FRED Film Radio - English Channel

PODCAST| Nicolò Comotti interviews Marios Piperides, director of the film Smuggling Hendrix.

Marios Piperides shows us how a simple comedic stratagem can go a long way. In his feature Smuggling Hendrix, the quest to find a dog name Jimmy reveals the absurdity of bureaucracy and the indifference of the international community that allows a country such as Cyprus to be contended like a war zone for so many years.

Smuggling Hendrix: Yiannis doesn’t have much going for him, save for his adorable dog, Jimi, and his fast-approaching date to get out of Cyprus for good. But when Jimi wanders across the U.N. buffer zone and into the section of the island Turkey seized more than forty years ago, an unregulated state unrecognized by the rest of the world, Yiannis learns, bringing a dog back over the border is not as easy as walking straight home. He enlists a mismatched band of accomplices from every side of the Cyprus dispute to find a way to get Jimi back, while never leaving the land he calls home.

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The post Marios Piperides – Smuggling Hendrix #fceLecce appeared first on Fred Film Radio.

PODCAST| Nicolò Comotti interviews Badger Skelton, actor of the film Two for Joy.

The talented Badger Skelton, a new face of British cinema, stops by to talk about his first experience on the set of Two for Joy, a powerful drama by Tom Beard. Shot entirely on 35mm film, Two for Joy is an intense and immersive family portrait on the devastating effects of depression. It stars Samantha Morton, Billie Piper, Bella Ramsey, Daniel Mays and, of course, Badger Skelton.

Two for Joy: A coming-of-age drama following a daughter, her mother and her wayward younger brother as their relationship reaches critical mass. A portrait of modern Britain seen through the eyes of a family in crisis which shines a spotlight on issues affecting marginal communities, including young carers, mental illness and national identity.

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The post Badger Skelton – Two for Joy #fceLecce appeared first on Fred Film Radio.

PODCAST| Angelo Acerbi interviews producer Eilon Ratzkovsky.

Eilon Ratzkovsky is an experienced film and TV producer with 25 years of history. He has a clear view on the world of film production and with his company Quiddity is providing high end content for TV series. He is the man to talk to if you want to know how to be a successful producer. And he shared some thoughts and suggestions with us.

The post Eilon Ratzkovsky #TorinoFilmLab appeared first on Fred Film Radio.

PODCAST| Angelo Acerbi interviews screenwriter and script editor Eszter Angyalosy.

Eszter Angyalosy is a book writer that shifted to screenwriting and consulting for movies and lately TV series. She talks with us about the differences of medias in terms of writing needs and the secrets about writing and developing the best TV series possible.

The post Eszter Angyalosy #TorinoFilmLab appeared first on Fred Film Radio.

PODCAST| Nicolò Comotti interviews Marco Müller, festival director and head of the jury.

Marco Müller, here in Lecce as head of the jury for the Olive Tree Award at the Festival del Cinema Europeo in Lecce, talks with us about his look on Cinema nowadays, its new ways of being and looking, and the importance of film festivals today, especially as entities with a clear message and goal such as Alberto Lamonica’s Festival del Cinema Europeo.

Marco Müller will chair the Jury of the “Golden Olive Tree” Feature Competition composed by Guillame Calop, Pippo Mezzapesa, Ana Urushadze and Olena Yershova, which will award the “Cristina Soldano Award” Golden Olive Tree for Best Film, the Special Jury Award, the Best Cinematography Award and the Best Screenplay Award. 12 films, selected by Alberto La Monica and Luigi La Monica, will screen for the first time in Italy, presented by their respective directors or some of the actors, who will meet the audience after the screening.

The post Marco Müller #fceLecce appeared first on Fred Film Radio.

PODCAST| Giorgia Gerina interviews Zoel Aeschbaher, director of the film Bonobo.

Zoel Aeschbaher talks about his movie, Bonobo, about himself and about his experience at the Skepto International Film Festival.

