FRED Film Radio - English Channel

In Italy to introduce “Wish“, their latest Disney Movie coming out on December 21st, producers Peter Del Vecho (“Frozen,” “Frozen 2”) and Juan Pablo Reyes Lancaster Jones (“Encanto”) prove how the film is the perfect celebration of Disney Animation Studios’ 100th Anniversary.

Directed by Oscar®-winning director Chris Buck (“Frozen,” “Frozen 2”) and Fawn Veerasunthorn (“Raya and the Last Dragon”), the film is homaging the Disney tradition of quality animation and values by portraying a story about the power of wishes and how they should be put out there into the world to really come true.

As the film combines some traditional and classic Disney animation styles with the newest techniques, it is moving as it reminds us of all the Disney movies we grew up with and powerful as it relies on universal concepts that make Disney and its audience stronger than ever: representation, diversity, family, friendship, dreams, hopes and finally, love.

It is not only the story of a young heroine, Asha but it also shows us how we should always remember our wishes as they define us and who we can be in life. “It’s never too old to make your dreams come true” says Juan Pablo Reyes Lancaster Jones.

The post “Wish”, interview with producers Peter Del Vecho and Juan Pablo Reyes Lancaster Jones appeared first on Fred Film Radio.

As tradition, FRED Radio meets Mercedes Fernandez, director of Torino Film Lab, before the start of the event, to get the highlights and hopes and  new features of one of the best and better growing film industry event in Europe.

One of the great announcement that Mercedes Fernandez brings to the table is the birth of a new program, Comedy Lab, dedicated to the development of comedy film projects. It is the first program dedicated to this genre films and a much needed one.

The post Mercedes Fernandez, director of Torino Film Lab appeared first on Fred Film Radio.

“The Beer Girl In Yangon” is the first feature film by the Myanmar director Sein Lyan Tun, in Torino as part of the TFL Feature Lab, after being part of Open Doors 2021 in Locarno and Cannes L’atelier Cinéfondation 2022.

“The Beer Girl in Yangon” is a deeply personal story. Sein Lyan Tun felt the need to tell his story and the one of his sister and family, and film was the easiest way for him to express himself. “Tell about what y0u know best” they say, and he took the advice .

The post “The Beer Girl in Yangon”, interview with the director Sein Lyan Tun appeared first on Fred Film Radio.

In an intimate dialogue with Pooja Chauhan at River to River Florence Film Festival, the executive producer of the film “Goldfish,” a captivating insight unfolds into the behind-the-scenes of the movie. The intricate plot of “Goldfish” mirrors the nuances of identity, family ties, and the impact of the pandemic, creating a tapestry of emotions that unveil human complexity.

The interview delves into the metaphorical significance of the title, recounting how the story evolved from an initial concept to a compelling screenplay, offering insights into the creative process and character development. Chauhan shares details about the mother-daughter relationship, which forms the pulsating core of the film, highlighting the delicate balance between identity and loss, between past and present.

The production of “Goldfish” has been an emotional journey, from the initial six-page treatment to the creation of a gripping movie rich in shades. Through Chauhan‘s fluid narration, emerge details about the social context, family dynamics, and challenges encountered during production. Directed by Pushan Kripalani, the film unfolds as a visual and narrative tapestry that sensitively addresses complex themes, allowing the audience to immerse themselves in a vibrant world of emotions and reflections.

The interview’s depth encompasses anecdotes from the set, insights into the cast selection, reflections on the role of music and cinematography in shaping the film’s atmosphere. Furthermore, the link between storytelling and the contemporary social context, including the pandemic period, offers a compelling snapshot of artistic creation reflecting reality.

Alongside Chauhan‘s personal vision of the story, the exploration covers insights into human relationships and universal values conveyed by the film. The film’s extraordinary ability to tackle profound themes through an intimate and human lens will leave a lasting impression on audiences, prompting contemplation on life, love, and belonging.

The full radio interview provides a unique opportunity to delve into the emotional depths of “Goldfish” and the engaging experience behind its creation.

The post “Goldfish”, Interview with Executive Producer Pooja Chauhan appeared first on Fred Film Radio.

At the River to River Film Festival in Florence, Fred Film Radio engaged in a compelling discussion with Peter J. Kirby, the producer of “Fatima“.  Their conversation unveiled the intricacies and challenges behind bringing Fatima’s poignant story to the screen.

Peter initially joined the project due to his admiration for director Shorab Dutta‘s skill and vision. The film, shedding light on the trafficking of girls in north India, centers around “Fatima“, an activist challenging this culture of exploitation. For Peter, the story’s resonance lies in Fatima‘s courage to stand against her community’s practices.

The film captures silent, reflective moments, revealing profound emotions beyond dialogue. The team faced challenges in balancing Fatima’s personal life and activism within the narrative. Accessing the community took years, showcasing the difficulties and risks involved in challenging societal norms. Filming encountered obstacles from the police, highlighting systemic issues in the region.

The movie’s development spanned several years, leading to an evolving storyline. Peter‘s involvement was primarily in the editing phase, crafting a dynamic narrative that balanced both the personal and political aspects of Fatima’s life.

Peter reflects on the film’s impact and the sensitive nature of its portrayal in India. While navigating challenges in showcasing the film, particularly in regions where the law isn’t enforced adequately, he finds the film’s narrative crucial in shifting focus to lesser-discussed forms of trafficking.

Discussing Fatima’s reaction to the film, Peter acknowledges the emotional journey it was for her, portraying her activism on a public platform. Despite a language barrier, Fatima found the experience positive, viewing it as a means to amplify her cause.

