
00:09:48 - I give the film a six out of ten for its Holocaust representation
00:13:55 - The film focuses on three women and it's an M rated film
00:16:37 - Das says Mumbai is another pivotal Persona in the movie
00:18:01 - All We Imagine as Light is a well-observed film about Indian women
00:21:50 - Peter: As a franchise this has done particularly well
00:22:18 - Peter says sonic the hedgehog 3 requires some concentration to follow
00:24:56 - Peter Carey: Sonic the Hedgehog 3 is ludicrously stupid
00:28:16 - Black Dog is a Chinese drama set on the edge of the Gobi Desert
00:30:47 - Peter: I give Black Dog a seven out of ten rating
00:33:13 - Paddington in Peru is a rather rollicking adventure with the Brown family
00:36:32 - Peter thought this film diverged from the first two Paddington films
00:39:25 - Robert Eggers' Nosferatu is a horror film with lengthy running time
00:43:30 - This is the fourth version of Nosferatu, which premiered in 1922
00:46:32 - Peter Pan reviews School of Rock the Musical, based on 2003 film
00:47:40 - Jack Black played the unlikely of teachers in the new Broadway musical
00:48:33 - Rock singer and guitarist Dewey Finn is hired as a substitute teacher
00:50:35 - Peter says School of Rock the Musical is a rousing success
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**Host:** Alex First
**Guest Critics:** Greg King, Peter Krause, Jaqui Hammerton
**Episode Summary:**
In this episode of First on Film & Entertainment, Alex First, Greg King, Peter Krause, and Jaqui Hammerton explore the nuances of recent cinematic releases. The discussion opens with a deep dive into the emotionally charged film *Ghost Light*, a tale of love, loss, and the healing power of community theatre. The critics commend the authentic performances of the real-life family cast and the film's ability to balance humour with poignant themes of grief and redemption. Alex praises the film's unique approach and the cathartic journey it offers to its characters and audience alike. The conversation transitions to the biographical drama *Lee*, starring Kate Winslet as the formidable war photographer Lee Spitler. The critics debate the effectiveness of the film's narrative structure, with Greg and Jaqui expressing reservations about its framing device. Despite differing opinions, all agree on Winslet's compelling portrayal of Miller as a resilient and complex figure. Peter appreciates the film's historical authenticity and the powerful recreation of Miller's iconic photographs. The episode also highlights Adam Elliot's *Memoir of a Snail*, a stop-motion animation that captivates with its intricate craftsmanship and deeply human storytelling. Peter and Jacqui are enamoured with its bittersweet narrative and the meticulous detail of Elliot's claymation, celebrating its recent accolades at international film festivals. Finally, the critics reflect on *From Hilda With Love*, a harrowing World War II drama that delves into the resistance efforts against the Nazi regime. Peter and Alex commend its gripping storytelling and powerful performances, while Jacqui acknowledges its emotional impact despite some narrative pacing issues.00:00:00 - Greg King says he likes sunny days and warm weather
00:02:29 - Ghost Light is a deeply affecting story about love and loss
00:08:08 - Jackie says Ghost Light is a beautiful film about friendship and loss
00:12:49 - This film explores how art and theatre can become a healing force
00:15:36 - Ghost Light is the single light that is kept on in a theatre
00:18:41 - Ghost Light rated M, 116 minutes
00:20:06 - The movie about Lee Miller is called Lee and is rated M M
00:21:27 - The film follows Lee Miller as she becomes Vogue's war correspondent during WWII
00:27:24 - Kate Wiesler gives a strong performance as the iconic wartime photographer
00:29:32 - Peter: I was very impressed by this film which did have some budgetary problems
00:31:17 - I didn't particularly like the way that the film was presented and written
00:34:13 - Greg gave the film six and a half out of ten
00:36:09 - Adam Elliott's latest film Memoir of a Snail took eight years to make
00:42:37 - Alex Taylor says he loved Memoir of a Snail twice
00:48:00 - Memoir of a Snail M rated 94 minutes
00:48:34 - From Hilda With Love is a harrowing World War II drama
00:50:50 - Gregory King: From Hilda With Love is a superb film**Highlights:** - **Ghost Light:** A touching exploration of family dynamics and healing through theatre. The critics appreciate its authentic portrayal of grief and the unique casting of a real-life family. - **Lee:** A compelling biopic of Lee Spitler, with Kate Winslet delivering a standout performance. The critics discuss the film's narrative choices and historical significance. - **Memoir of a Snail:** Celebrated for its artistic innovation and emotional depth, Adam Elliot's latest work is praised for its storytelling and visual ingenuity. - **From Hilda With Love:** A gripping depiction of resistance during WWII, noted for its strong performances and impactful narrative. Join the First on Film & Entertainment Timms for thoughtful discussions and in-depth reviews of these diverse films. Tune in next week for more cinematic insights and engaging conversations.