Bonobo: When the elevator of their public housign breaks down, the fates of Felix, a disabled pensioner, Ana, a single mother stuggling with her move and Seydou, a young man passionate about dance intertwine towards an explosive ending where their limits will be tested.

To discover more about the film, click here.

The post Zoel Aeschbaher – Bonobo #skeptoX appeared first on Fred Film Radio.

PODCAST| Samantha Sartori interviews Jules Rosskam, director of the film Paternal Rites.

Jules Rosskam today received a Special Jury Prize for World Social Impact at the 9th Annual Queens World Film Festival (amazing films from around the world and around the corner). We met Jules and talked about the making of his very personal and unique documentary, what it was like working with Neely Goniodsky on the animations, and how his family reacted to it and how their perspective changed after its world premiere at MoMA film.

Paternal Rites is a first-person essay film that examines the secret underbelly of a contemporary Jewish American family as they grapple with the aftereffects of physical and sexual abuse on their present-day lives. It is also a groundbreaking film about the nature of trauma and memory itself: the ways in which trauma encrypts in uncanny ways; the function of speech and narrative in the process of decryption; and the role of film and filmmaking in the practice of healing. Paternal Rites draws inspiration from podcasts like This American Life and Radiolab and the long lineage of LGBT essay filmmakers in the U.S. such as Jenni Olson, Marlon Riggs, and Richard Fung. Functioning as the film’s primary conceit, in the fall of 2013 filmmaker Jules Rosskam and his partner, Alex, set out to retrace a road trip that Rosskam’s parents, Marilyn and Skip, completed in the fall of 1974—just prior to his birth and their transition to suburbia and parenthood. The viewer hears audio diaries that Marilyn and Skip kept during the course of their four-month journey and sees photographs and travelogue footage recorded on Super 8: barely perceptible, grainy, and quickly receding signs and landmarks carry the viewer along their route: Boston, Mobile, Savannah, Chicago, Portland, Vancouver. The visual field of Paternal Rites is dominated by bright, pristine, and nearly-still images of the American landscape, which haunt the viewer with their splendor and banality, and with the layering of still images over live-action footage. Paternal Rites also utilizes the white screen, where colorful animations and beautifully rendered, hand-painted 16mm film are used to evoke the psychoanalytic process of memory’s retrieval and trauma’s repair. Implicit throughout is the filmmaker’s queer and transgender subjectivity, which floats to the surface of the screen as the viewer is confronted with fragments of home movies of his childhood—iconic in their unremarkability—and hears audio recordings of contemporary conversations between Rosskam and Alex, who functions as Rosskam’s partner in life as well as in this project of decoding his past on screen. Together, they create a stunning visual portrait about the power of film to transform us.

To discover more about the film, click here.

The post Jules Rosskam – Paternal Rites #QWFF2019 appeared first on Fred Film Radio.

PODCAST| Samantha Sartori interviews Larry Fessenden, director of the film Depraved.

The newest festival in New York City is What the Fest!?. In its second edition, the festival continues to upend conventional limitations, bringing the most innovative and audacious movies to the Independent Film Center. The world premiere of Depraved was selected for the opening night, and we had a blast talking with Larry Fessenden who wrote, directed, and edited the movie. Larry Fessenden delved into why he created his Frankenstein in a Brooklyn loft and told us how his love for both Mary Shelley’s story and its many cinematic adaptations (and he has watched all of them!) led him to the Creature’s design with his long time collaborators Brian Spears and Pete Gerner.

To discover more about the film, click here.

Depraved: A disillusioned field surgeon suffering from PTSD makes a man out of body parts and brings him to life in a Brooklyn loft. Larry Fessenden’s interpretation of Mary Shelley’s iconic story Frankenstein is a personal meditation on memory, alienation, parenthood, and the physical and mental shocks of life. Steeped in the timeless themes of the source material, and evoking the myriad literary and cinematic iterations that have followed, Depraved casts an eye at monsters and the monstrous in everyday life.

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PODCAST| Sarah Bradbury interviews Michael Blyth, senior BFI Flare programmer.

