Global Critics Venice Voice, hosted by internationally renowned film critic Rita Di Santo, is the daily podcast of the 82nd Venice International Film Festival, produced by FRED Film Radio directly from the Lido di Venezia.

Each episode takes listeners inside the Festival with exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the year’s most anticipated films.

Rita Di Santo and her guests bring to life the unique atmosphere of Venice, offering a rare insider’s view of the stories, talent, and cinematic moments that make the Mostra one of the world’s most celebrated cultural events.

In this episode of Global Critics Venice Voice Rita Di Santo hosts:

Nicholas Barber (BBC. UK), Ben Croll (Varity, Canada) and Kerem Akca (Post, Turchia).

The post Highlights and film critics from the 82nd Venice Film Festival – episode 1/09 appeared first on Fred Film Radio.

A groundbreaking new film is making waves at the Venice Italy film festival, blending science fiction with African storytelling. During Giornate degli Autori, filmmaker Damien Hauser and actress Shandra Apondi discussed the innovative approach behind “Memory of Princess Mumbi“, emphasizing its role in shaping the future of African cinema and its recognition on the international stage. With themes of humanism, AI, and experimental visuals, the film marks a significant departure from traditional narratives, promising to influence both local and global cinematic landscapes.

“Memory of Princess Mumbi” stands out as a visionary project that marries science fiction with deep human themes. The creators highlighted how the film explores a futuristic vision rooted in African perspectives, diverging from conventional sci-fi tropes. “It’s very different from anything I’ve ever made before,” one filmmaker shared. “I wanted to blend elements of humor, family moments, and a sense of humanism, all while imagining possible futures.” This experimental approach aims to elevate African cinema to new heights, opening doors for stories grounded in local culture but reaching an international audience.

The film’s narrative centers on building complex characters, inspired by real-life experiences and personal stories. “I didn’t follow any particular story; I tried to be that girl — authentic and unique,” a director explained. The focus on genuine character-building, set against a backdrop of futuristic footage, creates a distinctive visual and emotional experience. This approach allows audiences to connect deeply with characters grappling with themes like technology and human relationships, all within an African context.

Festival attendees emphasized the significance of this movie for African cinema’s global recognition. “This film is a reflection of how African cinema can innovate and inspire,” remarked one participant. The filmmakers expressed a hopeful outlook that this film could inspire a new wave of African sci-fi movies, further positioning the continent as a hub for creative filmmaking. They noted that African cinema is emerging as a vibrant, experimental force capable of engaging audiences worldwide.

The filmmakers also discussed the role of artificial intelligence in bringing “Memory of Princess Mumbi” to life. They acknowledged both its potentials and challenges. “I’m scared because AI is growing so rapidly, and it’s powerful,” one artist admitted. Yet, they also recognized AI’s positive role in expanding creative possibilities, especially for producing science fiction on limited budgets. “Without this technology, making a sci-fi film like this would be almost impossible,” they added. The integration of AI signifies a new era in filmmaking, offering innovative tools but also raising questions about authenticity and control.

As “Memory of Princess Mumbi” garners attention at international festivals, its creators hope it signals a broader shift in African genre cinema. The film’s experimental nature and thematic depth showcase a fresh voice ready to challenge stereotypes and traditional storytelling methods. “There will be many films like this to come,” they affirmed, shattering misconceptions about what African cinema can accomplish.

In summary, “Memory of Princess Mumbi” exemplifies a bold step forward for African filmmakers aiming to combine science fiction with cultural specificity. Its innovative approach, combined with emerging technologies like AI, promises to influence future generations and elevate African stories on the global stage.

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“A sad and beautiful world“ by Cyril Aris offers a fresh perspective on human resilience and personal journeying, captivating audiences with its intimate portrayal of life’s challenges. Debuting at the prestigious Giornate degli Autori in Venice Film Festival, this film stands out as a powerful testament to resilience, exploring deep themes with sensitivity and authenticity. Its participation reinforces Venice’s reputation as a platform for innovative and meaningful cinema.

“A sad and beautiful world” delves into the emotional landscapes of individuals navigating difficult circumstances. Through evocative storytelling, the film captures the complexities of human experience, emphasizing personal growth and hope amid adversity. Its narrative structure combines heartfelt moments with subtle humor and tension, creating a relatable and immersive experience that resonates with viewers.

Since its premiere, “A sad and beautiful world” has garnered praise for its honest representation of human struggles and its compelling visual storytelling. Festival goers have expressed appreciation for its emotional depth and thoughtful narration, which challenge viewers to reflect on their own lives. Critics highlight the film’s capacity to balance profound themes with accessibility, positioning it as a must-watch at Venice.

