FRED Film Radio - English Channel

At the 43° Torino Film Festival directed by Giulio Base, James Franco is among the artists  receiving the famous festival prize, Stella della Mole.

The actor, writer and director was in Torino to also introduce to the audience the screening of 127 hours by Danny Boyle, which, in 2010, had its italian premiere in Torino.

Back in 2010, Franco was nominated for an Academy Award for his role in 127 Hours, an experience that remained unique in his filmography and that was a first for everyone, including director Danny Boyle.

The film is a biographical drama about Aron Ralston, who became trapped by a boulder in a Utah canyon and eventually cut his own arm to finally break free.

Franco recalls that, since he didn’t have any other actor to interact with, he had this very close connection to director Danny Boyle, the film’s DP and the cameras.

Since his experience being directed by Claudio Giovannesi in Hey Joe, James Franco has participated in another italian film, Squali and has been traveling back and forth from Los Angeles to Europe, including France and Italy.

He now knows very well the European cinema industry and is rapidly acquiring the status of European artist. The actor and director explains what it meant for him to actually become part of a different approach to cinema that he had always loved and admired since going back to film in 2006.

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We met with Terry Gilliam who was one of the recipients of this year’s awarded artists for the Prize. We talked about his position in the history of cinema, his brand in visual and narrative and the future.

Terry Gilliam presented in Torino, on the occasion of the award, a special screening of his film “Fear And Loathing In Las Vegas”. He recalls memories of the shooting and the pleasure of working with Johnny Depp e Benicio Del Toro. It was a very fast set, they could not make mistakes as they did not have time to correct them. The must funny set he had.

Terry Gilliam has dome some of the most groundbreaking and game-changing movies of history of film, like “Brazil” or “12 Monkeys”. Those films made him a controversial director and he thinks he is still considered like that even nowadays.

He loves surreal, he loves grotesque and all of this comes form his back ground as a cartoonist. Drawing cartoons is quintessentially all about exaggeration and fun and being over top, iper realistic all the time. This is where he comes from and this is his creative quality

Filmmakers who embrace surrealism and grotesque themes, much like those appreciated in works recognized by the Premio Stella della Mole, gain a platform to explore provocative artistic expressions. This award often celebrates movies that challenge conventional perspectives, integrating exaggeration and unconventional visuals. Such recognition encourages filmmakers to continue experimenting with bold styles, shaping the future landscape of innovative cinema.

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“Amoeba” is a compelling film that delves into themes of youth, societal control, and rebellion through the lens of a dystopian environment. Centered around four young girls forming a non-violent but revolutionary gang, the film explores how these girls carve out their own identity amid societal pressures, making the Amoeba a symbolic beacon of resistance. We talk about this and more with the director “Amoeba” .

“Amoeba” sets its story in a school environment portraying a dystopian aesthetic that is both eerie and thought-provoking. The striking use of white and antiseptic visuals reflects a future society that affirms purity and order, reminiscent of a factory producing future citizens. This environment highlights the suppression of individualism, echoing the director’s reflections on growing up in a conformist system where societal values often overshadow personal freedom. The film’s dystopian look serves as a powerful backdrop to the girls’ quest for agency and self-expression.

“Amoeba” is more than just a title—it symbolizes resilience and the ability to adapt in a restrictive world. The girls’ friendship and their creation of a secret world through a camcorder demonstrate a subtle but potent form of rebellion against authoritarian control. The choice to set the story without modern smartphones indicates a nostalgic and experimental approach, reflecting on the importance of preserving old traditions and resisting societal erasure. Through these elements, the Amoeba becomes an emblem of youthful defiance and cultural preservation amid a rapidly changing society.

The post “Amoeba”, interview with director Tan Siyou appeared first on Fred Film Radio.

We met with Remi Bonhomme, artistic director of the Marrakech International Film Festival to talk about the event, its relevance and the importance of the Arab and African film industry.

The Marrakech International Film Festival plays a pivotal role in elevating Arab and African cinema on the world stage. With its 22nd edition, the festival continues to highlight diverse voices and emerging talents from the region. As Remi Bonhomme points out, it serves as a vital platform for films that explore a broad range of themes, moving beyond traditional political or social narratives. The festival’s programming, including the prestigious Atlas Workshops, promotes artistic experimentation and encourages filmmakers to pursue ambitious aesthetics. Such efforts are vital for changing perceptions and fostering a thriving regional film industry. The festival’s influence extends through its support for local film institutions and initiatives aimed at nurturing young filmmakers. Funding and distribution are increasingly rooted within the region, which helps preserve authentic narratives and cultural identity. This local empowerment is complemented by international co-productions, ensuring regional stories reach wider audiences. Ultimately, the Marrakech International Film Festival fuels a dynamic and evolving Arab and African film landscape, making it a cornerstone for regional cinematic growth.

