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This week's guest speaker also happens to be this week's artist per se. He also happens to be our cousin. He recently got into producing and he was given the opportunity to work with top acts like Rebel Sixx and Trapsoundkyler. We felt it important that we engage with him and find out his perspective as a young producer in order to understand the shift in industry sound.
Are you as the listener seeing a drastic shift? Or has music composition and arranging regulated itself most recently?
To follow Khai click on the links below:
Instagram
Facebook
Youtube
Twitter
Kyler - One Life
Our social media:
FB
IG
Support the show (https://www.patreon.com/forthemostpart?fan_landing=true)
We chose this week's artist out of sheer love for his content and creativity. He's such a dynamic vocalist with the falsetto of an angel. He guides us right into the crossroad discussion of local music: What can we do to encourage artistes to be more involved locally? Will monetary incentives work? What other ways can we encourage artists to reconnect with 'local''?
A link to Daniel's Social Media:
Youtube
Instagram
Follow us on Instagram and Facebook
Support the show (https://www.patreon.com/forthemostpart?fan_landing=true)
This week's artist really allowed the gears in our brains to move in order to have a very deep-seated discussion: Do you HAVE to play/ sing soca or even calypso in order to be considered 'local'? It was a discussion that didn't necessarily leave us stumped, but it left us wondering what is the industry standard for 'local'?
We like Zachary's style, his blended flavors of pop and calypso. He has a very unique imprint that makes him- unique.
To our audience:
What makes local music local? Do you think that airplay on local radio is balanced?
To find more of Zachary's information:
Youtube
Instagram
Facebook
Support our Podcast by becoming a Patron: https://www.patreon.com/forthemostpart?fan_landing=true
Support the show (https://www.patreon.com/forthemostpart?fan_landing=true)
In this weeks episode a good friend of ours Adriel Bailey King suggested this young astronomical guitarist called Zayn Mohammed. Zayn, a Berkelee music graduate we felt was the ideal way to launch our local artist segment. His style, artistic expression, musical vocabulary encapsulated one of the best pivot points to focus on making local more popular, locally.
The discussion was heavy to say the least. It shed light on topics of business that we hope would push our local market to be even more balanced than before.
Take a look at Zayn's artistic pages:
Youtube
Personal Website
Facebook
EM Jazz
Here are some links to Adriel's social media:
IG
FB
Support the show (https://www.patreon.com/forthemostpart?fan_landing=true)
For this podcast we simply decided to allow his music to speak for itself. There were volumes more that we wanted to speak on however trust us, if you have been feeling the vibes so far up to this point, we believe ALL of these artistes music speaks for themselves.
Eshon Burgandy....What can really say? We were absolutely mindblown by the quality of music, arrangements, lyricism and very happy to see that he has a strong and growing subscriber base.
To see more of his work see the links:
Youtube
Twitter
Facebook
Bandcamp
NOTE:
We are also planning to make at least ONE of these podcast a live broadcast at least once per month. Stay tuned to find out which day we will be going live!!!
Support the show (https://www.patreon.com/forthemostpart?fan_landing=true)
In this episode my friend Jehiah and I discuss the art form of spoken word and how it is affected in Trinidad and Tobago. We analyze the ways and means of helping the artform come to the forefront of the local music industry.
We utilize the style of Odd Thomas in order to gain greater understanding of how to enhance the local circles of spoken word. Jehiah shares some insight into the roots of spoken word and its development in the Caribbean.
Jehiah's Socials:
https://instagram.com/just_jehiah?igshid=1h93qpsnbqzql
https://www.youtube.com/channel/UCA61bkzSyjw0FS2p4PzPiXQ
https://www.youtube.com/channel/UC0W8QFTxSa98u2m2vGoh7bg
Links to some of Odd Thomas' socials and personal work:
https://twitter.com/oddthomasmusic?lang=en
https://rapzilla.com/tag/odd-thomas/
https://www.christianitytoday.com/pastors/2015/september-web-exclusive/pastoring-rappers.html
Support the show (https://www.patreon.com/forthemostpart?fan_landing=true)
In today's episode we look at the old school rapper Ohmega Watts. We determine his style to be very Tupac and Biggie in the instrumentation department. We also discuss whether artistes should "self promote" as well as whether finding out if there are NOTICEABLE differences between big named studios and home owned/ friend owned/ private studios.
His albums are available on spotify, soundcloud and many other places.
Here are some links to his social media, reviews and music:
https://www.ubiquityrecords.com/shop/categories/Search-Music/Artist/OHMEGA-WATTS
https://www.melloworange.com/ohmega-watts
https://soundcloud.com/ohmegawatts
https://ohmegawatts.bandcamp.com
https://www.facebook.com/Ohmega-Watts-43735356598/
https://instagram.com/ohmegawatts?igshid=1nhk65of23mi
https://www.rapreviews.com/archive/2005_12_thefind.html
Support the show (https://www.patreon.com/forthemostpart?fan_landing=true)
In this first episode we briefly introduce our podcast. We spend some time sharing music from the artist Propaganda. I began following Propaganda the artist roughly two years ago and since then I've been an absolute fan. Do enjoy our first podcast. Next week's episode will be out and even more fun!!!!!!
Where to find Propaganda's work:
https://www.pastemagazine.com/noisetrade/music/propaganda/excellent
Kemi's IG:
thekemster91
Adriel's IG:
lookitsadrii
Support the show (https://www.patreon.com/forthemostpart?fan_landing=true)
From the publisher's feed