It’s a holy-war head-to-head, an apocalyptic argument of biblical proportions!

This week on Flick Fights, we’re committing cinematic sacrilege with two comedies that dared to ask: what if the end of the world was handled by the absolute wrong people? It’s This Is the End (2013) vs Dogma (1999).

One traps a group of celebrities together as Heaven and Hell literally battle for humanity’s fate.
The other sends prophets, apostles, and unlikely heroes on a mission to stop two fallen angels from accidentally destroying existence itself.

Both films take religion, mythology, and the biggest questions in the universe… and answer them with jokes, chaos, and a surprising amount of heart.

We break it all down across 10 rounds, including:

• The Biblical Setup
• Comedy
• Heaven, Hell & Mythology
• Standout Characters
• And which movie delivers the stronger message

Angels falling.
Demons rising.
Celebrities panicking.
Jay and Silent Bob somehow being important.

Which biblical comedy survives judgment day?

00:00 Introduction to Blasphemy in Film

03:00 Tale of the Tape

06:15 This is the End Plot Discussion

56:29 Dogma Plot Discussion

01:52:59 Round 1

01:54:40 Round 2

01:56:13 Round 3

01:57:48 Round 4

01:59:34 Round 5

02:01:30 Round 6

02:02:47 Round 7

02:05:00 Round 8

02:07:31 Round 9

02:08:13 Round 10 - Final Verdict

02:10:39 Movie Trivia

02:13:30 Spin that wheel!

It’s a highway hijinks showdown, a raunchy road-trip rumble!

This week on Flick Fights, we’re packing the car, making questionable decisions, and heading across the country with two outrageous comedies: Sex Drive (2008) vs Road Trip (2000).

One follows a teenager willing to drive hundreds of miles to meet his online crush.
The other follows a group of college friends racing against time to stop the worst piece of mail ever sent.

Before smartphones could solve every problem in 30 seconds, all you needed was a car, your friends, and one unbelievably bad idea.

We break it all down across 10 rounds, including:

• The Road Trip Setup
• The Friend Group
• Battle of the Greens (Seth Green vs Tom Green)
• Comedy
• Soundtrack
• And which trip is actually worth taking

Wrong turns.
Bad choices.
And friendships that probably should’ve ended several states ago.

Which road-trip comedy crosses the finish line first?

00:00 Intro

03:09 Tale of the Tape

07:01 Sex Drive Plot Discussion

01:04:30 Road Trip Plot Overview

01:46:16 Round 1

01:48:13 Round 2

01:50:12 Round 3

01:51:52 Round 4

01:53:53 Round 5

01:56:32 Round 6

01:57:53 Round 7

01:59:01 Round 8

02:00:36 Round 9

02:01:48 Round 10 - Final Verdict

It’s a fantasy-fueled faceoff, a storybook showdown!

This week on Flick Fights, we’re revisiting two of the strangest and most imaginative family films of the '90s: James and the Giant Peach (1996) vs The Pagemaster (1994).

One follows a lonely boy who escapes his miserable life aboard a giant peach alongside a crew of talking insects.
The other throws an anxious young reader into a magical library where books literally come to life.

Both films blend live-action and animation, embrace bizarre fantasy worlds, and left an entire generation wondering, "Was that movie real, or did I dream it?"

We break it all down across 10 rounds, including:

• The Fantasy World
• Animation & Visual Style
• Supporting Characters
• Creativity & Imagination
• And which film best captures the magic of childhood fantasy

Giant peaches.
Living books.
And enough nightmare fuel to keep '90s kids humble.

Which childhood fever dream deserves the crown?