The artistic vision of Remi Bonhomme behind the Marrakech International Film Festival’s selection process emphasizes the power of surprise and innovation. The festival seeks films that challenge conventions and offer novel perspectives, whether through unique storytelling, visual daring, or courageous thematic choices. Film programmers aim to surprise audiences with unexpected characters, striking imagery, or bold aesthetic choices, reflecting a commitment to showcasing pioneering works. This approach fosters an environment where artistic experimentation thrives and audiences are exposed to diverse cinematic languages.

Furthermore, Remi Bonhomme stresses the importance of reconnecting audiences with cinema through engaging programming and direct interactions with filmmakers. By prioritizing films that provoke thought and challenge expectations, the Marrakech International Film Festival sustains its reputation as a space for meaningful dialogue. Its role extends beyond entertainment, aiming to stimulate curiosity and deepen understanding across cultural boundaries. Recognized as a catalyst for innovation, the festival continues to influence the global film industry while celebrating the distinctive voices emerging from the Marrakech International Film Festival.

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“Aisha Can’t Fly Away”, the debut feature by Morad Mostafa, presented at the Marrakech International Film Festival, delves into the lives of African migrants in Cairo through a blend of social realism and magical realism. This film uniquely captures the internal struggles and resilience of its characters, making it a poignant addition to contemporary world cinema.

Morad Mostafa, in “Aisha Can’t Fly Away”, embarked on this project fuelled by a desire to tell stories about African migrants in Egypt, an often overlooked topic in Egyptian cinema. The film’s narrative was inspired by real-life encounters and personal reflections, especially a vivid memory of witnessing a migrant girl on a Cairo bus. This moment sparked the filmmaker’s interest in portraying the migrant experience with honesty and depth. The film aims to shed light on the emotional and physical hardships faced by migrants, with Aisha representing the universal quest for change and self-empowerment. The choice of the title emphasizes the longing and the seemingly impossible desire for freedom, which is central to Aisha’s journey.

“Aisha Can’t Fly Away” stands out for its precise aesthetics and the integration of surreal elements that deepen the storytelling. The appearance of the ostrich, a symbol of African heritage, is a striking example. Made famous by its inability to fly, the ostrich in the film symbolizes both vulnerability and strength, mirroring Aisha’s own entrapment and resilience. Morad Mostafa intentionally shifts genres from social drama to magical realism, using the ostrich’s presence to explore internal conflicts and societal pressures. This blending of realities invites viewers to see beyond the surface and understand the emotional landscapes of the characters, making the film both visually captivating and thematically rich.

“Aisha Can’t Fly Away” features a lead actress making her debut in a feature film, and the director’s approach to working with non-professional actors contributed significantly to the film’s authentic feel. The actress was cast through a specialized agency that focuses on migrant models, ensuring she brought a genuine presence to the role. Mostafa prioritized her natural expressiveness, highlighting her ability to portray a wide range of emotions—from kindness to violence—within a single look. Extensive preparation involved helping her embody the complexity of Aisha’s character while maintaining spontaneity on screen. This collaboration exemplifies how first-time actors can deliver powerful performances when guided with care and authenticity.

“Aisha Can’t Fly Away” stands as a vivid testament to the struggles and resilience of women migrants, blending surreal imagery with social commentary. The film’s rich symbolism and compelling storytelling vividly illustrate that the story of Aisha is not just her own but reflects a broader human experience—one that the story of Aisha Can’t Fly Away naturally continues to evoke in viewers around the world.

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“The Love That Remains” by Hlynur Pálmason, Icelandic entry for the Oscars, is a film that captivates audiences with its subtle complexity and profound themes. From its understated beginning to its more intense and fascinating turns, this film offers a journey into human relationships and artistic exploration.We had a chat with Ingvar Sigurdsson, actor in this one and all of Hlynur Pálmason’s films, after the Marrakech International Film Festival screening.

“The Love That Remains” explores the intricate dynamics of separated families who remain emotionally connected despite physical distance. The film delves into how everyday life continues, even when relationships are strained or altered, highlighting the resilience of familial bonds. Its portrayal of separation is both realistic and poetic, emphasizing that true connection often endures beyond physical proximity. Viewers are invited to reflect on how personal identity and love are intertwined, especially in situations where families are navigating complicated emotional terrains.

The film stands out for its unique narrative style and artistic approach, which marks a departure from the director’s previous works like “Godland”. The director intentionally aimed for a more intimate, “middle” film—smaller in scope yet deeper in meaning. The collaboration between the director and Ingvar Sidgursson exemplifies a mutual understanding rooted in intuition and genuine connection. This synergy allows the film to unfold with a delicate balance of simplicity and depth, underlining moments that evoke both humor and brutality, often simultaneously. “The Love That Remains” invites audiences to relax and experience its layered storytelling without the need for constant analysis or understanding—simply to feel and absorb the cinematic journey.

