The mixed media potential of animation is the subject of Footnote #10, which takes on hybridity via the combination of multiple animated styles, as well as the spectatorial effects that such blended images might conjure. From the earliest hybridised cartoons of the 1910s and the insertion of cel-animation into the Classical Hollywood musical to contemporary live-action/CG composites and the human/machine collision involved in motion-capture technology, hybridity defines animation’s unique visual perspectives as much as the medium’s own fantasy of interaction. But as Chris and Alex discover, to make any distinction between live-action and animation (as increasingly fuzzy categories) ultimately reveals more about the slippage between them than their separateness or contrasts as image-making forms.

**Fantasy/Animation theme tune composed by Francisca Araujo**