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**Host:** Alex First
**Guest Critics:** Jaqui Hammerton, Peter Krause, Greg King
**Episode Summary:**
In this spirited episode of First on Film and Entertainment, Alex First is joined by Jaqui Hammerton, Peter Krause, and Greg King to explore the intricacies of cinema and critique. The conversation kicks off with a playful debate on the absence of football and its cultural impact, segueing into a discussion about the evolving role of film critics in today's media landscape. The critics then dive into the period drama *The Critic*, with Alex and Jacqui praising Ian McKellen's compelling performance, while Peter offers a more critical perspective on the film's character development. The episode also features a thorough analysis of *The Apprentice*, a provocative portrayal of Donald Trump's rise, which sparks a lively debate about the film's depiction of power and corruption. Finally, the Timms tackles *Joker: Folie à Deux*, discussing its daring musical elements and the performances of Joaquin Phoenix and Lady Gaga. The episode is filled with passionate critiques, humour, and thoughtful insights, making it a must-listen for film enthusiasts.
**Highlights:**
- **The Critic:** Ian McKellen's portrayal of a powerful drama critic in 1930s London is both praised and critiqued, with discussions on the film's exploration of power and manipulation.
- **The Apprentice:** A deep dive into the controversial depiction of Donald Trump's early years, examining the film's balance of fact and fiction and its commentary on power dynamics.
- **Joker: Folie à Deux:** The critics offer mixed reviews on this musical sequel, debating its portrayal of mental illness and the chemistry between its lead actors.
This episode of First on Film and Entertainment offers a rich tapestry of film reviews and cultural commentary. With engaging discussions on the role of critics, the nature of power, and the artistic risks taken in modern cinema, listeners are in for a captivating experience. Tune in next week for more in-depth analysis and lively conversations.
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**Host:** Alex First **Guest Critics:** Jaqui Hammerton, Peter Krause **Episode Summary:** In this thought-provoking episode, Alex First is joined by Jaqui Hammerton and Peter Krause to discuss the latest in film and societal issues. The critics dive into Coralie Fargate's intense new film *The Substance*, starring Demi Moore. The film is dissected for its commentary on fame, beauty, and societal expectations, with discussions on its length and graphic content. The conversation then shifts to the animated family film *The Wild Robot*, praised for its stunning animation and heartfelt storyline, though not without critique of its action-packed conclusion. Finally, the Timms tackles *Transformers 1*, an animated reboot of the beloved franchise, with Alex praising its emotional depth and Peter remaining unconvinced by its narrative. The episode is rich with discussions on gender roles, societal norms, and the power of cinema to spark important conversations.00:00:00 First on film and entertainment with Jackie Hamilton and Peter Kraus
00:00:54 Alex says he thinks the film could have been shortened
00:01:23 Is the Substance too long, Jackie? The answer is yes
00:02:00 Richard Simmons says The Substance is a blistering commentary on body image
00:08:39 Peter Howell: I think the film goes on a little too long
00:12:10 Alex: Jackie, I value your opinion. Let's get something clear
00:12:51 Peter says he loved the first half of the film and then the final quarter
00:15:54 What is interesting about the film is the story. I don't know how novel the story is
00:18:59 Alex Bailey says whistling towards women is unacceptable in modern society
00:24:05 Jackie says respect must be injected into way we go forward
00:26:10 Jack says MeToo movement is changing attitudes towards women but not changing behaviour
00:29:06 All right, so let's uh, let's now go back to the movie and let's talk about a score
00:29:45 Peter: Great movie. Must be seen. With a warning of being R rated
00:32:18 Community radio station J88FM M needs your support
00:32:46 The Wild Robot is a delightful take on the Wild robot
00:36:11 Jack says the characters personalities elevate the spectacle in the new film
00:40:56 Peter: I thought it was interesting approach to robots dealing with sentient beings
00:42:35 I really liked Wild Robot. Great voice, uh, cast as always
00:43:33 Jackie gives Wild Robot eight out of 10; Peter gives lower score
00:44:54 Do you remember when Spider man transposed from live action to animated
00:45:38 Alex says Transformers 1 sits comfortably alongside the pantheon of Transformers movies
00:46:49 There are so many years between James Bond movies that you long for next one
00:47:34 The story focuses on Orion Pax, who dreams of a better life than mining
00:49:09 Jackie: I was impressed by the heft of the Transformers reboot
00:50:32 Peter Krauss: I was never impressed by the live action Transformers films**Highlights:** - **The Substance:** A deep dive into Coralie Fargate's latest film, exploring themes of fame and beauty. The critics debate its graphic nature and Demi Moore's standout performance. - **The Wild Robot:** A charming family film praised for its animation and emotional depth, though critiqued for its action-heavy ending. - **Transformers 1:** Alex applauds the animated reboot for its storytelling and character depth, while Peter remains sceptical about the franchise's direction. This episode of First on Film and Entertainment offers a blend of film reviews and broader societal discussions. From the intense themes of *The Substance* to the heartwarming journey of *The Wild Robot* and the high-octane adventure of *Transformers 1*, the critics provide insightful commentary. Join Alex, Jacqui, and Peter for engaging discussions and tune in next week for more cinematic explorations.
