FRED Film Radio - English Channel

Tobias Lindholm – director – A War

Tobias Lindholm came back to Venice after A Hijacking to present his latest effort, A War, where he works with actor PilouAsbaek once again.

In the interview he speaks about the relationship between the two, explained how he worked with Afghan people and real soldiers to build up a fiction as close to a documentary style as possible and how obsessed he is with what he calls “middle points” leading to “fake endings”.

A WAR: Company commander Claus Michael Pedersen and his men are stationed in an Afghan province. Meanwhile back in Denmark Claus’ wife Maria is trying to hold everyday life together with a husband at war and three children missing their father.

During a routine mission, the soldiers are caught in heavy crossfire and in order to save his men, Claus makes a decision that has grave consequences for him and his family back home.

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Alessandro Pecile, Stefano Siega – students – FRED at School

Alessandro Pecile, and Stefano Siega, young students of the project Fred at School, are in Venice to award Andrea Segre and its film Shun Li and the Poet, winner of the first edition of Fred @ School.

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Orson Wong – chief project officer – Macau Films and Television Production and Culture Association

FRED’s Angelo Acerbi meets Orson Wong of the Macau Films and Television Production and Culture Association at the 72nd Venice Film Festival’s Venice Film Market.

As a chief project manager Orson Wong has the pulse of the Macao Film Festival and also of all the other activities that the Association pursues. A new player in the market, and with interesting ideas.

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Radha Mitchell, Odessa Young – actress – Looking for Grace

What an actress can do on screen is a lot of what she is in real life. Radha and Odessa, two actresses of different generations made it to give a shining portrait of their respective femininity and roles in LOOKING FOR GRACE. and listening to their words makes us understand why.

LOOKING FOR GRACE: Grace, 16, runs away from home. Her parents, Dan and Denise, head off on the road to across the Western Australian wheat belt with a retired detective, Norris, to try and get her back. But life unravels faster than they can put it back together. Grace, Dan and Denise learn that life is confusing and arbitrary, but wonderful. Looking For Grace is about how we make sense of the mess of our lives and what it all means. It is a wry drama about lies, secrets, small and large griefs and love.

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Birgit Heidsiek – editor-in-chief – Green Film Shooting

As the Venice FF organised, this year, its very first Green Day, supported by international competition jury president Alfonso Cuarón and his brother Alfredo, Birgit Heidsiek tells us more about sustainability on film sets, about the progress that has been made (Spiderman 2 is a great example of that) and the ways to continue in that direction, cutting costs along the way…

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Sue Brooks – Director – Looking for Grace.

We talked with Sue Brooks about what makes a film interesting and compelling, what does the definition ” female movie” eventually mean, and how a woman can survive in the film industry. Besides talking about her film, of course…

Plot: Grace, 16, runs away from home. Her parents, Dan and Denise, head off on the road to across the Western Australian wheat belt with a retired detective, Norris, to try and get her back. But life unravels faster than they can put it back together. Grace, Dan and Denise learn that life is confusing and arbitrary, but wonderful. Looking For Grace is about how we make sense of the mess of our lives and what it all means. It is a wry drama about lies, secrets, small and large griefs and love.

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Rosa Tran – producer – Anomalisa

After talking to directors Charlie Kaufman and Duke Johnson for their film ANOMALISA, the stop motion animation film in competition at the 72nd Venice International Film Festival, we thought that we still had to know more about this perfect combination of art house cinema and animation techniques. This is why, by talking to producer Rosa Tran we could somehow complete our experience with Anomalisa.

Rosa Tran is an award-winning producer in the highly specialized world of stop-motion and live action animation and in this interview, she explains every phase of how she turned Charlie Kaufman’s creative vision into a stop motion animation film and how she managed to bring life to these puppets and actually let them become as real as possible. Producer Rosa Tran also comments on the difficulties of producing an arthouse film and the decision of also using the Kickstarter platform to complete the budget for the film.

ANOMALISA: Directed by Kaufman along with Duke Johnson, “Anomalisa” tells the story of a man who struggles with his inability to connect with other people. “Anomalisa’s” journey to the screen began in 2012, when the filmmakers turned to Kickstarter to fund their ambitious stop-motion animated picture.

The fundraising campaign raised nearly double their initial financial goals, setting a new Kickstarter record for film fundraising. Jennifer Jason Leigh, David Thewlis, and Tom Noonan voice the film. Tran built a name for herself working on seminal Adult Swim shows like “Robot Chicken,” “Mary Shelley’s Frankenhole,” “Moral Orel,” “Titan Maximum,” and “MAD.” She credits her love of animation and miniatures with helping foster her imaginative approach to production and ability to push the boundaries and technological barriers of the industry. Tran began working in animation when she joined the puppet department in 2007 on Adult Swim’s hit series, “Robot Chicken.” Before animation, she worked on various live action projects for MTV, Spike, WE, and Comedy Central. Her work in both has given her a unique perspective that enhances her expertise in producing creative content.

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Rupert Everett – actor – Winner of the Kinéo International Movie Award

FRED’s Chiara Nicoletti meets with actor and director Rupert Everett, recipient of the Kinéo International Movie Award. Rupert Everett is in pre-production stage with his film, on Oscar Wilde’s life, which is going to be shot in Italy and in Naples.

Kinéo Movie Diamond Award is a tribute to the best of Italian movie production assigned by the public and by a jury of excellence in the movie art and business, according to a criterion combining artistic quality, success and potential diffusion in the international market. The Award was established in 2002 on the initiative of the Ministry of Culture,in Italy, to promote the national film industry, and is celebrated each year at the Venice Film Festival. Today the Kinéo Award has expanded and incude special recognitions from key partners such as Kinéo & RAI Com Award, Kinéo and National Union of Film Critics or major realities of culture, education and business as Kinéo &Tao Art/TaorminaFilmFest Award, Kinéo & the Experimental Centre of Cinematography Award, and great sponsors Award, such as Kinéo&Ethos Parfumery Classic Award.

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Mike Ryan – producer – Free in Deed

Fred Film Radio has the pleasure to talk to Mike Ryan, producer of FREE IN DEED, competing here in Venice in the Orizzonti section. Firmly believing in daring and intelligent filmmaking, Mr Ryan unveils his personal approach as a producer, with the hope that Cinema will always stay ‘physical’.

FREE IN DEED: Set in the distinctive world of storefront churches, and based on actual events, Free in Deed depicts one man’s attempts to perform a miracle. When a single mother brings her young boy to church for healing, this lonely pentecostal minister is forced to confront the seemingly incurable illness of the child… and his own demons as well. The more he prays, the more things seem to spiral out of his control.

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Celia Rowlson-Hall – director and actress – Ma.

Director, actress, and choreographer Celia Rowlson-Hall talks about the way the Bible inspired her dialogue-less film MA, which was presented as a special screening in the Venice Days section of the 72nd Venice Film Festival. Celia tells us about the journey of self-discovery she undertook through this project, as a woman and an artist, and the way in which she managed to direct whilst being in front of the camera.

MA: ‘In this modern-day vision of Mother Mary’s pilgrimage, a woman crosses the scorched landscape of the American Southwest. Reinvented and told entirely through movement, the film playfully deconstructs the role of this woman, who encounters a world full of bold characters that are alternately terrifying and sublime. Ma is a journey into the visceral and the surreal, interweaving ritual, performance, and the body as sculpture. The absence of dialogue stirs the senses, and leads us to imagine a new ending to this familiar journey. The virgin mother gives birth to our saviour, but is also challenged to save herself.’ (Venice Days).

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