We sit down with the senior programmer of BFI Flare, Michael Blyth, who spoke to is about London’s LGBTQ+ film festival including the festival highlights, its reputation for providing a platform for the best in contemporary queer cinema and the importance of pushing boundaries and prompting conversations about queer representation on the big screen.

BFI Flare: London LGBTQ+ Film Festival offers a vibrant and precious space for debate, compassion, community and empowerment. In a world where many people fear and loathe difference, audiences and filmmakers at BFI Flare defiantly assert that love is a human right. We celebrate sexual and gender diversity – all this, while watching great films from around the globe. Every year we endeavour to curate a Festival that speaks to anyone and everyone who occupies a space under the LGBTQ+ umbrella. As we embark on our tireless search for the best in contemporary queer cinema, we are constantly surprised and encouraged by the work we discover. This is a fruitful time for queer representation on screen, something which will become clear as you browse the Festival, encountering stories with the potential to inspire joy and sadness, courage and action. Still, as we seek out work for the Festival, we inevitably find that while some groups are served in abundance, others remain, shall we say, cinematically undernourished. One of the many exciting aspects of this year’s BFI Flare is seeing some of those under-represented communities find their voices on the big screen. Intersex identities are explored in documentaries such as No Box for Me. An Intersex Story and A Normal Girl, as well as the ground-breaking short Ponyboi, the first intersex narrative film made by an intersex artist. The seldom discussed subject of asexuality is addressed in the charming short Infinite While It Lasts, hopefully a sign of more asexual stories to come. Meanwhile, films like JT LeRoy, Two in the Bush: A Love Story and Splinters (to name a few) place bisexuality very much at their centre. For too long bisexuals have been given the celluloid cold-shoulder, but this year it looks like the tables might be turning. And if you ask us, that’s just brilliant. With a capital B.

The post Michael Blyth – BFI Flare appeared first on Fred Film Radio.

PODCAST| Chiara Nicoletti interviews Ivor Ambrose, managing director of the European Network for Accessible Tourism.

As keynote speaker of the 2019 edition of Arsad, Ivan Ambrose has opened a whole world to the accessibility professionals who often focus on the entertainment business, mostly audiovisual products. Managing director of the European Network for Accessible Tourism, Ambrose has talked about tourism as a human right and as such, something that people should always be able to do, whatever their physical condition is. Ivan Ambrose then speaks about the Accessible Tourism Supply Chain and how it can be developed. If only one element of the chain is failing, then the whole system will shut down. In Ambrose’s abstract, there’s also an analysis on The European Accessibility Act, 2019 that was recently passed with a detailed list of the achievements and the elements that are still a work in progress.

This presentation puts the spotlight on the tourism industry and, in particular, on the increasing demands for “accessible” experiences for all visitors. People with disabilities and the massive numbers of senior travellers clearly have a stake in the delivery of accessible tourism environments and services but, taking a global view, progress towards ensuring equal access for all visitors is typically very “patchy” or even nonexistent. The tourism industry as a whole needs to do better but given the multi-facetted characteristics of the sector, how do we address this challenge? What role can we play? Information management plays a crucial role in enabling travel and tourism, at all stages of the visitor journey and across the service delivery chain. Information and communication technologies are, indeed, changing the way we search, book, check-in, travel and experience our surroundings. With mobile devices we can browse a menu and order a meal, followed up with a multimedia message to family, friends and rating websites. Gradually, multi-modal systems and devices are bringing possibilities to groups of people who were previously ignored or who were excluded by technologies. I believe there are many “bright spots” and good practices in the tourism field that give us hope and perhaps point the way to a better future, where all people will have the confidence and ability to travel and where truly accessible experiences are increasingly available. As researchers and developers let us consider how we might take up the challenge of acting as intermediaries between the tourism providers, the cultural and creative industries and the visitors, with the goal of creating accessible tourism experiences for all.

To check out ARSAD complete programme, click here.

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