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Todd and Brogan rank the Saw films and traps. Brogan decides that one of his favorite traps is a Saw IV trap he initially made fun of but came to appreciate after seeing the same concept done much worse in Saw 3D, yet forgets to explain this when actually talking about the trap. A third season is announced.
We'll be talking about Scream next October but there will be plenty of specials and surprises in the meantime, starting next month with our very first Thanksgiving special.
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Season art by Max Nalow.
What better way to celebrate wrapping up the season than discussing the most acclaimed film in the series with two people who don't like the genre? John and Rachel join Todd and Brogan to provide a wholly new perspective as discuss the final film in the series (for now).
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Season art by Max Nalow.
Today we're joined by Max, the secret third member of the Franchise Fiends family. Max does all of our artwork so getting him on the pod is arguably cooler than Chris Rock and Samuel L. Jackson showing up in a Saw movie. Also... holy shit, Chris Rock and Samuel L. Jackson showed up in a Saw movie? Let's talk about that.
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Season art by Max Nalow.
Have you ever wished the Saw franchise felt a bit more like a CSI episode? Great news! Today we're joined by Rachel to talk about how Saw took advantage of the seven year hiatus between films to inject itself with some serious direct-to-video/TV movie vibes.
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Season art by Max Nalow.
Saw 3D didn't look very good in 3D which is why it was released as Saw: The Final Chapter on home video. It didn't end up being the final chapter, either, but Todd still thinks it was neat and Brogan appreciates Cary Elwes getting a few more seconds of screentime even if he doesn't think much of anything else worked.
Also, when was the last time you thanked a podcast editor? Thanks to some ongoing technical issues and a few bits that were better off being thrown back into the ether this one ended up more than an hour shorter than the original recording. Phew.
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Season art by Max Nalow.
In which Brogan admits that Todd was right (in regards to Saw VI being great and nothing else). Anchor and Brian stop by Franchise Fiends to talk about the major upgrade the franchise received after the underwhelming Saw V.
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Season art by Max Nalow.
Maybe the real Saw V was the much better movies we watched along the way? Todd and Brogan are joined by Mel and Liz to talk about the first major drop in quality for the Saw franchise, much of which involves reflecting on the better films that came before it. "Well at least there's less arguing about John Kramer's political affiliation." Thanks for noticing! It's because we got most of the debate out of the way before recording started.
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Season art by Max Nalow.
Does Saw IV make any sense? If you're Parker, who has only seen the original short, the answer is (accurately) no. He and Reid join Todd and Brogan to break down the most MCU-esque entry in the Saw franchise and try and figure out just how much of this film only works because it's referencing the three films that came before it.
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Season art by Max Nalow.
New faces reignite old tensions for our leads and also a bunch of stuff happens in Saw III. Don't let the debate fool you! Brogan liked this one more then Todd did.
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Season art by Max Nalow.
Does John Kramer really have a moral code or is he just a Republican? Todd and Brogan are joined by Sheldon and Amanda to discuss the details of what will inevitably turn into a season-long debate while also breaking down the change in direction for the Saw franchise and wondering how they managed to pull this large of an ensemble off on so small a budget.
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Season art by Max Nalow.
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