Fly On The Wall

A native Texan who now resides in Seattle, Washington, Gunn began his musical life at the age of seven playing classical piano. His interest in music grew through various instruments: electric bass, electric and acoustic guitar, keyboards, and the touch guitar. He moved to Eugene, Oregon, and played in punk bands while he completed a degree in classical music composition at the University of Oregon.[1] He then moved to New York City, where his professional career began.

He spent some time as a student of Guitar Craft with founder Robert Fripp and appeared on several Robert Fripp and the League of Crafty Guitarists recordings. From 1988 to 1991, he toured playing Chapman Stick in the UK and Europe, with Toyah Willcox, Robert Fripp and Paul Beavis, at first under the band project name "Fripp, Fripp" who by the second tour became Sunday All Over the World. They recorded and released one album in 1991 entitled Kneeling at the Shrine. In the same year and with the SAOTW line up, he also played stick on the solo Toyah album Ophelia's Shadow, produced by Toyah who was to later guest on his album, The Third Star.

In 1992, he was asked to join David Sylvian and Robert Fripp in a collaborative project that toured the United States, Europe, and Japan. The band released The First Day and Damage – a live recording from the Royal Albert Hall in London. During this period, Gunn also recorded his first solo album One Thousand Years.

Steve Berlin is an American saxophonist, keyboardist and record producer, best known as a member of the rock group Los Lobos and, before that, Top Jimmy & the Rhythm Pigs, the Blasters, and the Flesh Eaters. Berlin is married and lives with his wife and children in Portland, Oregon. Berlin joined the band Tuatara as a side project in 1998 on their second album, Trading with the Enemy.As either a session musician or producer, Berlin has worked with the Crash Test Dummies, Backyard Tire Fire, The Beat Farmers, John Lee Hooker, the Paladins, Faith No More, Dave Alvin, R.E.M., the Go-Go's, the Smithereens, the Replacements, Leo Kottke, Sheryl Crow, the Act, Los Super Seven, Rickie Lee Jones, Leftover Salmon, String Cheese Incident, Alec Ounsworth (Clap Your Hands Say Yeah), Raul Malo, Rick Trevino, Jackie Greene, the Tragically Hip, Great Big Sea, the Bridge, Nathan Wiley, the Dandy Warhols, Making Movies, No Te Va Gustar, Brownout and Deer Tick.

Steve Berlin is an American saxophonist, keyboardist and record producer, best known as a member of the rock group Los Lobos and, before that, Top Jimmy & the Rhythm Pigs, the Blasters, and the Flesh Eaters. Berlin is married and lives with his wife and children in Portland, Oregon. Berlin joined the band Tuatara as a side project in 1998 on their second album, Trading with the Enemy.

As either a session musician or producer, Berlin has worked with the Crash Test Dummies, Backyard Tire Fire, The Beat Farmers, John Lee Hooker, the Paladins, Faith No More, Dave Alvin, R.E.M., the Go-Go's, the Smithereens, the Replacements, Leo Kottke, Sheryl Crow, the Act, Los Super Seven, Rickie Lee Jones, Leftover Salmon, String Cheese Incident, Alec Ounsworth (Clap Your Hands Say Yeah), Raul Malo, Rick Trevino, Jackie Greene, the Tragically Hip, Great Big Sea, the Bridge, Nathan Wiley, the Dandy Warhols, Making Movies, No Te Va Gustar, Brownout and Deer Tick.

Charlie Midnight is an American songwriter and record producer who has been nominated for the 1987 Grammy Award for Best R&B Song (Writer, "Living in America" by James Brown), two Golden Globes, and has been a producer and/or writer on several Grammy-winning albums, including The Bodyguard: Original Soundtrack Album, Joni Mitchell's Turbulent Indigo, and Marlo Thomas & Friends: Thanks & Giving All Year Long. He also is a writer on the Barbra Streisand Grammy Winning, Platinum-Selling Partners album having co-written the Barbra Streisand and Andrea Bocelli duet "I Still Can See Your Face."

Charlie Midnight is an American songwriter and record producer who has been nominated for the 1987 Grammy Award for Best R&B Song (Writer, "Living in America" by James Brown), two Golden Globes, and has been a producer and/or writer on several Grammy-winning albums, including The Bodyguard: Original Soundtrack Album, Joni Mitchell's Turbulent Indigo, and Marlo Thomas & Friends: Thanks & Giving All Year Long. He also is a writer on the Barbra Streisand Grammy Winning, Platinum-Selling Partners album having co-written the Barbra Streisand and Andrea Bocelli duet "I Still Can See Your Face."