Premiering at Venice underscores the importance of “A sad and beautiful world” within the global film community. The festival’s acclaim positions the film as a noteworthy contender in this year’s lineup, signaling its potential for wider recognition and distribution. It also marks a significant milestone for the filmmakers, spotlighting their talent and dedication to authentic storytelling.

With its strong festival reception, “A sad and beautiful world” promises to continue making an impact beyond the Venice stage. Its universal themes and heartfelt execution suggest it will resonate with diverse audiences worldwide. As the film moves forward in its distribution journey, viewers can expect a film that not only entertains but also provokes meaningful thought on life’s resilience and the human spirit.

The post “A sad and beautiful world”, interview with director Cyril Aris appeared first on Fred Film Radio.

“Ish” shines a powerful spotlight on the enduring hardships and resilience of young immigrants people in UK, making it a vital yet heartrending addition to current cinema. Debuted at Venice Critics Week, “Ish” by Imran Perretta delves into the realities faced by those living in the conflict-ridden region, capturing stories that resonate worldwide.

This compelling movie offers viewers an immersive experience into life of the youngest, revealing the day-to-day challenges amidst ongoing violence and political turmoil. The film’s creators succeed in humanizing a landscape often described solely through headlines, emphasizing personal narratives over abstract conflict. Through honest storytelling and intimate visuals, “Ish” provides a poignant look at how individuals navigate trauma, hope, and survival.

“Ish” is more than a grim account; it’s a testament to resilience. The filmmakers highlight stories of resistance, community bonding, and the unyielding spirit of the residents, despite the hardships. The movie portrays a complex tapestry of human emotions—fear, love, determination—chronicling their struggle to maintain normalcy amid chaos.

Premiering at such a significant venue underscores “Ish” relevance in today’s global discourse. Its timely release comes amid ongoing conflicts in the region, drawing international attention to issues often obscured by political rhetoric. The film prompts viewers to look beyond the headlines and understand the human stories behind the headlines.

The response from critics and audiences at the festival has been overwhelmingly positive. Many praise the film’s raw honesty and visual storytelling, which avoids sensationalism while shedding light on urgent humanitarian concerns. The filmmakers have crafted a compelling narrative that not only educates but also evokes empathy in viewers around the world.

“Ish” stands out as a significant contribution to current filmmaking, capturing the complex human realities behind one of the most persistent conflicts today. Its screening at prestigious festivals like Venice Critics Week signals its importance in contemporary cinema, offering a vital perspective on resilience amid adversity. As the film continues to resonate with viewers, it reminds us of the enduring human spirit fighting to survive and hope against all odds.

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During the 82nd edition of Venice International Film Festival we spoke with director Stephan Komandarev, director the film “Made in EU”, presented in Venice 82 in the Venezia Spotlight section. The film is an exploration of the bulgarian countryside, where a textile factory a woman struggles with an unknown disease. Once it’s discovered that it’s the first Covid case in the Country, her life becomes the outburst of a series of accusations that try to blame her for the poor working conditions of the factory itself.

During our interview with FRED Film Radio, our guest Stephan Komandarev expressed his thoughts on how aggressive capitalism can be, on how every workers deserve dignity and how to shed a light on the exploited workers of eastern Europe, that are hidden behind the apparently safe label “made in Europe”.

The post “Made in EU”, interview with director Stephan Komandarev appeared first on Fred Film Radio.

Global Critics Venice Voice, hosted by internationally renowned film critic Rita Di Santo, is the daily podcast of the 82nd Venice International Film Festival, produced by FRED Film Radio directly from the Lido di Venezia.

Each episode takes listeners inside the Festival with exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the year’s most anticipated films.

Rita Di Santo and her guests bring to life the unique atmosphere of Venice, offering a rare insider’s view of the stories, talent, and cinematic moments that make the Mostra one of the world’s most celebrated cultural events.

In this episode of Global Critics Venice Voice Rita Di Santo hosts:

Fernando Lima (film critic former artistic director of Mar Del Plata, Agentina) and Kevin Maher (The Times London, UK).

The post Highlights and film critics from the 82nd Venice Film Festival – episode 31/08 appeared first on Fred Film Radio.

During the 82nd edition of Venice International Film Festival we spoke with director Kent Jones and actor Edmund Donovan for the film “Late Fame”, presented in Venice 82 in the Orizzonti section. The film tells the story of Ed Saxberger, a poet of the New York’s “old guard” that many years ago published a book that didn’t get the attention it deserved, but that now is being rediscovered by a new group of young artists. This late recognition allows him to make peace again with his talent, and to reflect on his cultural relevance.

During our interview with FRED Film Radio, our guests Kent Jones and Edmund Donovan expressed their thoughts on the retro-mania that happens often in the present time, but also on what does it mean for the contemporary youth to seek for icons to look up to.

