FRED Film Radio - English Channel

PODCAST | Cristiana Palmieri interviews Amin Palangi, Festival Director of the Persian International Film Festival.

Amin Palangi take us through the exciting program of the 9th edition of the festival, which includes features, documentaries and a section dedicated to short films.

Get a taste of the best of Persian-speaking cinema with a captivating program that will take you through the many faces of Persian heritage in four days of curated films. Acclaimed dramas, bright comedies, documentary masterpieces and a fabulous selection of short films are included in the program. The program is made exclusively of Australian premieres with the internationally acclaimed Son-Mother and Pari, the facetiously twisted comedy A Hairy Tale, the highly awarded documentary Sunless Shadows and much more!

To discover more about the festival, click here.

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PODCAST | Matt Micucci interviews Kate Reidy, co-director of Black Movie Festival.

A conversation with Kate Reidy, co-director of the Black Movie Geneva International Independent Film Festival. The upcoming edition of the festival is set to take place in January 22-31, 2021. Reid talks with us about the festival’s history and its mission statement. In addition to discussing how the festival is set to face the challenges posed by the pandemic, she also talks about some of the films that have been confirmed for the program for this upcoming edition and comments on its poster, recently publicly shared.

To discover more about the festival, click here.

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PODCAST | Matt Micucci interviews João Paulo Miranda Maria, director of the film Memory House. 

A conversation with João Paulo Miranda Maria about his new film, Memory House, from the 30th Torino Film Festival. The film explores the racial tensions of modern-day Brazil in his lush, haunting debut feature rooted in Brazilian folklore. In this interview, the filmmaker tells us more about the origins of this story and its cultural backdrop, as well as his experience of working with Cinema Novo icon Antonio Pitanga and more.

Memory House: Cristovam, a black man originally from a rural area in northern Brazil, moves to a city in the south, a rich, former Austrian colony, to work at a dairy farm. He is surrounded by xenophobic, conservative people and feels like a stranger in the community and alone. When he discovers an abandoned stone house full of objects that remind him of his origins, he decides to move into that place, where the memories slowly seem to come to life and push him toward a radical transformation. A magical debut that delves into Brazilian folklore tradition to depict today’s social and cultural tensions.

The post João Paulo Miranda Maria – Memory House #TFF38 appeared first on Fred Film Radio.

PODCAST | Matt Micucci interviews Eugen Jebeleanu, director of the film Poppy Field. 

A conversation with director Eugen Jebeleanu, director of Poppy Field, from the 38th Torino Film Festival. The film talks about a closeted gendarme struggling to keep his homosexuality hidden. In this interview, Jebeleanu talks about the queer rights situation in contemporary Romania that served as the backdrop for the story, the style of the movie including the use of uninterrupted takes, how his background in theatre shaped his approach to filmmaking and more.

Poppy Field: A young gendarme from Bucharest keeping his sexuality secret must intervene at a homophobic protest at a movie theatre.

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PODCAST | Matt Micucci interviews Braden King, director of the film The Evening Hour. 

A conversation with Braden King, director of The Evening Hour, from the 38th Torino Film Festival. The film tells the story of a nursing home aide becomes a small-time drug dealer, reselling his patients’ prescriptions. In this interview, King talks about what drew him to the Carter Sickels’ novel, which the film is based on, and the importance of the fading village in Appalachia where it is set. He also shares the reason why it has taken him almost a decade for him to direct his sophomore feature and more.

The Evening Hour: Dove Creek, West Virginia, was once a flourishing American mining town. Now, this post-industrial community is in decline. Cole Freeman works as a nursing home aide looking after the elderly, but he can hardly make ends meet even by dealing in illegal painkillers on the side. Like many of his generation, he is looking for a way out, but opportunities are few in this rapidly changing landscape. Cole belongs to a generation who feel trapped by a toxic combination of existential fear, lack of opportunity and powerlessness.

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PODCAST | Angelo Acerbi interviews Jane Williams, Head of Studies Torino Film Lab.

Jane Williams, member of the pedagocical team of the Torino Film Lab, and head of studies of TFL and also of Biennale Cinema College, talks about her job and the issues that producers and film directors are facing in this specific times and with the broadening of opportunities of fruition of film productions.

To discover more about the festival, click here.

And to discover more about the Torino Film Lab, click here.

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PODCAST | Angelo Acerbi interviews James Erskine, director of the film Billie. 

James Erskine penned an astonishing documentary about one of the wildest and exploited music icon in history through hours of original interviews to the greatesT jazz musicians , and friends and relatives that worked and knew Billie Holiday. How these recordings were made and what happened around them is the additional fantastic story that pairs with the tale of the excessive life of the great Billie.

Billie: In the late 1960’s journalist Linda Lipnack Kuehl set out to write the definitive biography of Billie Holiday, one of the greatest voices of all time, a figure of controversy: a black woman in a white man’s world, both a victim and a rebel. The testimonies ranged from musical greats like Charles Mingus, Tony Bennett, Sylvia Syms and Count Basie to her cousin, school friends, lovers, lawyers, pimps and even the FBI agents who arrested her. But Linda’s book was never finished and the tapes unplayed. Now, five decades after, James Erskine had access to 200 hours of never-before-heard interviews; and thanks to this astonishing material, his film showcases an American legend, capturing her depths and complexity.

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PODCAST | Angelo Acerbi interviews Peter Lichter and Bori Maté, directors of the film The Philosophy Of Horror. 

Peter Lichter and Bori Maté are interested in the theoretical analysis , and they love horror films. So, why not putting the two things together? They used a book as a literary base and they started their own travel within images and sounds of a genre, decomposing it into concepts and qualifications. An interesting approach, as you can hear in this talk.

The Philosophy Of Horror: The film is an abstract and visual adaptation of Noël Carroll’s book with the same title published in 1990, which proposes a careful examination of the film genre. Péter Lichter and Bori Máté use the decayed, hand-painted 35mm film of the classic horror movie A Nightmare on Elm Street (1984) and of the sequel A Nightmare on Elm Street Part 2: Freddy’s Revenge (1985) to propose a reflection on horror through an experimental audiovisual product.

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PODCAST | Angelo Acerbi interviews Cody Calahan and Chad Archibald, director and producer of the film The Oak Room. 

Cody Calahan and Chad Archibald , director and producer of The Oak Room tell us something more about the film: the origin and the adaptation from the stage play and the challenge of telling many stories into one another , the aim of not making a classical horror film but a thriller with a horror flare, and the snow blizzards in Canada

The Oak Room: During a violent snowstorm, Paul, a bar owner in a small Canadian town, has just closed his bar when Steve, a tramp with a load of bags, asks to come in. After the initial tension between the two, Steve tells the bartender a story to settle an old debt between them. It is the story of another snowy night, another bar, The Oak Room, and another bartender whom an unknown guy visits shortly after closing time. But even within this story there is another one, and then yet another one. The night turns into a dark tale, between violence and identity exchanges.

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PODCAST | Angelo Acerbi interviews Paolo Manera, director of Film Commission Torino Piemonte.

Paolo Manera, director of Film Commission Torino Piemonte, and on of the vice presidents of the Italian Film Commission Association participated in two panels about development funds that were held during the days pf Torino Film Industry 2020. We hear form his words how these fund works, how they can be used and the synergy among all Italian film commissions to work together towards the same goal of helping developments of film projects, as the principal and most important phase of creation in the mechanism of film productions.

To discover more about Film Commission Torino Piemonte activities, click here.

This interview was recorded during the 38th edition of Turin Film Festival, in partnership with the Italian Film Commissions Association and with the support of the Italian Trade Agency.

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