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**Host:** Alex First
**Guest Critics:** Greg King, Peter Krause, Jaqui Hammerton
**Episode Summary:**
In this engaging episode, Alex First is joined by Greg King, Peter Krause, and Jaqui Hammerton to delve into the latest film releases. Greg King begins with a detailed analysis of the psychological horror thriller *Speak No Evil*, starring James McAvoy. The conversation touches on McAvoy's performance, the film's tension, and comparisons with the original Danish version. The episode also features a review of the family film *Harold and the Purple Crayon*, where the critics discuss its appeal to different age groups and the effectiveness of its blend of animation and live-action. Finally, Greg King reflects on the French biopic *Bonard, Pierre and Marta*, exploring the complex relationship between the post-impressionist painter and his wife.
00:00:00 " Alex says he went to see speak no evil just because James McAvoy starred
00:00:58 " Peter says James McAvoy is capable of playing charming but also nasty
00:01:28 " American family befriend British family while on holiday in Italy
00:06:53 " I thought the children were particularly good. Both the boy and the girl. Really, really good
00:07:56 " Gregory King: The ending of this film is much darker than the original
00:10:03 " Alex: Why do the Americans have a predilection for remakes
00:15:12 " Are you conscious of reading when you're watching foreign language film
00:20:06 " Peter says english language version of speak no evil conforms to Hollywood stereotypes
00:23:16 " What's your favourite colour? Peter, what colour do you like
00:26:39 " Jackie: I like black and red. And I also like orange. You can guess, Jackie
00:27:29 " Harold and the purple crayon is a charming family comedy
00:32:01 " Jacqueline: The combination of animation and live action works really effectively
00:33:56 " It's got a PG rating. What do you read into it, Greg
00:38:19 " Peter Canada says the film was pitched as a young audience to develop imagination
00:42:26 " Peter McCain was intrigued by the biopic about French painter Pierre Bonhard
00:48:14 " Peter Martin reviews French film about impressionist painter Pierre Bonard
00:51:09 " The film is largely based on a true story and not on a delusional ranting
**Highlights:** 
- **Speak No Evil:** The critics explore the psychological horror thriller featuring James McAvoy. Jaqui appreciates McAvoy's performance but finds the film more comedic than scary. Peter and Greg discuss the differences between the Hollywood remake and the original Danish film, noting the diluted ending in the remake. 
- **Harold and the Purple Crayon:** Greg King reviews this family film, debating its appeal to various age groups. Greg enjoys the fantasy elements, while Peter and Jaqui feel the film fails to capture the simplicity and charm of the original picture book. 
- **Bonard, Pierre and Marta:** The critics delve into this French biopic, examining the complex relationship between the painter and his wife. Alex praises the film's intelligent narrative and beautiful cinematography, while Peter appreciates its portrayal of the artistic lifestyle. 
This episode of First on Film and Entertainment offers a rich mix of film reviews and thoughtful discussions. From the psychological tension in *Speak No Evil* to the imaginative world of *Harold and the Purple Crayon* and the historical depth of *Bonard, Pierre and Marta*, the critics provide nuanced insights into these diverse films. Join us next week for more in-depth analysis and lively conversations.
https://www.bitesz.com/show/first-on-film-entertainment/
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