The post “Late Fame”, interview with director Kent Jones and actor Edmund Donovan appeared first on Fred Film Radio.

During the 82nd edition of Venice International Film Festival we spoke with Willem Dafoe and Greta Lee, main actors of the film “Late Fame”, directed by Kent Jones and presented in Venice 82 in the Orizzonti section. The film tells the story of Ed Saxberger, a poet of the New York’s “old guard” that many years ago published a book that didn’t get the attention it deserved, but that now is being rediscovered by a new group of young artists. This late recognition allows him to make peace again with his talent, and to reflect on his cultural relevance.

During our interview with FRED Film Radio, our guests Willem Dafoe and Greta Lee focused on the connection between cultural justice, authenticity and social reparation, on the New York downtown artistic scene and on the symbiotic relationship that these two characters have with the production of art, in every form.

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Laura Poitras comes back to the Venice International Film Festival this time for a co-direction, with Mark Obenhaus, of a strong documentary film, “Cover-Up”, with and about Seymour Hersh, Pulitzer Prize recipient and worldwide famous investigative reporter.

Laur Poitras cannot stress enough how the work od Seymour Hersh  is unparalleled in journalism in the United States. And what he has revealed , particularly about the government, the US government and abuse of power, which is a theme  she cares about a lot. He was very, very protective of his process and his sources. And he also didn’t want to be the focus of the film: it’s his journalism that’s the subject. But, he is a really fascinating character: making the audience to  get a taste of that complex character that is Seymour Hersh was always a goal for the directors.

Laura Poitras and Mark Obenhaus agree on the fact that they would have not spend the two and a half years of their lives and they wouldn’t be asking Sy for over almost two decades to make the film if they didn’t think it was historically relevant. Today, it’s all about the press and the importance of having an adversarial investigative press that challenges state narratives and does that consistently and uncovers facts. We needed it in the 60s. We need it today.

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Discover the dark yet immersive world of “Bearcave”, a compelling film premiered at the Venice Film Festival’s Giornate degli Autori section. This Greek-inspired story explores themes of folklore, collective memory, and haunting visuals, weaving a rich tapestry that captivates audiences through its striking imagery and innovative sound design.

“Bearcave” emerges as a vivid reflection of Greek mythology, with the backdrop set amid rugged mountains and traditional folklore. The filmmakers draw deeply from regional influences, blending personal experiences with artistic vision to craft an evocative narrative. According to the director, the film’s collective approach was instrumental in navigating the story’s complex layers—a process that fostered collaboration and enriched the final product.

Throughout the interview at Venice, the creators emphasized how their regional ties and shared creative effort shaped “Bearcave” allowing them to authentically depict the spiritual and cultural nuances of Greek tradition. This collective ethos not only supported story development but also enhanced the film’s atmospheric depth, drawing viewers into a world where myth and reality intertwine.

A standout aspect of “Bearcave” is its distinctive soundscape, crafted by acclaimed composer John Turnes. The soundtrack is a hybrid blend that balances sharp, modern sound design with traditional musical elements, creating a layered auditory experience that complements the film’s visual aesthetic.

Turnes explained that the sound design navigates between different emotional tones—sometimes veering into the territory of horror to evoke unease and tension, while at other moments embracing more subtle, introspective melodies. This dynamic approach maintains a sense of contrast, illustrating the film’s thematic tension between innocence and darkness.

The integration of music and visuals is meticulously designed, with the score resonating with the imagery to deepen the audience’s emotional engagement. Turnes shared insights into how he crafted this hybrid soundtrack, emphasizing the importance of emotion and atmosphere over traditional genre boundaries.

The film’s visual style stands out for its sharp design and atmospheric use of color and shadow, reminiscent of classic cinematic works like “Song of Fear.” The filmmakers aimed to evoke a sense of otherworldliness, contrasting vivid imagery with haunting soundscapes to immerse viewers fully.

This blend of audio-visual elements creates a powerful sensory experience, inviting audiences to explore the mythic landscape with both curiosity and trepidation. The deliberate juxtaposition of the innocent with the unsettling underscores the film’s core themes, making “Bearcave” a memorable and thought-provoking piece.

Premiering during the esteemed Venice Film Festival, “Bearcave“ has already garnered attention for its artistic ambition and unique storytelling approach. As it continues to circulate on the festival circuit, critics and audiences alike are praising its innovative fusion of regional folklore, visual artistry, and sound design.

“Bearcave” stands out as a project that pushes creative boundaries, offering a window into Greek mythology through a modern, collective lens. With its compelling atmosphere and layered sensory world, the film promises to leave a lasting impression on viewers seeking a cinematic experience that is both haunting and deeply rooted in cultural storytelling.

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