Peter concludes by expressing gratitude for the opportunity to share insights about “Fatima” at River to River Film Festival, acknowledging the impact of the film on a personal and societal level.

The post “Fatima”, Interview with Producer Peter J. Kirby appeared first on Fred Film Radio.

In an engaging conversation with Adil Hussain at the 23rd edition of the River to River Film Festival in Florence, we delved into the differences between Hollywood and Bollywood filmmaking from a cultural standpoint. Hussain shared insightful observations, attributing the disparities primarily to cultural attitudes.

According to Hussain, the relaxed nature of Indian culture often leads to a more laid-back approach in the Indian film industry: “It’s my interpretation… that we are more chilled people. We do not take this particular life so seriously because there is another life coming up.”

However, Hussain expressed concerns about settling for mediocrity in the creative process and emphasized the lack of dedication seen in Indian filmmaking compared to classical art forms like Kathakali, where performers undergo rigorous training for years before showcasing their talent.

Reflecting on his experiences with various directors, Hussain discussed the challenges he faces in striving for excellence in an industry that sometimes settles for less. He emphasized the need for disciplined and dedicated work culture to elevate the creative process.

Hussain shared his insights on the importance of preparation, stating, “I would be very happy that the director is not satisfied till I reach whatever the director wants.”

He also highlighted the significance of film festivals that prioritize cinema over glitz and glamour, mentioning Dharamshala Film Festival as one of his favorites for its focus on celebrating films rather than idolizing actors.

On the subject of spirituality in cinema, Hussain offered a profound perspective, defining spirituality as the celebration of the human spirit and the mysterious complexities that define us.

The post “Footprints on Water,” interview with actor Adil Hussain appeared first on Fred Film Radio.

In a captivating conversation with Suraj Sharma at River to River Florence Film Festival, the talented actor from “Life of P,” we delved into the mesmerizing experiences behind the scenes of this iconic film. Sharma shared intriguing anecdotes and insights, notably highlighting his interactions with the tigers on set, particularly an intense connection with one named King.

Throughout the interview, Sharma revealed, “There were four tigers that we had who worked with us, and one was a fat one, there was a very skinny one. There was one that could swim. And there was one that was very angry. The one that was very angry… Her name was King.”

He continued, describing King’s demeanor towards him, stating, “She, for some reason, would not break eye contact with me and would walk like this and just wait for me to make some sort of mistake.”

Reflecting on the experience, Sharma shared how initially anxious he felt being observed by such powerful creatures but eventually found a peculiar connection: “In the beginning, I used to be worried or made nervous or felt weird about it. And by the end, in a way, just like PI, I stared back at the tiger constantly, and we just made eye contact.”

Sharma also discussed his diverse roles in both Indian and international cinema, emphasizing the importance of collaboration and the script’s depth in influencing his choice of characters. He highlighted the cultural differences in the creative process while stressing the universality of human nature in filmmaking.

When asked about selecting roles, Sharma expressed his penchant for challenging ideas and contradictory characters: “I like contrast and contradiction and ideas that challenge themselves or things that I feel like must be said.”

Regarding the future of the film industry, Sharma mentioned his comfort in embracing the unknown and the continuous learning process: “The only real difference is that I’m okay to learn. Kind of like I’m okay to be a newborn baby every time.”

Closing the interview, Sharma recommended five Indian movies as an introduction to Indian cinema, signifying his appreciation for diverse cinematic experiences.

The post “Life of P,” Interview with actor Suraj Sharma appeared first on Fred Film Radio.

“The Moor” is Daphne Di Cinto’s debut short film that brings to the surface the very powerful and hidden story of Alessandro de’ Medici, the first Duke of Florence in 1530 and the first man of African descent to become a head of state in Renaissance Europe. The film is now in consideration for Oscars 2024 so we reach Di Cinto along with her lead actors, Alberto Boubakar Malanchino playing Alessandro and Paolo Sassanelli, who in the film is Pope Clement VII , Alessandro de’ Medici’s father.

As an Afroitalian screenwriter, director and actor born in Northern Italy, when Daphne Di Cinto found out about Alessandro de’ Medici, she was immediately inspired to tell this story which was very  important to tell the world and she felt so close to her.

With Alberto Boubakar Malanchino and Paolo Sassanelli, Di Cinto remarks on the importance of reality before and beyond fiction as in a cinematographic world that aims for more inclusive and representative projects, “The Moor” shows the audience that there’s no need for fiction like “Bridgerton” ( where Di Cinto actually played the role of the Duchess of Hastings) when history can make its part.

Daphne Di Cinto travelled around Festivals with “The Moor” and her latest participations include Incinema.

She just came back from two months campaigning to enter the 2024 Oscars’ shortlist.

The post “Il Moro – The Moor”, interview with director Daphne Di Cinto and actors Alberto Boubakar Malanchino and Paolo Sassanelli appeared first on Fred Film Radio.

“Watch it Burn” is the new project for a feature film that the director Makbul Mubarak has in the works at the Torino Film Lab 2023, in the ScriptLab Programme. This is the second feature form Mubarak, after premiered in Venice 2022 in the Orizzonti section with “Autobiography“, getting the Fipresci Award.

As the previous film, “Watch it Burn” deals with relationships and the strange mechanisms which rule them. This has always been an interest for Makbul, that here pushes them a little to far on the edge.

The post “Watch It Burn”, inetrview with the director Makbul Mubarak appeared first on Fred Film Radio.

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