Born on Long Island, New York, he moved to San Diego, California at an early age and has been a fixture on the local music scene there since 1985 when he formed the local cult band Drop Control.[2] Although a well established musician in his own right, Keneally is probably most well known as former Frank Zappa "stunt guitarist" and a Zappa 1988 tour band member on both guitar and keyboards. His ascendency to that position is legendary in certain musician circles, based on Keneally's command of Zappa's vast and difficult-to-play repertoire.Keneally had called Zappa and said that he was "extremely familiar with all of his material and that he would be ready to play any of it for him given a short amount of preparation time", as he had already "been listening to Zappa's music for 16 years". "On the phone the day before the audition Frank had told me to have 'What's New in Baltimore?' and 'Sinister Footwear' ready for the next day's audition". On the way to the audition Keneally practiced the aforementioned songs, as well as "Little House I Used to Live in", and "every single Zappa melody I could think of, kind of as an exercise for my memory" as his brother Marty was driving the car.[1]Keneally's stint in the Zappa touring band was short-lived with the early cancellation of the 1988 tour and Zappa's death in 1993. Keneally moved on from the elder Zappa's band to work with the eldest Zappa son, Dweezil, on his solo albums and work released as the band Z.Keneally has also released 11 albums of solo material since 1992 and has guested or acted as sideman on a wide variety of projects, most notably as part of Steve Vai's touring bands. He has played guitar and keyboards with Yo Miles!, Wadada Leo Smith, Norwegian legends Ulver and Henry Kaiser's Miles Davis tribute band as well as recording the 1995 album The Mistakes with Henry Kaiser, Prairie Prince, and Andy West (formerly of Dixie Dregs). He has also produced albums for several bands, including Chris Opperman's debut album, Oppy Music, Vol. I: Purple, Crayon.In 1998 Vai requested that Keneally arrange and perform an album of Vai's music on acoustic piano. Recorded in 1999, the album was finally released in 2004 as Vai Piano Reductions, Vol. 1: Performed by Mike Keneally. According to liner notes, Vai selected the songs, produced the album, and mixed it, releasing it on his own Light Without Heat label. As of 2008 Keneally has arranged from multi-tracked guitar parts to single-track piano the 12 songs selected by Steve and begun work on a second volume of Vai "Piano Reductions".

Born on Long Island, New York, he moved to San Diego, California at an early age and has been a fixture on the local music scene there since 1985 when he formed the local cult band Drop Control.[2] Although a well established musician in his own right, Keneally is probably most well known as former Frank Zappa "stunt guitarist" and a Zappa 1988 tour band member on both guitar and keyboards. His ascendency to that position is legendary in certain musician circles, based on Keneally's command of Zappa's vast and difficult-to-play repertoire.

Keneally had called Zappa and said that he was "extremely familiar with all of his material and that he would be ready to play any of it for him given a short amount of preparation time", as he had already "been listening to Zappa's music for 16 years". "On the phone the day before the audition Frank had told me to have 'What's New in Baltimore?' and 'Sinister Footwear' ready for the next day's audition". On the way to the audition Keneally practiced the aforementioned songs, as well as "Little House I Used to Live in", and "every single Zappa melody I could think of, kind of as an exercise for my memory" as his brother Marty was driving the car.[1]

Keneally's stint in the Zappa touring band was short-lived with the early cancellation of the 1988 tour and Zappa's death in 1993. Keneally moved on from the elder Zappa's band to work with the eldest Zappa son, Dweezil, on his solo albums and work released as the band Z.

Keneally has also released 11 albums of solo material since 1992 and has guested or acted as sideman on a wide variety of projects, most notably as part of Steve Vai's touring bands. He has played guitar and keyboards with Yo Miles!, Wadada Leo Smith, Norwegian legends Ulver and Henry Kaiser's Miles Davis tribute band as well as recording the 1995 album The Mistakes with Henry Kaiser, Prairie Prince, and Andy West (formerly of Dixie Dregs). He has also produced albums for several bands, including Chris Opperman's debut album, Oppy Music, Vol. I: Purple, Crayon.

In 1998 Vai requested that Keneally arrange and perform an album of Vai's music on acoustic piano. Recorded in 1999, the album was finally released in 2004 as Vai Piano Reductions, Vol. 1: Performed by Mike Keneally. According to liner notes, Vai selected the songs, produced the album, and mixed it, releasing it on his own Light Without Heat label. As of 2008 Keneally has arranged from multi-tracked guitar parts to single-track piano the 12 songs selected by Steve and begun work on a second volume of Vai "Piano Reductions".

Alan Parsons OBE (born 20 December 1948[1]) is an English audio engineer, songwriter, musician, and record producer. Parsons's father was Parsons Code developer Alexander Denys Herbert (Denys) Parsons; his mother was Jane Kelty (Kelty) MacLeod.[2]Parsons was involved with the production of several albums, including the Beatles' Abbey Road (1969) and Let It Be (1970), Pink Floyd's The Dark Side of the Moon (1973), and the eponymous debut album by Ambrosia in 1975. Parsons's own group, The Alan Parsons Project, as well as his subsequent solo recordings, have also been commercially successful. He has been nominated for 13 Grammy Awards, with his first win occurring in 2019 for Best Immersive Audio Album for Eye in the Sky (35th Anniversary Edition).