00:00 Intro

03:47 Tale of the Tape

08:56 JGP Plot Discussion

53:25 Pagemaster Plot Discussion

56:46 The Adventure Begins

58:16 The Library of Dreams

59:26 The Mysterious Librarian

01:00:53 Animation Starts

01:03:23 Pagemaster

01:06:15 The Adventure Unfolds

01:07:53 The Horror Section Encounter

01:09:33 Psalty the Psalm

01:11:20 Jekyll and Hyde

01:14:10 The Book Beach and the Courage to Climb

01:15:56 Pirates and Treasure Island

01:18:39 The Quest for Horror and Friendship

01:21:43 Facing the Dragon and the Power of Books

01:25:39 The Return to Reality and the Value of Friendship

01:30:51 Round 1

01:32:54 Round 2

01:35:20 Round 3

01:38:04 Round 4

01:40:26 Round 5

01:42:27 Round 6

01:44:16 Round 7

01:46:17 Round 8

01:48:27 Round 9

01:50:51 Round 10

01:54:08 Movie Trivia Facts!

01:58:36 Next Week on FF!

It’s a laid-back brawl, a coming-of-age clash!

This week on Flick Fights, we’re putting two iconic high school classics head-to-head: Fast Times at Ridgemont High (1982) vs Dazed and Confused (1993).

One dives into the messy, funny, and sometimes harsh realities of teenage life in the early ’80s—balancing multiple storylines, relationships, and unforgettable characters.
The other drops you into a single, hazy day in the ’70s, where it’s all about cruising, partying, and figuring out who you are… or at least pretending to.

Both films are packed with standout performances, quotable moments, and that unmistakable “you had to be there” energy—but they take very different approaches to capturing youth.

We break it all down across 10 rounds, including:

• Ensemble Cast
• Authenticity
• Standout Characters
• Soundtrack & Vibe
• And which film best defines its era

Last day of school.
Windows down.
Music blasting into the night.

Which film stands as the ultimate coming-of-age classic?

00:00 Introduction

02:58 Tale of the Tape

06:07 Fast Times - Scene by Scene

01:02:48 Dazed and Confused - Scene by Scene

01:50:44 Round 1

01:52:49 Round 2

01:55:09 Round 3

01:57:10 Round 4

01:58:30 Round 5

02:00:10 Round 6

02:01:54 Round 7

02:03:33 Round 8

02:04:48 Round 9

02:06:36 Round 10 - Final Verdict

02:09:46 Wheel Spin/Next Time on FF!

It’s a cringe-coated clash, a comedy catastrophe collision!

This week on Flick Fights, we’re diving into a full-blown disaster matchup: The Master of Disguise (2002) vs The Love Guru (2008).

Two comedies.
Two iconic comedians.
And somehow… two of the most painful movie-watching experiences ever put to screen.

We’re flipping the format—higher scores mean WORSE movies—as we crown the ultimate cinematic trainwreck across 10 brutal rounds, including:

• Lead Performance Disaster
• Joke Quality (or complete lack of it)
• Cringe Factor
• “What Were They Thinking?”
• And which one isn’t even fun enough to be “so bad it’s good”

Dana Carvey disappearing into endless, baffling disguises.
Mike Myers going all-in on a character that absolutely no one asked for.
Accents. Costumes. Jokes that… might not actually be jokes.

Which movie earns the title of the WORST comedy in this matchup?

00:00 Intro to the Sh## Fight!

02:14 Tale of the Tape

08:07 Master of Disguise: Plot Breakdown!

01:11:32 Love Guru: Plot Breakdown

01:50:13 Round 1

01:51:35 Round 2

01:53:19 Round 3

01:55:50 Round 4

01:57:17 Round 5

01:59:23 Round 6

02:01:00 Round 7

02:03:16 Round 8

02:04:54 Round 9

02:06:11 Round 10: Final Verdict

02:08:21 Trivia Facts!

02:12:04 Next Week on Flick Fights!

It’s a spine-chilling showdown, a suspense-soaked standoff!

This week on Flick Fights, we’re diving into two of M. Night Shyamalan’s most iconic films: The Sixth Sense (1999) vs Signs (2002).

One is a haunting, emotional story about fear, loss, and the ability to see what others can’t—built around one of the most legendary twists in film history.
The other is a tense, atmospheric tale of faith, grief, and a family facing the unknown as something terrifying closes in.

