On this episode of Free Range, host Mike Livermore is joined by Jenny Kendler, the artist in residence with NRDC. Kendler is an artist and activist whose work focuses on climate change and biodiversity loss.
The conversation begins with a discussion of one of Kendler’s ongoing works, Amber Archive. To draw attention to the anthropogenic loss of biodiversity, this piece represents an imagined future where humanity is interested in undoing the harm that has been done. There are a number of energy intensive, high-tech initiatives in place to preserve DNA of threatened species, but Kendler imagines a more ancient and analog way (0:46-9:33).
The next work Livermore and Kendler discuss is Underground Library, which represents a library composed of discarded and unread books that sample the history of nonfiction works on climate change. This piece surveys what we’ve known about the state of the climate and how that knowledge has been dismissed. Many of these books went unread and were discarded from libraries as a result. Kendler uses a method of burning known as biochar to burn and eventually bury the books, representing their destruction and simultaneous preservation (9:34-17:48).
The Bewilder project highlights butterfly and moth eye spots which are not their eyes, but act as a decorative camouflage to evade predators. This piece serves as a biomimicry strategy inspired by activists who publish guides on how to disrupt facial recognition technology. The next piece is Birds Watching, which is a 40-foot sculpture that depicts 100 eyes of birds that are threatened or endangered by climate change. This piece is intended to represent the birds’ gaze upon us, leading viewers to question their relationship to these animals (17:49-29:21).
Studies for Bioremediation is a series of photo collages with a relationship to problematic monuments in Richmond, VA. Bioremediation allows for plants or living creatures to remove toxicity from a site. Creating a physical representation of this metaphor, Kendler implemented the idea of planting Kudzu, a quick-growing plant, at the base of the statues and letting nature do the work. The next piece is Music for Elephants, which is a restored 1921 vintage player piano with an all ivory keyboard. The music is based on data from scientists that work on elephant poaching. The keyboard plays a note for each month based on the amount of elephants that might die. This piece has a temporal existence as it unfolds through time, similar to extinction itself (29:22-48:52).
Kendler’s art is organically arising, stemming from a deeply research driven process. She finds a synchronization between the concept and the material which is very carefully articulated. Her work is always about culture change, as she emphasizes the importance of a contemporary moment that requires all of us to rise in whatever ways we can (49:53-1:01:52).
Amber Archive: https://jennykendler.com/section/480968-Amber-Archive.html
Underground Library: https://jennykendler.com/section/457238-Underground-Library.html
Bewilder: https://jennykendler.com/section/436164-Bewilder%20%28Deimatic%20Eyespot%20Camouflage%29.html
Birds Watching: https://jennykendler.com/section/466865-Birds%20Watching.html
Studies for Bioremediation: https://jennykendler.com/section/489142-Studies%20for%20Bioremediation%20%28Kudzu%29.html
Music for Elephants: https://jennykendler.com/section/442690-Music%20for%20Elephants.html