The film’s narrative structure is crafted to gradually reveal its complexities, often leading viewers into a surreal and poetic experience. Its ability to evoke emotion through subtlety makes it a compelling exploration of love, separation, and the human condition. Through these artistic choices, “The Love That Remains” leaves a lasting impression, encouraging viewers to carry its reflections long after the credits roll.

The post “The Love That Remains”, interview with actor Ingvar Sigurdsson appeared first on Fred Film Radio.

“El Sett”, by Marwan Hamed had its world premiere at the Marrakech International Film Festival. The film is a captivating biographical portrayal that delves into the life of one of  Umm Kulthum, Egypt’s most influential singer and woman. This film offers a profound look at her journey, struggles, and impact on society, capturing her essence through compelling storytelling and artistic choices.

“El Sett” is more than just a film about a singer; it’s a tribute to an emblem of cultural change and female empowerment in the Arab world. The movie explores her transformation from a young girl dressed as a boy to a legendary figure who challenged societal norms. Her influence extended beyond music, becoming a political voice and a symbol of resilience for many women in Egypt and beyond. As Marwan Hamed explains, she was  a catalyst for social change, highlighting her sacrifices and groundbreaking achievements.

One of the notable features of “El Sett” is its use of visual storytelling, particularly the alternating use of black and white and color footage. This technique reflects the emotional landscape of her life, with black and white scenes depicting difficult, lonely, and challenging moments, and color representing her vibrant, triumphant periods. Such choices deepen the audience’s connection to her emotional states and underscore the highs and lows of her journey. The film’s aesthetic approach effectively illustrates her resilience and evolution as a public figure.

Marwan Hamed worked extensively  to reconstruct her story authentically. he and his collaborators focused on her personal obstacles, her rise to fame, and the societal barriers she encountered. The narrative centers on her journey of self-discovery and strength, rather than a comprehensive account of her entire life. This targeted storytelling approach highlights her as a symbol of rebellion and perseverance, making “El Sett” a compelling cinematic tribute to her legacy and influence as a powerful woman who changed the world through her artistry and activism.

The post “El Sett”, interview with director Marwan Hamed appeared first on Fred Film Radio.

After having its world premiere at the Fantasia Film Festival, actress and producer Isabel Pakzad’s directorial debut, Find your friends has been presented to the italian audience, at the 43rd Torino Film Festival.

The film, inspired by real events happened to Pakzad during her college years, tells the story of a group of 5 friends on their girls-trip getaway to Joshua Tree, increasingly “disturbed” by  strange encounters with insidious men.

“I had the idea to write a thriller set in Joshua Tree after my own real-life experience of being harassed and then chased by a group of men when I was there with my best friends” confesses Pakzad who has been working on Find your friends for a long time before having the chance to direct it and produce it.

The film was her way to process what had happened and how, for the first time in her life, she had to confront how exposed she was as a woman in certain situations.

In the press conference at the Torino Film Festival she said she felt in danger for simply being a woman.

Find your friends, admits Pakzad  “it’s a commentary on this party, frat culture that raised these girls” and that raised her as well. Through this cinematic experience, Pakzad explores the dark hole of party culture and goes back to that time in her life to reflect on it and process it.

Set against the backdrop of American party culture, Find Your Friends processes the transition from youthful college antics to adult self-awareness. Pakzad openly shares how making the film offered a therapeutic lens to examine her past, especially the patterns and rituals formed during that time. It’s a story about growth, understanding oneself beyond the college bubble, and realizing how personal perceptions can shift over time.

Find Your Friends stands out as a film that examines the intricacies and messiness of female friendships. The title itself hints at the search for connection in a landscape where understanding and communication can often be elusive.

The film portrays women who are bold, outspoken, and unfiltered—traits rarely celebrated without consequence in traditional narratives. This realistic portrayal challenges stereotypes and celebrates the good, bad, and ugly aspects of friendship, revealing the deeper struggles of being heard and understood.

The inspiration for Find Your Friends draws heavily from personal experiences and a desire to reshape genre conventions. Isabel Pakzad was motivated to tell a story that reflects real-life challenges, especially the difficulty some characters face when opening up about trauma or vulnerability. This authentic approach adds depth to the film, making it resonate with audiences looking for honest depictions of female empowerment and emotional complexity.