Both films master slow-burn suspense, unforgettable performances, and that signature Shyamalan style—but they deliver their scares and emotional payoffs in very different ways.

We break it all down across 10 rounds, including:

• The Lead Performance
• Atmosphere & Tension
• Emotional Core
• The Reveal / Payoff
• And which film is actually scarier

Whispers in the dark.
Figures in the cornfield.
And the fear of what you can’t fully understand.

Which film stands as Shyamalan’s ultimate thriller?

It’s a cybernetic clash, a chrome-coated collision!

This week on Flick Fights, we’re diving into two live-action anime adaptations that bring cyberpunk worlds to life: Ghost in the Shell (2017) vs Alita: Battle Angel (2019).

One is a sleek, philosophical exploration of identity, memory, and what it means to be human in a fully augmented world.
The other is a high-energy, emotionally driven journey of a cyborg discovering who she is through connection, conflict, and survival.

Both films push the limits of visual effects and worldbuilding—but they take very different approaches to story, tone, and character.

We break it all down across 10 rounds, including:

• The Lead Performance
• Worldbuilding
• Visual Effects
• Emotional Impact
• And which story is more gripping from start to finish

Synthetic bodies.
Digital consciousness.
And a fight to define humanity itself.

Which film delivers the better cyberpunk experience?

It’s a freedom-fueled faceoff, a war-torn warrior war!

This week on Flick Fights, we’re putting two Mel Gibson-led historical epics head-to-head: Braveheart (1995) vs The Patriot (2000).

One tells the legendary story of William Wallace—an unbreakable symbol of rebellion and sacrifice in Scotland’s fight for independence.
The other follows Benjamin Martin—a reluctant father drawn into the brutality of the American Revolution to protect his family and his future.

Both films deliver massive battle sequences, unforgettable speeches, and raw emotional stakes—but they approach heroism, revenge, and freedom in very different ways.

We break it all down across 10 rounds, including:

• The Lead Performance
• Battle Sequences
• Emotional Core
• Villain Impact
• And which story of freedom resonates the most

War cries.
Burning fields.
Legends forged in blood and sacrifice.

Which film stands as the ultimate story of fighting for freedom?

It’s a puppet-powered punch-up, a felt-fueled faceoff!

This week on Flick Fights, we’re diving into two wildly different takes on R-rated puppet comedy: Team America: World Police (2004) vs The Happytime Murders (2018).

One is a razor-sharp, no-holds-barred satire that pulls zero punches and somehow turns marionettes into one of the most brutal comedies of the 2000s.
The other drops puppets into a gritty noir world, aiming for edgy laughs, adult themes, and a totally different kind of chaos.

We break it all down across 10 rounds, including:

• Comedy Style
• Worldbuilding
• Satire & Commentary
• Use of Puppetry
• And which film actually sticks the landing from start to finish

Over-the-top musical numbers.
Hard-boiled puppet detectives.
Unhinged satire vs shock-driven comedy.

Which film proves puppets aren’t just for kids—and which one does it better?

It’s a cosmic catastrophe clash, a superhero screw-up showdown!

This week on Flick Fights, we’re diving into two comic book adaptations that didn’t just miss the mark—they rewrote the definition of “what went wrong?”

It’s Green Lantern (2011) vs Catwoman (2004)—a $200 million CGI-heavy attempt to launch a DC universe… versus a Halle Berry–led fever dream that barely resembles the character it’s named after.

We’re flipping the format again—higher scores mean WORSE movies—as we crown the ultimate disaster across 10 rounds, including:

• Adaptation Atrocity
• Visual Disasterclass
• Tone Trainwreck
• “What Were They Thinking?”
• And the infamous first power showcase moments that make you question everything

A glowing green space cop with imagination-powered constructs.
A resurrected cat-powered vigilante with… basketball skills?

Ryan Reynolds’ most mocked role.
A Razzie-winning performance accepted in person.
Two movies. Zero shame.

Which film deserves the crown as the WORST superhero movie in this matchup?