FRED Film Radio - English Channel

PODCAST| Matt Micucci interviews Mike Goodridge, artistic director of the 3rd Macao International Film Festival and Awards.

This year, the International Film Festival of Macao (IFFAM) celebrated its third edition, and we sat down to talk about its evolution and objectives with Mike Goodridge, its artistic director. He tells us about how one of the main objectives of the festival is to cultivate a film audience and community here in Macao, as well as to inform filmmakers on aspects of the film industry they may not be aware of. We also talk about the role of media within a festival such as this – particularly the international media. Besides this, Goodridge discusses the selection of the films in competition and the inclusion of classic titles in the program, says a few words on actor Nicolas Cage (who was presented with an honorary IFFAM award this year) and more.

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PODCAST | Cristiana Palmieri interviews Rachael Belle Myers, writer, director and producer of the film Three Feet Deep.

Rachael Belle Myers talks about the compelling experience of writing, directing and producing her fourth short film and about the challenges of shooting in a forest. Rachael explains how the film can empower people to think twice before turning a blind eye to some of the problems we face in the world, as sometimes all it takes is just one person to make a difference.

Three Feet Deep: A gravedigger for hire is faced with a dilemma when he breaks his code and decides to spy on one of his criminal clients.

For the official page of the Festival, click here.

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PODCAST| Angelo Acerbi interviews Luca Ferrario, member of the Trentino Film Commission.

Luca Ferrario from the Trentino Film Commission tells us about the activities of his office, the important film fund that the Film Commission manages and the importance of being part of Italian Film Commissions association, a great help to position Italy as a global and appealing location for international films and TV productions.

This interview was recorded during the 2018 Focus London, in partnership with the Italian Film Commissions Association and with the support of the Italian Trade Agency. To discover more about the Trentino Film Commission, click here.

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PODCAST| Angelo Acerbi interviews Giovanna Carone, member of the Lucana Film Commission.

Giovanna Carone frome the Lucana Film Commission tells us the activities her office put in place to help the film productions coming to shoot in her region, with the specificity of the agreement LuCa with Calabria Film Commission.

This interview was recorded during the 2018 Focus London, in partnership with the Italian Film Commissions Association and with the support of the Italian Trade Agency. To discover more about the Lucana Film Commission, click here.

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PODCAST| Angelo Acerbi interviews Cristina Priarone, general director of the Roma Lazio Film Commission.

Rome is the centre of the Italian film industry and Roma Lazio Film Commission is in a privileged position when it comes to international productions. Cristina Priarone, general director of the film commission, tells us the duties and the commitment that her office has towards Italy and other film commissions, in the synergy created by the Italian Film Commissions association, where the efforts are shared, as the results.

This interview was recorded during the 2018 Focus London, in partnership with the Italian Film Commissions Association and with the support of the Italian Trade Agency. To discover more about the Roma Lazio Film Commission, click here.

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PODCAST| Angelo Acerbi interviews Andrea Rocco, director of the Genova Liguria Film Commission.

Andrea Rocco is with the Genova Liguria Film Commission since its beginning and has a long experience in working with film productions. The activities done by the Genova Liguria Film Commission are focused on attracting and helping productions and also on collaborating to the efficiency of the system Italy promoted by the Italian Film Commissions association.

This interview was recorded during the 2018 Focus London, in partnership with the Italian Film Commissions Association and with the support of the Italian Trade Agency. To discover more about Genova Liguria Film Commission, click here.

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PODCAST| Angelo Acerbi interviews Alessandra Miletto, director of Valle d’Aosta Film Commission.

The Valle d’Aosta Film Commission has developed in the last couple of years and the activities created brought to the small region surrounded by mountains a fair amount of new productions, and long lasting TV series. Alessandra Miletto tells us the work method applied and the potential still to be exploited.

This interview was recorded during the 2018 Focus London, in partnership with the Italian Film Commissions Association and with the support of the Italian Trade Agency.

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PODCAST| Angelo Acerbi interviews Stefania Ippoliti, President of the Italian Film Commissions Assocation.

The President of the Italian Film Commissions Stefania Ippoliti talks to FRED about the sense and importance of participating to an international market such as Focus London, and about the general work an association like this does and must do to help its members and the development of an international appeal of Italy to production companies.

This interview was recorded during the 2018 Focus London, in partnership with the Italian Film Commissions Association and with the support of the Italian Trade Agency.

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PODCAST| Angelo Acerbi interviews Shireen Seno, director of the film Nervous Translation.

Shireen Seno took a lot from his personal story to build up the characters in the film; the social distance from the Philippinos who left their country to live abroad (mainly in Japan) and those who stayed was something she experienced. The young actress who played the main character has been a blessing and a challenge too…

Nervous Translation: Late 1988, post-dictatorship Philippines. Eight-year-old Yael, shy to a fault, lives in her own private world. Left to her own devices while her mother assembles shoes at the local shoe factory, Yael cooks miniature meals with her mini stove for herself. In the evenings, when her mother gets home after work, Yael watches soap operas on television with her; these are the rare moments when they have a physical bond. Yael only knows her father through his voice, through voice letters in the form of cassette tapes which he sends back from Saudi Arabia.

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PODCAST| Angelo Acerbi interviews Georgina Chryskioti, actress of the film Pity.

We talked with one of the characters of Pity, an impressive Greek film about a man whose life is happier when he is miserable. So he works to keep it this way, with extreme consequences. Georgina Chryskioti is the neighbour of the lead character, the only positive and clear link he has with real life. Despite the theme and the darkness of the film, the set was fun and it helped keeping the subtle and constant irony of it all.

Pity: A man of about forty-five, the Lawyer, lives with his teenage son in a well-off home. He is healthy, with a pleasing face, good manners and is generally well maintained. His hair is perfectly cut and groomed. His wife, however, has been in a coma and has been in a private hospital for some time following an accident. The sadness caused by this event has become the Lawyer’s main and most vital element of life, giving him a sense of pleasure that becomes an addiction. His grief has also suddenly made everybody have compassion towards him. His life has never been better. Then, one day, something happens and changes his recently established everyday life of pity.

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