Find Your Friends emphasizes that friendship and personal trauma are not always easy to navigate, even among those we trust. Characters like Amber (Helena Howard) exemplify the difficulty of sharing vulnerable experiences, highlighting a universal challenge in connecting deeply with others. This nuanced storytelling underscores the importance of empathy and the ongoing search for honesty in our relationships, making the film a compelling reflection on finding oneself and one’s place in a complex social landscape.

The post “Find your friends”, interview with director Isabel Pakzad appeared first on Fred Film Radio.

“Porte Bagage”,  first feature film by Abdelkarim El-Fassi, is a family road movie that blends drama with tender moments to depict a family’s journey across cultural and emotional landscapes, from the Netherlands to Morocco.

“Porte Bagage” is more than just a road movie; it’s a heartfelt narrative inspired by personal experience. The film explores the complex issues of caring for aging parents, especially within a cultural context that values collective responsibilities versus individual aspirations. As Abdelkarim El-Fassi explains, it’s about balancing personal dreams with familial duties, a theme many viewers can relate to deeply. The presence of “Porte Bagage” in the title highlights the emotional and cultural baggage carried through generations and borders, emphasizing the film’s universal relevance. This film captures the essence of familial bonds and cultural identity, making them a central motif for viewers to reflect on their own lives.

A key strength of “Porte Bagage” is its realistic portrayal of family dynamics during difficult decisions. The character of the sister exemplifies strength and resilience, challenging traditional gender roles often depicted in similar films. Her efforts to find a balance between caring for her father and pursuing her aspirations resonate strongly, especially for women in comparable cultural backgrounds. The film also delicately examines themes of death, loss, and emotional expression, particularly through scenes where women talk about grief more openly than men. These moments underscore the difference in emotional infrastructure between genders, highlighting the importance of listening and communication in healing. Such themes reinforce that “Porte Bagage” is a thoughtful exploration of both personal and cultural identity.

Abdelkarim El-Fassi emphasizes a naturalistic approach in “Porte Bagage”, prioritizing authenticity over conventional Hollywood road movie tropes. Unlike typical genre expectations, the film spends significant time establishing the family’s environment in the Netherlands before embarking on their journey. Inspired by films like “Little Miss Sunshine” and “Captain Fantastic”, this movie features genuine dialogue and compelling performances that invite viewers to believe in the story. The on-set camaraderie and rehearsals fostered a familial atmosphere, contributing to the film’s authenticity. Abdelkarim El-Fassi‘s choice to give actors improvisation freedom and focus on detailed cinematography results in a believable and emotionally engaging experience. “Porte Bagage”, thus, encapsulates a heartfelt journey that combines cultural nuance with universal themes of family and sacrifice.

The post “Porte Bagage”, interview with director Abdelkarim El-Fassi appeared first on Fred Film Radio.

Uncover the emotional and historical layers of Beirut with the thought-provoking film “Do You Love Me“. This documentary weaves together fragments of Lebanon’s complex past, capturing both turmoil and resilience. Wondering how the story reflects Lebanese identity? Lana Daher talks with us about the idea and the production of the film.

The question “Do You Love Me” serves as a poignant reflection of the film’s overarching theme—examining love, attachment, and resilience amidst chaos. Lana Daher’s “Do You Love Me“ explores Beirut’s tumultuous history, asking whether through pain and upheaval, the love for homeland persists. This central question invites viewers to consider the emotional ties that bind people to their city despite ongoing struggles. The film’s focus highlights how love and attachment are intertwined with the city’s scars and vitality.

The use of archival footage is crucial in “Do You Love Me” as it reconstructs Beirut’s layered history. Lana Daher’s journey began with her curiosity about Lebanon’s fragmented archives, motivated by the absence of a unified national history. The film’s power lies in its extensive compilation of over 20,000 sources, including videos, photographs, and music, carefully sourced and licensed over years of research. These visual fragments dose the narrative with authenticity and emotional depth, revealing both moments of violence and bursts of resilience that define Lebanese society.

The film vividly portrays the resilience ingrained in Lebanese culture, emphasizing the country’s capacity to endure. Lana Daher explains that despite repetitive cycles of violence, Lebanese people never entirely give up; instead, they adapt and rebuild. The question “Do You Love Me” is more than romantic—it signifies a collective love for a homeland that’s often fractured but still fiercely alive. The film captures this duality—highlighting the ongoing love for Beirut amidst the shadows of its troubled history, and illustrating how resilience comes with both emotional costs and hope for renewal.

Overall, “Do You Love Me” is a profound reflection on Beirut’s identity—shaped by fragmentation, vitality, and an unbreakable love for the city. The film invites viewers to ask themselves and others: do you love me? The answer resonates deeply within the Lebanese experience of enduring and thriving despite everything.

The post “Do You Love Me”, interview with director Lana Daher appeared first on Fred Film Radio.