Alan Parsons OBE (born 20 December 1948[1]) is an English audio engineer, songwriter, musician, and record producer. Parsons's father was Parsons Code developer Alexander Denys Herbert (Denys) Parsons; his mother was Jane Kelty (Kelty) MacLeod.[2]

Parsons was involved with the production of several albums, including the Beatles' Abbey Road (1969) and Let It Be (1970), Pink Floyd's The Dark Side of the Moon (1973), and the eponymous debut album by Ambrosia in 1975. Parsons's own group, The Alan Parsons Project, as well as his subsequent solo recordings, have also been commercially successful. He has been nominated for 13 Grammy Awards, with his first win occurring in 2019 for Best Immersive Audio Album for Eye in the Sky (35th Anniversary Edition).

Brooks came out of a New York music scene in the early 1960s. One of the younger players on his instrument, he was a contemporary of Felix Pappalardi and Andy Kulberg and other eclectic bass players in their late teens and early twenties, who saw a way to bridge the styles of folk, blues, rock, and jazz.Al Kooper gave Brooks his first boost to fame when he asked him to play as part of Bob Dylan's backing band on the sessions that yielded the album Highway 61 Revisited (1965)[1] — in contrast to the kind of folkie-electric sound generated by the band on his previous album, Bringing It All Back Home (1965). Producer Bob Johnson and Dylan were looking for a harder, in-your-face electric sound, and Brooks, along with guitarist Michael Bloomfield and organist Al Kooper, provided exactly what was needed. Brooks was also part of Dylan's early backing band which performed at Forest Hills, Queens and the Hollywood Bowl in 1965. This band also included Robbie Robertson (guitar), Al Kooper (keyboards) and Levon Helm (drums).The Doors and The Electric FlagFrom the Dylan single and album, Brooks branched out in a multitude of directions, as he went on to play on records by folk artists including Fred Neil, Eric Andersen at Vanguard Records, Richie Havens, Peter,Paul and Mary, Tom Rush and Jim & Jean at Verve Records,[1] transitional electric folk-rockers such as David Blue (whose producer was looking for a sound similar to that on Highway 61 Revisited), and various blues-rock fusion projects involving Bloomfield and Kooper.Brooks met Michael Bloomfield at the Highway 61 Revisited sessions and was recruited to join Bloomfield's Electric Flag based in Mill Valley, California. The Flag only lasted in its original line-up for about a year, and recorded three albums. A soundtrack for the film The Trip (1967). The Electric Flag, A Long Time Coming (1968) and The Electric Flag, An American Music Band (1968). After the Electric Flag disbanded, Brooks took up temporary residence at the Chateau Marmont hotel on Sunset Strip. From there he played on Cass Elliot's Dream a Little Dream (1968), and with Nick Gravenites and Pete Welding he produced Quicksilver Messenger Service (1968) for Capitol Records. Brooks also played on The Doors' The Soft Parade (1969) album on the songs "Touch Me", "Tell All the People", "Wild Child" and "Wishful Sinful".[1] Producer Paul Rothchild wanted to give the Doors a fresh sound. He hired Brooks to play and help organize the rhythm tracks and Paul Harris to write some string and horn arrangements. Brooks also played live with the Doors at the Forum in Los Angeles and Madison Square Garden in New York and was on the Michael Bloomfield/Al Kooper/Stephen Stills Super Session (1968) release.[1] His song "Harvey's Tune" appeared on this album.Miles DavisBrooks moved east to meet Crosby, Stills & Nash in Sag Harbor, New York. Musical and business disagreements caused Brooks and Paul Harris to leave the band and move over to John Sebastian's house to begin pre-production on John B. Sebastian (1970) album. The Manhattan sessions to finish the album were produced by Paul Rothchild and recorded at Jerry Ragovoy's Hit Factory.After buying a loft in what was to become The Soho section of Greenwich Village Brooks got a call from Jack Gold, vice president of Columbia Records, offering him a job as staff producer. He connected with producer Teo Macero, who led him to Miles Davis. Brooks contributed to Bitches Brew (1970) and Big Fun (1974). On the sessions in August and November 1969, two bassists were used. Brooks played electric bass while Dave Holland simultaneously played acoustic bass.1970s–presentFrom the 1970s Brooks recorded on New Morning by Bob Dylan, Seals & Crofts' Summer Breeze and Down Home albums, and Paul Kantner's Blows Against the Empire. He also recorded with John Martyn, The Fabulous Rhinestones, Fontella Bass, John...