You know that feeling you get when you take your first bite of a delicious slice of pizza or your first gulp of an invigorating cocktail and you think, "I'm going to remember this"? That's how I felt after watching this film.

Dark Phoenix is a prequel in the series of X-Men superhero films that started in 2000 with the first movie titled X-Men. With this being the 10th film in the series, it's a strong reminder that not all chapters are good ones and not all entries in a saga are winners (much like my sex life).

I'm happy to say this film is more than a concert from the past or a frivolous musical review. British director Dexter Fletcher (Eddie the Eagle, 2015) nicely blends reality and fantasy in this story of Elton John's formative years.

I have seen the funniest film of 2019 so far. Actress Olivia Wilde (TRON: Legacy, 2010) makes her full-length feature directorial debut with a teen comedy that is a loud, irreverent, zippy whirlwind of friendship, alcohol, condom water balloons, and the elusive goal of having fun.

Diane Keaton (Morning Glory, 2010) plays a single retiree who begrudgingly moves out of her New York City apartment and into a retirement community in Georgia for active seniors. To capture some of her lost youth, and to annoy some of the established leaders of the well-groomed retirement community, she starts a cheerleading squad with some of her fellow female retirees. After enduring awkward rehearsals, riding in fancy golf carts, and bonding with unlikely sensitive teenagers, the cheerleaders learn to love themselves, their bodies, and their lives.

Journey's End is set almost entirely in a muddy, candle-lit trench in chilly northern France during World War I, and it explores the relationships and responsibilities of the British soldiers living in it. Based on a 1928 play by English playwright R.C. Sherriff, Journey's End was first adapted into a film in 1930 and has been adapted a few other times into films with different titles.

Comedy film director Jonathan Levine (50/50, 2011) manages to nicely mix raunchy humor, awkward attraction, and watered-down political ambition. Established comedic actor Seth Rogen (The Disaster Artist, 2017) plays an over-zealous political journalist who quits his job and finds himself recruited by the U.S. Secretary of State (a noble Charlize Theron, Atomic Blonde, 2017) as a speechwriter. But the Secretary of State happens to be the journalist's childhood babysitter he was in love with.

With a running time of over 3 hours, I thought I might need a colostomy bag to get through this film. But like many Marvel superhero films, it's a long ride but an entertaining one.

While watching this movie I started to get hungry since I hadn't yet eaten dinner. And my thoughts about what I might eat after this movie were more interesting to me than the movie I was watching.

While watching this movie, I was not enveloped in the story as much as I was wondering why the producers of this film thought it was a good idea.