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The boys throw down to select 5 movies each from the filmography of our great American director. Draft order is essential here, and no one is happy with their slot. We get to relive some conversations about classics, and break new pod ground on the Scorsese hidden gems. Plus: Jed throws a clipboard.
Like a speeding bullet, we've touched down on the West Coast to pod together. An unforgettable experience, but is the film we're talking about today worthy of that description? What's going on with the exposition of this movie? Plus: Chip shits on therapy.
We are busy preparing for the Flicking and Screaming Summit in Nevada, but we couldn't leave our listeners without some movies we can't get out of our brains. Learn a little more about Evan, Jed, and Chip's personalities in the movies we have on rewatch, or the movies we think deserve more love. Plus: what is our philosophy on liking movies with bad reviews . . . or disliking movies with good reviews?
Yeah, we're doing NOPE. Jed put on his bravest face to visit the theater. Someone in this movie is the best actor alive, but who is it? What defines a monster movie versus a horror movie? Plus: that OPPENHEIMER teaser was certainly a thing.
The sequels play. We debate the merits of the second and third installments of the Ocean's Trilogy, a.k.a. the Benedict Job Trilogy. Jed plays gamemaker with our categories, and our Pacino impressions need some polish. Plus: who is the real villain of 12?
This week's film nearly breaks Twitter's previous character limit, but it also pushes our imaginations to new limits. Is Brad Pitt overlooked in some important conversations? How did Roger Deakins make magic happen with his lenses? Plus: Evan creates a new word.
When the podfather is away, the mice will play. Evan and Chip talk all things BLACK PHONE. Hawke, kid actors, masks, jokes, Ransone! Plus: why does the first ten minutes of the movie look like that?
Close your shades, dim your lamps, and wear headphones: it's the Michael Douglas power hour. Evan's time to shine is here. Will we be comfortable enough to discuss each dirty detail from this film? Plus: we are all in love with Anne Archer.
We weren't alive for Tom Cruise's first dogfight, but we're up for this one. It was tough for Chip to talk about other actors besides Glen Powell. How blurred are the lines between Cruise's acting roles and everyday life? Plus: do we have call signs?
Pour yourself a cold glass of milk and grab an acid-dipped cigarette, because we are going long on the last celebrity director himself: Quentin Tarantino. We fight about which tiers to place his 10 films in, and provide a swath of impressions. How have we aged with these movies, and what makes us still return to them? Plus: why did it take us so long to do this?
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